Annali di Ca’ Foscari. Serie orientale

57 | 2021

open access | peer reviewed

Keywords History of Oriental Studies • Brand China • Sugawara no Michizane • Khitan-led Liao • Tang-Song transition • Film Festival Network • Alfred Faraǧ • Code-switching • Shintai • Nur-al-Din ʿAbd-al-Raḥmān Jāmi • Shatuo • Tibetan Bon religion • Standard Hindī • Islamic linguistic thought • Morphemes order • Definiteness • 20FM • Naturalism • Musical instruments • Civilisation • Political power • Egyptian playwrights • Literary creation • Frontier clients • Realism • Words • Informal language learning • Olympic spectacle • History of Indian Studies in Italy • The feminism debate • Hindī varieties • Ancient Chinese literature • Armenian dialects • Karada • Symbolic capital • Pharaohs • Public service advertising • Mao Dun • Learning through technology • Spoken Hindī • Political dissent • Asian Film Festivals • Socialism • Areal distribution • No-Level Brick Language Education (NoLBrick) • Song Meiling • Translation policy • Gandhara • Fujiwara no Yoshifusa • Morphological change • Asianness • Okina • Transformation • Taiping Guangji • Body • Akbarian studies • Kan Takayuki • Virtual worlds • Beijing 2008 • Persian poetry • China’s national image • Festival Programming • Ge ware • Poetry • Chinese ceramics • Diptotism • Longquan kilns • Ape • Mi • Language contact • Tawfīq al-Ḥakīm • Spoken word • Swat • Poetry Banquet • Resāla-ye musiqi • Nikutai • Last day of spring • Advocacy by Teachers’ Associations • Lopon Tendzin Namdak • rDzogs chen • Translation • Cultural innovation • Kanke bunsō • Armenian • Global visibility • Monkey • Mother Tantra • Leftist parties • Yaʿqūb Ṣanūʿ • Associations of Japanese Language Teachers in Euro • Wisteria • Literary theory • Reforms and cooperation • Sanskrit Studies in Italy • Guan ware • Urmia • Japanese Language Education • Kidendō • Stupa • Teacher’s Cooperation among and beyond Europe • Social networks • Pre-Islamic • Uno Kuniichi • Chushou • Morocco • Laohudong kilns • Digital humanities • Faraḥ Šammā • word order • 2011 protests • Stair-risers • Virtual reality • Time • Localisation • Zola • Tokyo International Film Festival • Oḍi-rajas • Semantics • Flower • Literary translation • Arabic linguistic tradition • The “New Life” Movement • Corporeality and language • Daibei • Idols • Japanese language • Bai Juyi • Arabic language • Sinitic Poetry • Heian Japan • Pharaonism • Buddhist architecture • Imperfect • ʿAlī Aḥmad Bākaṯīr • Carlo Formichi • Theory of translation • Ichikawa Hiroshi • Ambiguity • Oreste Nazari • Yu Dafu • Koranic Hermeneutics • Poetic imagery • Arabic article • Catholic Missions

Permalink http://doi.org/10.30687/AnnOr/2385-3042/2021/01 | Published June 30, 2021 | Language en, it

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