Annali di Ca’ Foscari. Serie orientale

57 | 2021

open access | peer reviewed

Keywords Olympic spectacle • Imperfect • Tibetan Bon religion • Akbarian studies • Leftist parties • Yaʿqūb Ṣanūʿ • Standard Hindī • Armenian dialects • Oreste Nazari • Stair-risers • 20FM • Shatuo • Global visibility • China’s national image • Heian Japan • Oḍi-rajas • Code-switching • Flower • History of Oriental Studies • Uno Kuniichi • Wisteria • Lopon Tendzin Namdak • The feminism debate • Japanese language • ʿAlī Aḥmad Bākaṯīr • Words • Ge ware • Political dissent • Poetry • Tawfīq al-Ḥakīm • Socialism • Catholic Missions • Resāla-ye musiqi • Musical instruments • Islamic linguistic thought • Buddhist architecture • No-Level Brick Language Education (NoLBrick) • rDzogs chen • Carlo Formichi • Literary theory • Time • Poetry Banquet • Persian poetry • Urmia • Areal distribution • Longquan kilns • Arabic language • Chinese ceramics • Guan ware • Swat • Learning through technology • Ancient Chinese literature • Public service advertising • Monkey • Taiping Guangji • The “New Life” Movement • Informal language learning • Laohudong kilns • Reforms and cooperation • word order • Asianness • Hindī varieties • Associations of Japanese Language Teachers in Euro • Virtual worlds • Chushou • Koranic Hermeneutics • 2011 protests • Transformation • Social networks • Translation • Sinitic Poetry • Poetic imagery • Cultural innovation • Virtual reality • Alfred Faraǧ • Diptotism • Realism • Spoken word • Karada • Fujiwara no Yoshifusa • Language contact • Stupa • History of Indian Studies in Italy • Teacher’s Cooperation among and beyond Europe • Spoken Hindī • Frontier clients • Advocacy by Teachers’ Associations • Sanskrit Studies in Italy • Naturalism • Idols • Nikutai • Morphemes order • Gandhara • Khitan-led Liao • Egyptian playwrights • Pharaonism • Civilisation • Semantics • Bai Juyi • Ichikawa Hiroshi • Asian Film Festivals • Symbolic capital • Morocco • Arabic linguistic tradition • Zola • Ambiguity • Nur-al-Din ʿAbd-al-Raḥmān Jāmi • Festival Programming • Morphological change • Mother Tantra • Kan Takayuki • Okina • Localisation • Political power • Armenian • Literary creation • Definiteness • Kidendō • Brand China • Literary translation • Beijing 2008 • Faraḥ Šammā • Translation policy • Song Meiling • Film Festival Network • Ape • Japanese Language Education • Arabic article • Digital humanities • Last day of spring • Yu Dafu • Corporeality and language • Daibei • Pre-Islamic • Theory of translation • Shintai • Tang-Song transition • Kanke bunsō • Sugawara no Michizane • Pharaohs • Tokyo International Film Festival • Mao Dun • Body • Mi

Permalink http://doi.org/10.30687/AnnOr/2385-3042/2021/01 | Pubblicato 30 Giugno 2021 | Lingua it, en

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