Fragile Selves
open access | peer reviewed-
a cura di
- Giulia Baquè - Università Ca’ Foscari Venezia, Italia - email
- Rossella Roncati - Università Ca’ Foscari Venezia, Italia - email
Keywords Noise • Loudspeaker • Censorship • Negotiation • National cinema • Political space • Literature and Cinema • Necrocene • Neoliberalism • Authorship • Taiwan cinema • Cultural analysis • Marginalisation • Subalternity • Meiji Restoration • Taiwanese identity • Historical narrative • Fragility • Precarity • Cold War, Cultural Diplomacy, Modern Dance, United • Neo-Marxism • Postcolonial studies • Public sympathy • Ontological securitisation • Transgender • Soundscape • Psychopolitics • Radio • Resistance • Decolonization • Necropolitics • Feminism • Moral panics • Sound • Statues • Critical theory • Chinese art-house cinema • China • COVID-19 • Theatre of power • Vulnerability • Marketisation • Imperial taboo • Sexual assault • Extinction studies • New historicism • Art-house cinema
Permalink http://doi.org/10.30687/AnnOr/2385-3042/2023/02 | Pubblicato 01 Dicembre 2023 | Lingua en
Copyright © Giulia Baquè, Rossella Roncati. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.