Fragile Selves
open access | peer reviewed-
a cura di
- Giulia Baquè - Università Ca’ Foscari Venezia, Italia - email
- Rossella Roncati - Università Ca’ Foscari Venezia, Italia - email
Keywords Resistance • Noise • Sound • Cold War, Cultural Diplomacy, Modern Dance, United • Transgender • Vulnerability • Chinese art-house cinema • Negotiation • Postcolonial studies • Marginalisation • Subalternity • National cinema • New historicism • Decolonization • Censorship • Literature and Cinema • Meiji Restoration • Historical narrative • Critical theory • Marketisation • Soundscape • Taiwan cinema • Theatre of power • Feminism • Statues • Radio • Necropolitics • Precarity • Psychopolitics • Imperial taboo • Ontological securitisation • Sexual assault • Art-house cinema • Taiwanese identity • Cultural analysis • Authorship • Neoliberalism • Neo-Marxism • Public sympathy • Necrocene • COVID-19 • China • Fragility • Loudspeaker • Moral panics • Political space • Extinction studies
Permalink http://doi.org/10.30687/AnnOr/2385-3042/2023/02 | Pubblicato 01 Dicembre 2023 | Lingua en
Copyright © Giulia Baquè, Rossella Roncati. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.