Fragile Selves
open access | peer reviewed-
a cura di
- Giulia Baquè - Università Ca’ Foscari Venezia, Italia - email
- Rossella Roncati - Università Ca’ Foscari Venezia, Italia - email
Keywords Noise • Cold War, Cultural Diplomacy, Modern Dance, United • Sexual assault • Subalternity • Chinese art-house cinema • Cultural analysis • Ontological securitisation • Public sympathy • China • Critical theory • Historical narrative • Negotiation • Imperial taboo • Taiwan cinema • Neoliberalism • Theatre of power • Sound • Censorship • Postcolonial studies • Marketisation • Art-house cinema • Vulnerability • Feminism • Statues • Soundscape • Loudspeaker • Precarity • Taiwanese identity • Meiji Restoration • Decolonization • Authorship • COVID-19 • Necrocene • Radio • Resistance • Extinction studies • Transgender • National cinema • Literature and Cinema • Necropolitics • Political space • Moral panics • New historicism • Neo-Marxism • Psychopolitics • Marginalisation • Fragility
Permalink http://doi.org/10.30687/AnnOr/2385-3042/2023/02 | Pubblicato 01 Dicembre 2023 | Lingua en
Copyright © Giulia Baquè, Rossella Roncati. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.