MDCCC 1800

6 | 2017

open access | peer reviewed
Abstract

Keywords Egypt • Paris • World Fairs • Eclecticism • Ottoman Turkey • Khedive Ismail • Eugenio Linati • Zaragoza • Expositions Universelles • Glasswork • Simbolism • Surrealism • Landscape painting • Peredvizhniki • Fin-de-siècle • Liberty • Persia • Commission of monuments • Murano • Decorative arts • Imperial Fine Arts Academy • Paris 1867 • Emilio Longoni • Lombardy • World’s Fair • American Art • Exhibition • Divisionismo • Adolfo Hohenstein • Exposition Universelle • Vienna • Cosmopolitanism • Mosaic • Avant-garde Exhibitions • Display • Photography • Weltausstellung • Russian fine art • Ottoman Empire • Art Exhibition • Islamic Art • Giacomo Salvadori • Heritage • Antonio Salviati • Alessandro Volta • Como • World’s Columbian Exposition • Industrial arts • Art nouveau • Russian painters in America • American Artists • Colonialism • Costantino Gilodi • Carlo Ceppi

Permalink http://doi.org/10.14277/2280-8841/MDCCC-6-17 | Pubblicato 31 Luglio 2017 | Lingua it, en

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