MDCCC 1800

6 | 2017

open access | peer reviewed
Abstract

Keywords Costantino Gilodi • Heritage • Surrealism • Divisionismo • World’s Fair • Alessandro Volta • Islamic Art • Industrial arts • Murano • Art Exhibition • Eclecticism • Cosmopolitanism • Russian painters in America • Peredvizhniki • World’s Columbian Exposition • Imperial Fine Arts Academy • World Fairs • Colonialism • Khedive Ismail • Lombardy • Avant-garde Exhibitions • Exposition Universelle • Ottoman Turkey • Zaragoza • Carlo Ceppi • Persia • Commission of monuments • Liberty • Weltausstellung • Display • Eugenio Linati • Simbolism • Exhibition • Paris 1867 • Egypt • Decorative arts • Photography • Emilio Longoni • Landscape painting • Ottoman Empire • Adolfo Hohenstein • Mosaic • Glasswork • Vienna • Expositions Universelles • Antonio Salviati • American Art • American Artists • Art nouveau • Paris • Giacomo Salvadori • Fin-de-siècle • Como • Russian fine art

Permalink http://doi.org/10.14277/2280-8841/MDCCC-6-17 | Pubblicato 31 Luglio 2017 | Lingua en, it

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