Edizioni Ca' Foscari

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Fascicolo monografico
open access peer reviewed

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Lingua: it, en

Pubblicato: 31 Luglio 2017

Keywords

American Artists • World’s Fair • Antonio Salviati • Adolfo Hohenstein • Costantino Gilodi • Colonialism • Russian fine art • Landscape painting • Alessandro Volta • Fin-de-siècle • Ottoman Turkey • Persia • Khedive Ismail • Exhibition • Heritage • Paris 1867 • Russian painters in America • Liberty • World Fairs • Zaragoza • Expositions Universelles • Imperial Fine Arts Academy • Islamic Art • Surrealism • Display • Weltausstellung • Exposition Universelle • Decorative arts • Mosaic • Eugenio Linati • Egypt • World’s Columbian Exposition • Como • Photography • Simbolism • Vienna • Glasswork • Murano • Peredvizhniki • Industrial arts • Carlo Ceppi • Art Exhibition • Avant-garde Exhibitions • Lombardy • Eclecticism • Ottoman Empire • American Art • Commission of monuments • Giacomo Salvadori • Cosmopolitanism • Paris • Divisionismo • Art nouveau • Emilio Longoni

permalink http://doi.org/10.14277/2280-8841/MDCCC-6-17

Copyright: © 2017 This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.