7 | 2018

Keywords Abbozzo • Applied arts • Getty Research Institute • Andrea Mantegna • Argentinian art • Degas • Grand Tour • Academy of Arcadia • Mural painting • Titian • Paul Delaroche • Salon • Picturesque • 19th Century Italian paintings • Milan • Koch • Mussini • Raffaele Vincenzo Barone • Stanze a boschereccia • Rome • Giuseppe Sogni • Høyen • James Malton • Pattern book • Connoisseurship • Belgium • La Jeune Belgique • Dante’s mask • Etchings • George Augustus Wallis • L’Art Moderne • Giuseppe De Nittis • Veit • Francesco Hayez • Papal states • Matteo Casella • Impressionism • Delacroix • Ambrogio Uboldo • L • Charles Heathcote Tatham • Brera • Experimental series • Market • Theatre decoration • Claude Monet • Cottages • Art collections • 19th Century French paintings • Arcadian Iconography • Cernusco sul Naviglio • Cultural exchanges • Ingres • Valenti Gonzaga • N • Joseph Michael Gandy • Vittorio Pica

Permalink http://doi.org/10.30687/MDCCC/2280-8841/2018/07 | Pubblicato 31 Luglio 2018 | Lingua es, it

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.