Rinascita/Revival | Rebirth/Revival II

Keywords Erudition • Société d’encouragement des arts • History of architecture • Danish Golden Age • Pompeo Pozzi • Art photography • Wilhelm Bendz • Revival • Antiquities market • Romanticism • Renaissance • Iconography • Musée d’échantillons • Musée d’art et d’industrie • Ditlev Blunck • Raphael • Historical Painting • Natalis Rondot • Portugal • Andalusia (Spain) • Dutch Golden Age • Musée d’art industriel • Fortuna • Genio dell’Indipendenza Nazionale • Connoisseurship • Luigi Valeriano Pozzi • Alexandre de Sousa Holstein • Antonio Canova • Frederik Christian Sibbern • Photography • Merchants • École Stroganov • Provenances • Art industriel • Conventionalism • Giovanni Morelli • Milano • Italian Risorgimento • Pedro de Sousa Holstein • Giovanni Gherardo De Rossi • Dmitry Grigorovitch • Adolfo Venturi • 19th century Milan • Engraving • Genre painting • Carlo Amoretti • Academy of Fine Arts • Stefano Borgia • Editors • Civil function of the museum • Florence • Parisian Salons • Giorgione • Royal Gallery of Turin • Galleria De Cristoforis • Seroux d’Agincourt • Historical Romanticism • Marco Minghetti • Collecting • Albert Küchler • Architects • Projects • Corrado Ricci • Ceramics • Antiquarian history • Training of artists • Travel diaries • Art market • History Painting • Art publishing • Greek vases • South Kensington Museum • Arts décoratifs • Stefano Bardini • Henrik Hertz • Lombard primitives • Cesare dell’Acqua • Markets

Permalink http://doi.org/10.30687/MDCCC/2280-8841/2022/11 | Pubblicato 24 Ottobre 2022 | Lingua fr, pt, es, it, en

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