Rinascita/Revival | Rebirth/Revival II

Keywords Musée d’art industriel • Greek vases • Stefano Bardini • Civil function of the museum • Giovanni Morelli • Engraving • 19th century Milan • South Kensington Museum • Marco Minghetti • Antiquarian history • History Painting • Arts décoratifs • Conventionalism • Art industriel • Dmitry Grigorovitch • Alexandre de Sousa Holstein • Giorgione • Antiquities market • Iconography • Art market • Natalis Rondot • Ceramics • Genre painting • Wilhelm Bendz • Musée d’échantillons • Art photography • Raphael • Adolfo Venturi • Art publishing • Architects • Historical Painting • Travel diaries • Galleria De Cristoforis • Romanticism • Seroux d’Agincourt • Ditlev Blunck • Danish Golden Age • Luigi Valeriano Pozzi • Genio dell’Indipendenza Nazionale • Renaissance • École Stroganov • Academy of Fine Arts • Pompeo Pozzi • Portugal • Editors • Andalusia (Spain) • Carlo Amoretti • Italian Risorgimento • Musée d’art et d’industrie • Lombard primitives • Florence • Collecting • Corrado Ricci • Henrik Hertz • Royal Gallery of Turin • Markets • Pedro de Sousa Holstein • Fortuna • Photography • Antonio Canova • Frederik Christian Sibbern • Giovanni Gherardo De Rossi • Parisian Salons • Historical Romanticism • Revival • Merchants • Projects • Albert Küchler • Stefano Borgia • Cesare dell’Acqua • Erudition • Provenances • Milano • Training of artists • Dutch Golden Age • History of architecture • Société d’encouragement des arts • Connoisseurship

Permalink http://doi.org/10.30687/MDCCC/2280-8841/2022/11 | Pubblicato 24 Ottobre 2022 | Lingua en, it, pt, es, fr

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