Rinascita/Revival | Rebirth/Revival II

Keywords Frederik Christian Sibbern • Markets • Milano • Engraving • Greek vases • South Kensington Museum • Iconography • Wilhelm Bendz • Alexandre de Sousa Holstein • Marco Minghetti • Giovanni Gherardo De Rossi • Giorgione • Ceramics • Pedro de Sousa Holstein • Carlo Amoretti • Luigi Valeriano Pozzi • Art industriel • Historical Romanticism • Renaissance • Corrado Ricci • Royal Gallery of Turin • Historical Painting • Revival • Art market • Stefano Borgia • Antiquities market • Raphael • Parisian Salons • Arts décoratifs • Dmitry Grigorovitch • Provenances • Editors • Art photography • Civil function of the museum • Musée d’échantillons • Genre painting • Cesare dell’Acqua • Antonio Canova • 19th century Milan • Galleria De Cristoforis • Italian Risorgimento • Collecting • Seroux d’Agincourt • Academy of Fine Arts • Albert Küchler • Conventionalism • Société d’encouragement des arts • Florence • Giovanni Morelli • Connoisseurship • Romanticism • Antiquarian history • Stefano Bardini • Projects • Portugal • Photography • Fortuna • History of architecture • Architects • Travel diaries • Natalis Rondot • Art publishing • Lombard primitives • Genio dell’Indipendenza Nazionale • Pompeo Pozzi • École Stroganov • Danish Golden Age • Adolfo Venturi • History Painting • Ditlev Blunck • Merchants • Andalusia (Spain) • Erudition • Dutch Golden Age • Musée d’art industriel • Training of artists • Musée d’art et d’industrie • Henrik Hertz

Permalink http://doi.org/10.30687/MDCCC/2280-8841/2022/11 | Pubblicato 24 Ottobre 2022 | Lingua es, pt, en, fr, it

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