Rinascita/Revival | Rebirth/Revival II
open access | peer reviewedKeywords Portugal • Ceramics • École Stroganov • Albert Küchler • Antiquarian history • Antiquities market • Musée d’art industriel • Connoisseurship • Provenances • Civil function of the museum • Engraving • Danish Golden Age • Erudition • Galleria De Cristoforis • Merchants • Andalusia (Spain) • Giovanni Gherardo De Rossi • Training of artists • Milano • Revival • Collecting • Giorgione • Luigi Valeriano Pozzi • Frederik Christian Sibbern • Arts décoratifs • Carlo Amoretti • Historical Painting • Raphael • Pompeo Pozzi • Wilhelm Bendz • Architects • Art publishing • Conventionalism • Alexandre de Sousa Holstein • History of architecture • Dutch Golden Age • Ditlev Blunck • Art market • Pedro de Sousa Holstein • Romanticism • 19th century Milan • Projects • Royal Gallery of Turin • Renaissance • Art photography • History Painting • Stefano Bardini • South Kensington Museum • Genre painting • Historical Romanticism • Fortuna • Marco Minghetti • Editors • Art industriel • Cesare dell’Acqua • Markets • Musée d’échantillons • Dmitry Grigorovitch • Iconography • Adolfo Venturi • Photography • Musée d’art et d’industrie • Lombard primitives • Travel diaries • Henrik Hertz • Seroux d’Agincourt • Italian Risorgimento • Academy of Fine Arts • Florence • Genio dell’Indipendenza Nazionale • Stefano Borgia • Natalis Rondot • Société d’encouragement des arts • Greek vases • Corrado Ricci • Antonio Canova • Giovanni Morelli • Parisian Salons
Permalink http://doi.org/10.30687/MDCCC/2280-8841/2022/11 | Published Oct. 24, 2022 | Language fr, it, en, pt, es
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