Rinascita/Revival | Rebirth/Revival II
open access | peer reviewedKeywords Renaissance • Erudition • Art market • Historical Painting • Training of artists • Lombard primitives • Giorgione • Civil function of the museum • Raphael • Stefano Borgia • Parisian Salons • Editors • 19th century Milan • Art industriel • Giovanni Morelli • Musée d’art et d’industrie • Florence • Marco Minghetti • Antonio Canova • Carlo Amoretti • Arts décoratifs • Provenances • Wilhelm Bendz • Albert Küchler • Pedro de Sousa Holstein • Adolfo Venturi • Musée d’art industriel • Conventionalism • Andalusia (Spain) • Architects • South Kensington Museum • Genio dell’Indipendenza Nazionale • Markets • History Painting • Giovanni Gherardo De Rossi • Art publishing • Galleria De Cristoforis • Frederik Christian Sibbern • Natalis Rondot • Seroux d’Agincourt • Projects • Revival • Greek vases • Italian Risorgimento • Photography • Connoisseurship • Iconography • École Stroganov • Engraving • Dutch Golden Age • Danish Golden Age • Historical Romanticism • Dmitry Grigorovitch • Alexandre de Sousa Holstein • Fortuna • Genre painting • Luigi Valeriano Pozzi • Portugal • Corrado Ricci • Ceramics • Cesare dell’Acqua • Musée d’échantillons • Antiquities market • Milano • Royal Gallery of Turin • Antiquarian history • Collecting • Romanticism • Academy of Fine Arts • Art photography • Ditlev Blunck • Henrik Hertz • Merchants • Travel diaries • History of architecture • Pompeo Pozzi • Stefano Bardini • Société d’encouragement des arts
Permalink http://doi.org/10.30687/MDCCC/2280-8841/2022/11 | Published Oct. 24, 2022 | Language pt, fr, en, es, it
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