Rinascita/Revival | Rebirth/Revival II
open access | peer reviewedKeywords Giovanni Morelli • Carlo Amoretti • Giorgione • Antonio Canova • Société d’encouragement des arts • Raphael • Stefano Borgia • Galleria De Cristoforis • Dmitry Grigorovitch • Pedro de Sousa Holstein • South Kensington Museum • Arts décoratifs • Projects • Alexandre de Sousa Holstein • Erudition • Florence • Seroux d’Agincourt • Art industriel • Fortuna • Andalusia (Spain) • Frederik Christian Sibbern • Revival • Henrik Hertz • Art publishing • Pompeo Pozzi • Parisian Salons • Wilhelm Bendz • History Painting • Italian Risorgimento • Musée d’art industriel • Marco Minghetti • Lombard primitives • Danish Golden Age • Genio dell’Indipendenza Nazionale • Travel diaries • Historical Romanticism • Art market • Ceramics • Academy of Fine Arts • Milano • Provenances • Albert Küchler • 19th century Milan • Photography • Corrado Ricci • Natalis Rondot • Antiquities market • Giovanni Gherardo De Rossi • Merchants • Renaissance • Stefano Bardini • Musée d’art et d’industrie • Iconography • Luigi Valeriano Pozzi • Royal Gallery of Turin • École Stroganov • Connoisseurship • Markets • Conventionalism • Collecting • Adolfo Venturi • Greek vases • Architects • Editors • Portugal • Civil function of the museum • Romanticism • Dutch Golden Age • Art photography • Ditlev Blunck • History of architecture • Musée d’échantillons • Cesare dell’Acqua • Historical Painting • Genre painting • Engraving • Training of artists • Antiquarian history
Permalink http://doi.org/10.30687/MDCCC/2280-8841/2022/11 | Published Oct. 24, 2022 | Language en, pt, it, fr, es
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