Rinascita/Revival | Rebirth/Revival II
open access | peer reviewedKeywords Erudition • Engraving • Genre painting • Henrik Hertz • Markets • Dmitry Grigorovitch • Musée d’échantillons • Art photography • Musée d’art industriel • Provenances • Revival • Wilhelm Bendz • Art market • Art publishing • Connoisseurship • Royal Gallery of Turin • History Painting • Musée d’art et d’industrie • Travel diaries • Antiquarian history • Cesare dell’Acqua • École Stroganov • Stefano Borgia • Ceramics • Historical Romanticism • 19th century Milan • Raphael • South Kensington Museum • Fortuna • Albert Küchler • Iconography • Société d’encouragement des arts • Natalis Rondot • Arts décoratifs • Carlo Amoretti • Art industriel • Giorgione • Pompeo Pozzi • Milano • Florence • Dutch Golden Age • Renaissance • Corrado Ricci • Antiquities market • Seroux d’Agincourt • Parisian Salons • Galleria De Cristoforis • Civil function of the museum • Luigi Valeriano Pozzi • Giovanni Morelli • Ditlev Blunck • Training of artists • Antonio Canova • Italian Risorgimento • Photography • Danish Golden Age • Marco Minghetti • Stefano Bardini • Genio dell’Indipendenza Nazionale • Academy of Fine Arts • Portugal • Alexandre de Sousa Holstein • Architects • Romanticism • Giovanni Gherardo De Rossi • History of architecture • Historical Painting • Greek vases • Pedro de Sousa Holstein • Collecting • Editors • Adolfo Venturi • Andalusia (Spain) • Conventionalism • Projects • Frederik Christian Sibbern • Merchants • Lombard primitives
Permalink http://doi.org/10.30687/MDCCC/2280-8841/2022/11 | Pubblicato 24 Ottobre 2022 | Lingua it, es, fr, en, pt
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