Rinascita/Revival | Rebirth/Revival II

Keywords Antonio Canova • Antiquarian history • Civil function of the museum • Fortuna • Ditlev Blunck • Albert Küchler • Romanticism • Dmitry Grigorovitch • Art industriel • Pedro de Sousa Holstein • Art photography • Florence • Connoisseurship • Genre painting • Musée d’échantillons • Musée d’art et d’industrie • Ceramics • Parisian Salons • Renaissance • Provenances • Iconography • Academy of Fine Arts • History of architecture • Travel diaries • South Kensington Museum • Wilhelm Bendz • Editors • Engraving • Seroux d’Agincourt • Galleria De Cristoforis • Projects • Dutch Golden Age • Conventionalism • Markets • Royal Gallery of Turin • Stefano Bardini • Pompeo Pozzi • Architects • Marco Minghetti • Antiquities market • Carlo Amoretti • Frederik Christian Sibbern • Cesare dell’Acqua • Corrado Ricci • Portugal • Musée d’art industriel • Italian Risorgimento • Merchants • Collecting • Giorgione • Genio dell’Indipendenza Nazionale • Art market • École Stroganov • Greek vases • Lombard primitives • Giovanni Morelli • Danish Golden Age • Photography • Stefano Borgia • Arts décoratifs • Historical Painting • Raphael • Alexandre de Sousa Holstein • History Painting • Société d’encouragement des arts • Art publishing • Luigi Valeriano Pozzi • Natalis Rondot • Erudition • Giovanni Gherardo De Rossi • Historical Romanticism • Andalusia (Spain) • 19th century Milan • Henrik Hertz • Milano • Adolfo Venturi • Revival • Training of artists

Permalink http://doi.org/10.30687/MDCCC/2280-8841/2022/11 | Pubblicato 24 Ottobre 2022 | Lingua fr, es, en, it, pt

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