Rinascita/Revival | Rebirth/Revival II

Keywords Merchants • Adolfo Venturi • Pompeo Pozzi • Dutch Golden Age • Genre painting • Engraving • Stefano Bardini • Lombard primitives • History Painting • Alexandre de Sousa Holstein • Greek vases • Architects • Iconography • Raphael • Luigi Valeriano Pozzi • Ceramics • Provenances • Art industriel • Ditlev Blunck • Editors • Milano • Markets • Training of artists • Natalis Rondot • Cesare dell’Acqua • Art market • Société d’encouragement des arts • 19th century Milan • Connoisseurship • Arts décoratifs • Fortuna • Civil function of the museum • Albert Küchler • Frederik Christian Sibbern • Giovanni Morelli • Antonio Canova • Academy of Fine Arts • Marco Minghetti • Danish Golden Age • Art photography • Revival • Travel diaries • Seroux d’Agincourt • Royal Gallery of Turin • Erudition • Galleria De Cristoforis • Pedro de Sousa Holstein • Andalusia (Spain) • Dmitry Grigorovitch • Corrado Ricci • Musée d’échantillons • Photography • South Kensington Museum • Wilhelm Bendz • Henrik Hertz • Giovanni Gherardo De Rossi • Genio dell’Indipendenza Nazionale • Antiquarian history • École Stroganov • Italian Risorgimento • Florence • Art publishing • Collecting • Musée d’art industriel • Projects • Parisian Salons • Carlo Amoretti • Portugal • History of architecture • Historical Romanticism • Antiquities market • Stefano Borgia • Romanticism • Conventionalism • Historical Painting • Musée d’art et d’industrie • Giorgione • Renaissance

Permalink http://doi.org/10.30687/MDCCC/2280-8841/2022/11 | Pubblicato 24 Ottobre 2022 | Lingua it, fr, es, pt, en

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