MDCCC 1800

12 | 2023

open access | peer reviewed

Keywords Adolfo Venturi • Note azzurre • Restoration • Project • Pinacoteca di Brera • Genoa • Architecture • Giorgio Vasari • Iconography • Railway station • Museum in Corbetta • Catania • Giovan Battista Piranesi • Massa Lombarda • Cesare Beccaria • Giovan Battista Bassi • Vincenzo Martinelli • Brera • Accademia Clementina • Nineteenth-century colonial architecture • Museology • Historicism • Giacomo Boni • Urban planning • Portrait • Jacques-Louis David • Empire • Pictorial decoration • Art Criticism • Royal palace • Angelo Venturoli • Ravenna • Antiquarium Forense • Pompeo Marchesi • Neoclassicism in Catalonia • Melbourne • Masquerades • Drawing • Australia • James Goold • Set design • Alfonso Rubbiani • Tableaux vivants • Gothic Revival style • San Michele in Bosco • Corrado Ricci • Museum Catalogues • Photography • Landscape • Living Paintings • Solomon Caesar Malan • Piazza San Giovanni • Sculpture • Rome • Scenography • Archaeology • Opera • Harding • Carlo Dossi • Stefano Della Bella • Galleria Nazionale di Parma • Ephemeral buildings • Feasts • Revolutions • Ruskin • Catholic Church architecture • Communication bridge • William Wardell • Milan • Pupils • Giuseppe Bossi • Giuseppe Bacchelli • Napoleon • Aphorisms on Drawing • Masters • Francesco Gandolfi • Andrea Appiani • Antoine-Jean Gros • Nineteenth-century Barcelona • Romanticism • King Charles IV in Barcelona • Neoclassicism • Valadier • Bologna • Pope Benedict XIV

Permalink http://doi.org/10.30687/MDCCC/2280-8841/2023/01 | Pubblicato 04 Dicembre 2023 | Lingua es, en, it

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