MDCCC 1800

12 | 2023

open access | peer reviewed

Keywords Romanticism • Corrado Ricci • Living Paintings • Aphorisms on Drawing • Note azzurre • Pinacoteca di Brera • Portrait • Architecture • Giacomo Boni • Napoleon • Neoclassicism in Catalonia • Angelo Venturoli • Alfonso Rubbiani • Urban planning • Adolfo Venturi • Giovan Battista Bassi • Empire • Masquerades • Carlo Dossi • Royal palace • Archaeology • Historicism • Valadier • Ephemeral buildings • Giovan Battista Piranesi • Catania • Sculpture • San Michele in Bosco • Landscape • Brera • Giorgio Vasari • Gothic Revival style • Cesare Beccaria • Revolutions • Set design • Solomon Caesar Malan • Rome • James Goold • Milan • Photography • Pompeo Marchesi • Museology • Giuseppe Bossi • Catholic Church architecture • Masters • Scenography • Feasts • Andrea Appiani • Melbourne • Art Criticism • Railway station • Communication bridge • Restoration • Opera • Pupils • Pope Benedict XIV • Antiquarium Forense • Museum in Corbetta • Giuseppe Bacchelli • Harding • Piazza San Giovanni • Drawing • Vincenzo Martinelli • Australia • Ravenna • Bologna • Neoclassicism • Massa Lombarda • Nineteenth-century Barcelona • Iconography • Stefano Della Bella • Francesco Gandolfi • Pictorial decoration • William Wardell • Galleria Nazionale di Parma • King Charles IV in Barcelona • Accademia Clementina • Antoine-Jean Gros • Ruskin • Genoa • Museum Catalogues • Project • Nineteenth-century colonial architecture • Jacques-Louis David • Tableaux vivants

Permalink http://doi.org/10.30687/MDCCC/2280-8841/2023/01 | Published Dec. 4, 2023 | Language es, en, it

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