MDCCC 1800

12 | 2023

open access | peer reviewed

Keywords Empire • Rome • Angelo Venturoli • Antiquarium Forense • Romanticism • Bologna • Catholic Church architecture • Gothic Revival style • Piazza San Giovanni • Communication bridge • Portrait • Museum in Corbetta • Historicism • Opera • Pictorial decoration • Jacques-Louis David • Iconography • Nineteenth-century colonial architecture • Massa Lombarda • Catania • Nineteenth-century Barcelona • Giovan Battista Bassi • Stefano Della Bella • Sculpture • Accademia Clementina • Giuseppe Bossi • Antoine-Jean Gros • Scenography • Feasts • Pinacoteca di Brera • Ephemeral buildings • Giuseppe Bacchelli • Ruskin • Neoclassicism • Ravenna • Pompeo Marchesi • Genoa • Royal palace • Corrado Ricci • Galleria Nazionale di Parma • Napoleon • Restoration • Australia • William Wardell • Solomon Caesar Malan • Valadier • Landscape • Milan • Museum Catalogues • King Charles IV in Barcelona • Drawing • Tableaux vivants • Francesco Gandolfi • Cesare Beccaria • San Michele in Bosco • Vincenzo Martinelli • Museology • Melbourne • Pupils • James Goold • Revolutions • Pope Benedict XIV • Giovan Battista Piranesi • Photography • Carlo Dossi • Masquerades • Set design • Alfonso Rubbiani • Architecture • Brera • Neoclassicism in Catalonia • Archaeology • Harding • Urban planning • Giacomo Boni • Living Paintings • Aphorisms on Drawing • Railway station • Art Criticism • Giorgio Vasari • Adolfo Venturi • Note azzurre • Andrea Appiani • Masters • Project

Permalink http://doi.org/10.30687/MDCCC/2280-8841/2023/01 | Published Dec. 4, 2023 | Language es, en, it

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