MDCCC 1800

12 | 2023

open access | peer reviewed

Keywords Stefano Della Bella • Pope Benedict XIV • Museum Catalogues • Neoclassicism • Valadier • Nineteenth-century colonial architecture • Nineteenth-century Barcelona • Giovan Battista Piranesi • Brera • Masquerades • Napoleon • Francesco Gandolfi • Milan • Communication bridge • Pompeo Marchesi • Ruskin • Landscape • Pinacoteca di Brera • Museology • Antiquarium Forense • Archaeology • Solomon Caesar Malan • Neoclassicism in Catalonia • Scenography • Adolfo Venturi • Giuseppe Bossi • William Wardell • Jacques-Louis David • San Michele in Bosco • Historicism • Revolutions • Rome • Drawing • Project • Set design • Carlo Dossi • Pictorial decoration • Railway station • Catholic Church architecture • Portrait • Australia • Tableaux vivants • Melbourne • Ephemeral buildings • Catania • Photography • Restoration • Iconography • Urban planning • Antoine-Jean Gros • Living Paintings • Giuseppe Bacchelli • Empire • Harding • Corrado Ricci • Art Criticism • Genoa • Opera • Architecture • Aphorisms on Drawing • Feasts • Sculpture • Vincenzo Martinelli • Alfonso Rubbiani • Romanticism • Gothic Revival style • Note azzurre • Cesare Beccaria • Accademia Clementina • Angelo Venturoli • Giorgio Vasari • Royal palace • Pupils • James Goold • Bologna • Galleria Nazionale di Parma • Andrea Appiani • Giovan Battista Bassi • Masters • Ravenna • Piazza San Giovanni • King Charles IV in Barcelona • Massa Lombarda • Giacomo Boni • Museum in Corbetta

Permalink http://doi.org/10.30687/MDCCC/2280-8841/2023/01 | Published Dec. 4, 2023 | Language it, en, es

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