MDCCC 1800

12 | 2023

open access | peer reviewed

Keywords San Michele in Bosco • Ruskin • Giuseppe Bossi • Angelo Venturoli • Museology • Pupils • Giuseppe Bacchelli • King Charles IV in Barcelona • Sculpture • Opera • Catania • Museum in Corbetta • Giovan Battista Bassi • Iconography • Nineteenth-century Barcelona • Note azzurre • Aphorisms on Drawing • Architecture • Massa Lombarda • Photography • Valadier • Revolutions • Galleria Nazionale di Parma • Australia • Rome • Giorgio Vasari • Communication bridge • Archaeology • Accademia Clementina • Set design • Stefano Della Bella • Antiquarium Forense • Alfonso Rubbiani • Bologna • Milan • Landscape • Brera • Jacques-Louis David • James Goold • Harding • Art Criticism • Railway station • Napoleon • Catholic Church architecture • Project • Masquerades • Masters • Carlo Dossi • Giacomo Boni • Francesco Gandolfi • Ravenna • Neoclassicism in Catalonia • Andrea Appiani • Corrado Ricci • Genoa • Solomon Caesar Malan • William Wardell • Scenography • Ephemeral buildings • Melbourne • Historicism • Drawing • Restoration • Royal palace • Portrait • Nineteenth-century colonial architecture • Living Paintings • Empire • Adolfo Venturi • Antoine-Jean Gros • Museum Catalogues • Feasts • Romanticism • Pope Benedict XIV • Neoclassicism • Gothic Revival style • Urban planning • Pictorial decoration • Piazza San Giovanni • Vincenzo Martinelli • Tableaux vivants • Cesare Beccaria • Giovan Battista Piranesi • Pompeo Marchesi • Pinacoteca di Brera

Permalink http://doi.org/10.30687/MDCCC/2280-8841/2023/01 | Published Dec. 4, 2023 | Language es, it, en

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