MDCCC 1800

12 | 2023

open access | peer reviewed

Keywords Revolutions • Catholic Church architecture • Neoclassicism • Drawing • Museum in Corbetta • Neoclassicism in Catalonia • Giovan Battista Bassi • Milan • San Michele in Bosco • Aphorisms on Drawing • Solomon Caesar Malan • Railway station • Jacques-Louis David • Antoine-Jean Gros • Alfonso Rubbiani • Empire • Art Criticism • James Goold • Living Paintings • Stefano Della Bella • Giuseppe Bacchelli • Giacomo Boni • Genoa • Archaeology • Angelo Venturoli • Nineteenth-century colonial architecture • Opera • Restoration • Masquerades • Museology • Brera • Pompeo Marchesi • Architecture • Giuseppe Bossi • Australia • Gothic Revival style • Andrea Appiani • Galleria Nazionale di Parma • Urban planning • Accademia Clementina • Note azzurre • Photography • Corrado Ricci • Historicism • Cesare Beccaria • Pope Benedict XIV • Bologna • Tableaux vivants • Carlo Dossi • Set design • Communication bridge • King Charles IV in Barcelona • Sculpture • Feasts • Giorgio Vasari • Pupils • Francesco Gandolfi • Landscape • Pinacoteca di Brera • Iconography • Valadier • Ephemeral buildings • William Wardell • Giovan Battista Piranesi • Catania • Masters • Napoleon • Ravenna • Antiquarium Forense • Rome • Scenography • Piazza San Giovanni • Portrait • Harding • Adolfo Venturi • Romanticism • Melbourne • Ruskin • Vincenzo Martinelli • Royal palace • Pictorial decoration • Museum Catalogues • Massa Lombarda • Nineteenth-century Barcelona • Project

Permalink http://doi.org/10.30687/MDCCC/2280-8841/2023/01 | Published Dec. 4, 2023 | Language it, es, en

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