12 | 2023
open access | peer reviewedKeywords Brera • Valadier • Giuseppe Bacchelli • Empire • Drawing • Catholic Church architecture • Rome • Ruskin • Sculpture • Giacomo Boni • Living Paintings • Neoclassicism • Pompeo Marchesi • Nineteenth-century Barcelona • Neoclassicism in Catalonia • James Goold • Note azzurre • Communication bridge • Piazza San Giovanni • Accademia Clementina • Landscape • Cesare Beccaria • Railway station • Urban planning • Museum in Corbetta • Carlo Dossi • Portrait • Tableaux vivants • Galleria Nazionale di Parma • Melbourne • Andrea Appiani • Alfonso Rubbiani • Angelo Venturoli • Stefano Della Bella • Francesco Gandolfi • Restoration • Pope Benedict XIV • Australia • Genoa • Napoleon • Romanticism • Museology • Antoine-Jean Gros • Pinacoteca di Brera • Aphorisms on Drawing • Giovan Battista Bassi • Opera • Ravenna • William Wardell • Jacques-Louis David • Project • Feasts • Art Criticism • Historicism • San Michele in Bosco • Ephemeral buildings • Nineteenth-century colonial architecture • King Charles IV in Barcelona • Gothic Revival style • Museum Catalogues • Massa Lombarda • Iconography • Antiquarium Forense • Giorgio Vasari • Adolfo Venturi • Royal palace • Photography • Giuseppe Bossi • Masquerades • Pupils • Pictorial decoration • Bologna • Set design • Archaeology • Harding • Architecture • Scenography • Vincenzo Martinelli • Revolutions • Catania • Corrado Ricci • Milan • Solomon Caesar Malan • Masters • Giovan Battista Piranesi
Permalink http://doi.org/10.30687/MDCCC/2280-8841/2023/01 | Published Dec. 4, 2023 | Language en, it, es
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