MDCCC 1800

12 | 2023

open access | peer reviewed

Keywords Urban planning • Giacomo Boni • Nineteenth-century Barcelona • Catania • Solomon Caesar Malan • Giuseppe Bossi • Milan • Sculpture • Royal palace • Stefano Della Bella • Giovan Battista Piranesi • San Michele in Bosco • Photography • Alfonso Rubbiani • Giovan Battista Bassi • Tableaux vivants • Galleria Nazionale di Parma • Iconography • Landscape • Museology • Project • Vincenzo Martinelli • Masquerades • Corrado Ricci • Architecture • Australia • Genoa • Feasts • Melbourne • Giorgio Vasari • Set design • Francesco Gandolfi • Pictorial decoration • Masters • Scenography • Communication bridge • Neoclassicism • Catholic Church architecture • Note azzurre • William Wardell • Ravenna • Bologna • Napoleon • Piazza San Giovanni • Romanticism • Cesare Beccaria • Ruskin • Ephemeral buildings • Carlo Dossi • Gothic Revival style • Museum Catalogues • Adolfo Venturi • Empire • Brera • Andrea Appiani • Pompeo Marchesi • Portrait • Harding • Accademia Clementina • Drawing • James Goold • Pupils • Massa Lombarda • Museum in Corbetta • Restoration • Revolutions • Historicism • Giuseppe Bacchelli • Valadier • Living Paintings • Aphorisms on Drawing • Neoclassicism in Catalonia • Antoine-Jean Gros • Jacques-Louis David • King Charles IV in Barcelona • Opera • Pope Benedict XIV • Nineteenth-century colonial architecture • Antiquarium Forense • Art Criticism • Archaeology • Railway station • Pinacoteca di Brera • Rome • Angelo Venturoli

Permalink http://doi.org/10.30687/MDCCC/2280-8841/2023/01 | Published Dec. 4, 2023 | Language es, en, it

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