MDCCC 1800

12 | 2023

open access | peer reviewed

Keywords Pictorial decoration • Pope Benedict XIV • Massa Lombarda • Catholic Church architecture • Antiquarium Forense • Ravenna • Note azzurre • Restoration • Giovan Battista Bassi • Urban planning • Art Criticism • Revolutions • Tableaux vivants • Cesare Beccaria • Australia • Historicism • King Charles IV in Barcelona • Napoleon • Adolfo Venturi • James Goold • Opera • Solomon Caesar Malan • Landscape • Archaeology • Romanticism • Royal palace • Sculpture • Aphorisms on Drawing • Valadier • Living Paintings • Giuseppe Bossi • Masquerades • Set design • Antoine-Jean Gros • Jacques-Louis David • Melbourne • Corrado Ricci • Milan • Project • Vincenzo Martinelli • Ephemeral buildings • Drawing • Masters • Harding • Giorgio Vasari • Piazza San Giovanni • Museology • Portrait • Scenography • Stefano Della Bella • Railway station • Nineteenth-century Barcelona • Bologna • Carlo Dossi • Accademia Clementina • Photography • Genoa • Neoclassicism in Catalonia • Gothic Revival style • Ruskin • Galleria Nazionale di Parma • Brera • Nineteenth-century colonial architecture • Angelo Venturoli • Empire • Museum Catalogues • Giovan Battista Piranesi • Alfonso Rubbiani • Pupils • Museum in Corbetta • Pompeo Marchesi • Rome • Pinacoteca di Brera • Communication bridge • Giuseppe Bacchelli • San Michele in Bosco • Catania • Francesco Gandolfi • Iconography • William Wardell • Feasts • Giacomo Boni • Architecture • Andrea Appiani • Neoclassicism

Permalink http://doi.org/10.30687/MDCCC/2280-8841/2023/01 | Pubblicato 04 Dicembre 2023 | Lingua it, es, en

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