MDCCC 1800

12 | 2023

open access | peer reviewed

Keywords Stefano Della Bella • Catania • Iconography • Living Paintings • William Wardell • Australia • Scenography • Cesare Beccaria • Rome • Sculpture • Ephemeral buildings • Antiquarium Forense • Angelo Venturoli • Nineteenth-century colonial architecture • Corrado Ricci • Pope Benedict XIV • Pompeo Marchesi • Landscape • James Goold • Drawing • San Michele in Bosco • Alfonso Rubbiani • Museum in Corbetta • Jacques-Louis David • Valadier • Archaeology • Aphorisms on Drawing • Neoclassicism in Catalonia • Accademia Clementina • Brera • Giuseppe Bossi • Empire • Vincenzo Martinelli • Gothic Revival style • Nineteenth-century Barcelona • Bologna • Ravenna • Masters • Pinacoteca di Brera • Set design • Melbourne • Giacomo Boni • Restoration • Architecture • Railway station • Historicism • Project • Revolutions • Romanticism • Giovan Battista Bassi • Genoa • Giuseppe Bacchelli • Photography • Andrea Appiani • Harding • Museology • Museum Catalogues • Pictorial decoration • Francesco Gandolfi • Solomon Caesar Malan • Art Criticism • Urban planning • Massa Lombarda • Giovan Battista Piranesi • Feasts • Pupils • Galleria Nazionale di Parma • Carlo Dossi • Portrait • Communication bridge • Catholic Church architecture • Napoleon • King Charles IV in Barcelona • Masquerades • Adolfo Venturi • Piazza San Giovanni • Opera • Tableaux vivants • Neoclassicism • Royal palace • Ruskin • Note azzurre • Milan • Antoine-Jean Gros • Giorgio Vasari

Permalink http://doi.org/10.30687/MDCCC/2280-8841/2023/01 | Pubblicato 04 Dicembre 2023 | Lingua es, en, it

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