Venezia Arti

Rivista del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia

La ‘firma’ nell’arte. Autorialità, autocoscienza, identità e memoria degli artisti

open access | peer reviewed
Abstract

Keywords Imperfect • Volvinus • Happening • Medieval Apulia • Morganatic Marriage • Essay Film • Found Footage • Gothic Venetian Painting • Sanatorium • Tiziano • Written culture • Soliani • Rebus • Authorship • Signature • Permanence • Arnolfini • Annunciation • Museo Storico Navale • Epigraphy • Parapet • Art workshops • Self-staging • Golden Altar • Photography • Cathedral at Monza • Woodblocks • Bacchanal • Byzantine epigraphy • Samuel Beckett's Film • 1968 • Zavattari • Iconology • Contemporary Art • Torre Astura • Medieval Epigraphy • Faciebat • Devotion • Lorenzo Veneziano • Andri • Stories of Theodelinda • Inscription • Medieval Artist • Duplication • Jan van Eyck • Memorial • Angilbertus • Art history • Requiescat in Pace Corradinus • Genoa • Archive Footage • Toponym • Intellectual • Anonymity • Romanesque (France) • Woodcut • 1972 • Clinic • Artists’ names • Pino Pascali • Alighiero Boetti • Literacy • Galleria La Salita • Illusion • Modern painting • Edvard Munch • Museum display • Invention of the Artist • Parma • Byzantine artist • Paggi

Permalink http://doi.org/10.14277/2385-2720/VA-26-17 | Pubblicato 20 Dicembre 2017 | Lingua en, it

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