Venezia Arti

Rivista del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia

La ‘firma’ nell’arte. Autorialità, autocoscienza, identità e memoria degli artisti

open access | peer reviewed
Abstract

Keywords Essay Film • Authorship • Byzantine artist • Gothic Venetian Painting • Invention of the Artist • Golden Altar • Requiescat in Pace Corradinus • Tiziano • Annunciation • Medieval Apulia • Sanatorium • Edvard Munch • Andri • Devotion • Happening • Illusion • Duplication • Rebus • Anonymity • Faciebat • Signature • Art workshops • Museum display • Pino Pascali • Written culture • Found Footage • Samuel Beckett's Film • Woodcut • Zavattari • Clinic • Self-staging • Parapet • Galleria La Salita • Photography • Imperfect • Torre Astura • Archive Footage • 1972 • Iconology • Museo Storico Navale • Bacchanal • Toponym • Stories of Theodelinda • Woodblocks • Morganatic Marriage • Romanesque (France) • 1968 • Angilbertus • Inscription • Medieval Artist • Literacy • Contemporary Art • Art history • Jan van Eyck • Alighiero Boetti • Medieval Epigraphy • Lorenzo Veneziano • Modern painting • Paggi • Arnolfini • Permanence • Memorial • Genoa • Intellectual • Soliani • Volvinus • Byzantine epigraphy • Parma • Epigraphy • Cathedral at Monza • Artists’ names

Permalink http://doi.org/10.14277/2385-2720/VA-26-17 | Pubblicato 20 Dicembre 2017 | Lingua en, it

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