Venezia Arti

Rivista del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia

Il corpo dell’arte

open access | peer reviewed

Keywords Aesthetics and politics • Russian ballet • Dance • Andrea Mantegna • Costume • Drawing • Avant-garde • Plague • Stage • Galindo • Device • Fruition • Padua • Printmaking • Agamben • Franciscan saints • Soprano • Iconology • Puer mingens • Skin • Symbolism • Opera • Nicoletto da Modena • Ornamentation • Performance • Dance notations • Film • Anna Moffo • 1960s radicalism • Gothic • Casts • Saint Sebastian • Body movements • Biopolitic • Marcantonio Magno • Abramović • Iconography • Nijinsky • Neo-avant-garde • Performance Art • Theatre and performance • Pordenone • Avant-garde, Mask, Hybrid Identity, Abjection Embo • Television • Prospero Clemente • Body • Models • Louvre • La Salpêtrière • Vanessa Beecroft • Cult • Theatre • Illusion • Devotion • Female • Performer • Revolutionary avant-garde • Emilia, Veneto

Permalink http://doi.org/10.30687/VA/2385-2720/2019/05 | Pubblicato 11 Dicembre 2019 | Lingua it, en

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