Venezia Arti Rivista del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia

Rivista | Venezia Arti
Fascicolo monografico | 28 | 2019

Il corpo dell’arte

open access | peer reviewed

Keywords Abramović • Cult • Costume • Device • Body movements • Revolutionary avant-garde • Theatre • Puer mingens • Dance notations • Television • Performance Art • Theatre and performance • Galindo • Pordenone • Avant-garde, Mask, Hybrid Identity, Abjection Embo • Stage • Dance • Fruition • Gothic • Nijinsky • Agamben • Saint Sebastian • La Salpêtrière • Padua • Aesthetics and politics • Ornamentation • Vanessa Beecroft • Andrea Mantegna • Performer • Iconology • Drawing • 1960s radicalism • Models • Casts • Film • Anna Moffo • Franciscan saints • Opera • Louvre • Plague • Skin • Iconography • Performance • Nicoletto da Modena • Biopolitic • Symbolism • Neo-avant-garde • Female • Prospero Clemente • Emilia, Veneto • Soprano • Avant-garde • Illusion • Russian ballet • Marcantonio Magno • Printmaking • Devotion • Body

Permalink http://doi.org/10.30687/VA/2385-2720/2019/05 | Pubblicato 11 Dicembre 2019 | Lingua it, en

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