Venezia Arti

Rivista del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia

Il corpo dell’arte

open access | peer reviewed

Keywords Iconology • Avant-garde, Mask, Hybrid Identity, Abjection Embo • Padua • Plague • Film • Fruition • Saint Sebastian • Emilia, Veneto • Illusion • Performance • Ornamentation • Vanessa Beecroft • Body movements • Performer • Puer mingens • Dance • Galindo • Neo-avant-garde • Prospero Clemente • Costume • Casts • Cult • Gothic • Abramović • Devotion • Louvre • Anna Moffo • Pordenone • Russian ballet • Agamben • Iconography • 1960s radicalism • Franciscan saints • Soprano • Stage • Opera • Theatre and performance • Dance notations • Device • Revolutionary avant-garde • Marcantonio Magno • Aesthetics and politics • Avant-garde • Symbolism • Theatre • Printmaking • Body • La Salpêtrière • Nicoletto da Modena • Female • Biopolitic • Skin • Performance Art • Andrea Mantegna • Television • Nijinsky • Models • Drawing

Permalink http://doi.org/10.30687/VA/2385-2720/2019/05 | Pubblicato 11 Dicembre 2019 | Lingua it, en

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