Venezia Arti

Rivista del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia

Il corpo dell’arte

open access | peer reviewed

Keywords Abramović • Gothic • Performance • 1960s radicalism • Biopolitic • Anna Moffo • Avant-garde • Avant-garde, Mask, Hybrid Identity, Abjection Embo • Printmaking • Marcantonio Magno • Aesthetics and politics • Padua • Dance notations • Prospero Clemente • Puer mingens • Television • Pordenone • Saint Sebastian • Opera • Skin • Performance Art • Film • Russian ballet • Vanessa Beecroft • Galindo • Revolutionary avant-garde • Nicoletto da Modena • Fruition • Iconology • Female • Casts • Stage • Body movements • Devotion • Nijinsky • Ornamentation • Symbolism • Franciscan saints • Cult • Iconography • Drawing • La Salpêtrière • Soprano • Andrea Mantegna • Costume • Neo-avant-garde • Agamben • Body • Device • Models • Performer • Theatre and performance • Louvre • Dance • Emilia, Veneto • Illusion • Plague • Theatre

Permalink http://doi.org/10.30687/VA/2385-2720/2019/05 | Pubblicato 11 Dicembre 2019 | Lingua en, it

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