Edizioni Ca' Foscari

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open access peer reviewed

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Lingua: it, en

Pubblicato: 21 Dicembre 2021

Keywords

Race • Museum Studies • Fake • Copying • Seriality • Titian • Weimar Art Theory • Paolo Giovio • Hamburger Faksimile-Streit • Art copies • Contemporary dance • Farsetti Collection • Open work • Copyright law • Ephemerality • Punctum/studium • Score • Visual semiotics • Copy • Photography • Aura • Eighteenth century • Contemporary art • Daniel Arasse • Portraits • Filippo Baldinucci • Collective work • Originals/Copies • Museum • Paintings collecting • Geometric dance • Rubens • History of collecting • Ovid’s Metamorphoses • Farsetti, Daniele • Programmed art • Reconstruction • Details • Original • Dance • Muletti, Sebastiano • Originality • Alexander Dorner • Italian art literature • Painting • Multiples • Ottoman Sultans • ‘Second original’ • Collecting • Performance • Gradenigo, Pietro • Diana and Callisto • Copy/original • Medici’s dynasty • Venice • Re-enactment • Letters • Guardi, Antonio • Theory • Theory of art • Postmodern dance

permalink http://doi.org/10.30687/VA/2385-2720/2021/07

Copyright: © 2021 This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.