Venezia Arti

Rivista del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia

Originale/Copia

open access | peer reviewed

Keywords Portraits • Contemporary art • Medici’s dynasty • History of collecting • Postmodern dance • Copyright law • Ottoman Sultans • Programmed art • Race • Original • Collective work • Paintings collecting • Visual semiotics • Open work • Ephemerality • Aura • Museum Studies • Eighteenth century • Titian • Farsetti, Daniele • Details • Museum • Alexander Dorner • Filippo Baldinucci • Photography • Diana and Callisto • Art copies • Contemporary dance • Fake • Gradenigo, Pietro • Originals/Copies • Punctum/studium • Painting • Daniel Arasse • Copy/original • Geometric dance • Rubens • Hamburger Faksimile-Streit • Muletti, Sebastiano • Dance • Paolo Giovio • Venice • Theory • Italian art literature • Reconstruction • Farsetti Collection • Performance • Copying • Copy • Guardi, Antonio • Originality • Ovid’s Metamorphoses • Multiples • Theory of art • Collecting • Score • Letters • Weimar Art Theory • ‘Second original’ • Re-enactment • Seriality

Permalink http://doi.org/10.30687/VA/2385-2720/2021/07 | Pubblicato 21 Dicembre 2021 | Lingua en, it

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