Soglia | Threshold
open access | peer reviewedKeywords Choir stalls • Christological narrative • Porta clausa • Chiese veneziane • hortus conclusus • Intarsia • Chinese collections • Late medieval art • William Henry Fox Talbot • Cain and Abel’s offering • Urban views • Reenactment • Annunciation • Portali • Iscrizioni • Immersive art • Threshold symbolism • Triumphal arch • Medieval Dalmatia • Museums • Missionary Collecting • Immagini sacre • Bastiani, Monopoli, Puglia • Visual identity • Vierge ouvrante • Genealogy • Moving-image • Temporality • An-icon • Image-making • Renaissance perspective • Threshold • Marin Sanudo • Opening Madonna • Iconography • Religious alterity • Magiciens de la terre, Global Art, Global Art Hist • Split Cathedral • Emilia-Romagna • Disobedience Archive • Missionary exhibitions • Frescoes
Permalink http://doi.org/10.30687/VA/2385-2720/2025/01 | Pubblicato 22 Dicembre 2025 | Lingua en, fr, it
Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.