Series |
Sinica venetiana
Edited book | Linking Ancient and Contemporary
Chapter | Voices of the Dead
Voices of the Dead
Tao Yuanming and Emily Dickinson’s Poems on Their Own Death
- Qin Liyan 秦立彦 - Peking University, China - email
Abstract
Ancient Chinese poet Tao Yuanming (365-427) and American poet Emily Dickinson (1830-1886) both write poems on a peculiar theme: the post-death condition with the voice ‘I’ in the poems presented as already dead. This paper explores this rare theme in the two poets and analyzes their similarities and differences in this respect. Both poets are hermits, sharpening their sensitivity to life, death and the natural world. Tao’s vision of the after-death world is very certain, and forms a continuous and unified narrative, while Dickinson describes a new after-death scenario each time, highlighting her uncertainty of it. Yet, after all, these poems by Tao and Dickinson perhaps tell us more about their obsession with life, rather than death.
Submitted: July 16, 2016 | Language: it
Keywords Tao Yuanming • Death • Emily Dickinson
Copyright © 2016 Qin Liyan 秦立彦. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.14277/6969-095-2/SV-3-20
Introduction
- Introduction
- Tiziana Lippiello, Maddalena Barenghi, Chen Yuehong 陈跃红
Part 1 Pre-Modern and Modern Literature
-
Measuring Human Relations
Continuities and Discontinuities in the Reading of the Lunyu - Tiziana Lippiello
- Bai Shouyi on Sima Qian and Ban Gu
- Hans van Ess
-
'中国'之义:文中子的立身与存心
The Notion of ‘Zhongguo’: The Life and Thought of Wenzhongzi - Zhang Pei 张沛
- On the Literary Self-Consciousness of the Han, Wei, Jin, and Northern and Southern Dynasties
- Fu Gang 傅刚
- Traditional Chinese Jestbooks and Ming Revival
- Giulia Baccini
-
《水浒传》评论中对立思维的三次递进
On the Three Stages of Contradictory Comments of The Water Margin - Liu Yongqiang 刘永强
-
Becoming a Couple
Conversations and Couple Narrative in the Novella Jiao Hong ji - Barbara Bisetto
-
The Chapter Titles in Xiyou ji and Honglou meng
Continuity and Discontinuity - Nicholas Koss
Part 2 Contemporary Literature
-
‘晚郁时期’的中国当代文学
'The Belated Mellow Period' of Chinese Contemporary Literature - Chen Xiaoming 陈晓明
- Honma Hisao’s model of Literary Theory and its Influence in China
- Jin Yongbing 金永兵
- The Disillusionment with the Rural Utopia in Chinese Literature
- Wu Xiaodong 吴晓东
Part 3 Poetry and Theatre
-
Traditions and Transitions in Eighteenth-Century Qu Poetry
The Case of Jiang Shiquan (1725-1785) - Tian Yuan Tan
- Feng Zhi and Goethe of Later Years
- Zhang Hui 张辉
-
What’s the Link between the Lyrical and Modernity in China?
A Discussion on Chinese lyrical Modernity - Li Yang 李杨
- Poetic Taste and Tasting Poetry
- Yang Zhu 杨铸
-
Voices of the Dead
Tao Yuanming and Emily Dickinson’s Poems on Their Own Death - Qin Liyan 秦立彦
Part 4 Language and Political Discourse
- Modernity and Subjectivity from the Past to the Present
- Yang Xiaobin 杨小滨
-
The Evolution of Metaphorical Language in Contemporary Chinese Political Discourse
Preliminary Evidence from the 12th and 18th CPC Congresses - Paolo Magagnin
-
论“底”来源于“者”
On the Derivation of ‘di’ 底 from ‘zhě’ 者 - Yang Rongxiang 杨荣祥
Biographies
| DC Field | Value |
|---|---|
|
dc.identifier |
ECF_chapter_452 |
|
dc.contributor.author |
秦立彦 Qin Liyan |
|
dc.title |
Voices of the Dead. Tao Yuanming and Emily Dickinson’s Poems on Their Own Death |
|
dc.type |
Chapter |
|
dc.language.iso |
it |
|
dc.description.abstract |
Ancient Chinese poet Tao Yuanming (365-427) and American poet Emily Dickinson (1830-1886) both write poems on a peculiar theme: the post-death condition with the voice ‘I’ in the poems presented as already dead. This paper explores this rare theme in the two poets and analyzes their similarities and differences in this respect. Both poets are hermits, sharpening their sensitivity to life, death and the natural world. Tao’s vision of the after-death world is very certain, and forms a continuous and unified narrative, while Dickinson describes a new after-death scenario each time, highlighting her uncertainty of it. Yet, after all, these poems by Tao and Dickinson perhaps tell us more about their obsession with life, rather than death. |
|
dc.relation.ispartof |
Sinica venetiana |
|
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing |
|
dc.issued |
2016-09-29 |
|
dc.dateSubmitted |
2016-07-16 |
|
dc.identifier.uri |
http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-098-3/voices-of-the-dead/ |
|
dc.identifier.doi |
10.14277/6969-095-2/SV-3-20 |
|
dc.identifier.issn |
2610-9654 |
|
dc.identifier.eissn |
2610-9042 |
|
dc.identifier.isbn |
978-88-6969-098-3 |
|
dc.identifier.eisbn |
978-88-6969-095-2 |
|
dc.rights |
Creative Commons Attribution 4.0 International Public License |
|
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
|
item.fulltext |
with fulltext |
|
item.grantfulltext |
open |
|
dc.peer-review |
no |
|
dc.subject |
Death |
|
dc.subject |
Death |
|
dc.subject |
Emily Dickinson |
|
dc.subject |
Emily Dickinson |
|
dc.subject |
Tao Yuanming |
|
dc.subject |
Tao Yuanming |
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