Library of Rassegna iberistica

Classical Spanish Theater in the Cinema

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open access | peer reviewed
    edited by
  • Marco Presotto - Università degli Studi di Trento, Italia - email

Abstract
This book aims to deepen the relationship between classical Spanish theater and cinema through the analysis of a corpus which has been only partially studied and recently rescued by critics. The chapters first deal with theoretical questions about the cinematographic adaptation of a dramatic text, followed by specific studies of significant periods in the political and cultural history of Spain in the 20th century, such as the artistic production of exile and that of the Franco regime, also taking into account the creative contribution of the most recent films based on the theme and their impact on contemporary society.

Keywords Cinematographic adaptionSpainLope de VegaNazismArgentine cinemaAgustín MoretoHispanismEl perro del hortelanoFilm versionTheatreRafael AlbertiDialectic high vs lowCalderónGolden Age DramaReceptionMaría Teresa LeónReception of the Golden Age theatre heritageSiglo de OroNaplesSpanish ComediaPedro Calderón de la BarcaGolden Age Drama StudiesPropagandaFilmic rewritingScreen adaptationSpanishnessAdaptationAudienceTheater-cinema relationsPilar MiróTheatrical spaceDon JuanCensorshipFrancisco FrancoEl desdén con el desdénFranco’s regimeSpanish cinemaLa vida es sueñoMenos es másFilm adaptationSpanish theater of Golden CenturySpanish Golden Age theaterReception of the Golden Age Theatre HeritageTheories on adaptationShakespeareCinemaFrancoismNational identityEl Alcalde de ZalameaCommunismMonologueCinematic spaceTheatre in cinemaDictatorshipPortugal

Permalink http://doi.org/10.30687/978-88-6969-330-4 | e-ISBN 978-88-6969-330-4 | ISBN (PRINT) 978-88-6969-331-1 | Number of pages 200 | Dimensions 16x23cm | Published July 12, 2019 | Language es