Library of Rassegna iberistica

Classical Spanish Theater in the Cinema

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open access | peer reviewed
    edited by
  • Marco Presotto - Università degli Studi di Trento, Italia - email

Abstract
This book aims to deepen the relationship between classical Spanish theater and cinema through the analysis of a corpus which has been only partially studied and recently rescued by critics. The chapters first deal with theoretical questions about the cinematographic adaptation of a dramatic text, followed by specific studies of significant periods in the political and cultural history of Spain in the 20th century, such as the artistic production of exile and that of the Franco regime, also taking into account the creative contribution of the most recent films based on the theme and their impact on contemporary society.

Keywords Rafael AlbertiCinematic spaceSpanish ComediaFilm adaptationSpainSpanishnessAudienceReception of the Golden Age Theatre HeritageSpanish Golden Age theaterSpanish theater of Golden CenturyDictatorshipFranco’s regimeFrancisco FrancoCommunismLope de VegaReception of the Golden Age theatre heritagePilar MiróCensorshipTheatreSpanish cinemaTheater-cinema relationsArgentine cinemaHispanismScreen adaptationMaría Teresa LeónFrancoismDialectic high vs lowCinemaGolden Age Drama StudiesGolden Age DramaFilm versionEl perro del hortelanoNazismCalderónEl Alcalde de ZalameaReceptionShakespeareNaplesCinematographic adaptionSiglo de OroAdaptationDon JuanPedro Calderón de la BarcaPropagandaTheories on adaptationEl desdén con el desdénFilmic rewritingLa vida es sueñoNational identityTheatre in cinemaPortugalMenos es másTheatrical spaceAgustín MoretoMonologue

Permalink http://doi.org/10.30687/978-88-6969-330-4 | e-ISBN 978-88-6969-330-4 | ISBN (PRINT) 978-88-6969-331-1 | Number of pages 200 | Dimensions 16x23cm | Published July 12, 2019 | Language es