Library of Rassegna iberistica

Classical Spanish Theater in the Cinema

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open access | peer reviewed
    edited by
  • Marco Presotto - Università degli Studi di Trento, Italia - email

Abstract
This book aims to deepen the relationship between classical Spanish theater and cinema through the analysis of a corpus which has been only partially studied and recently rescued by critics. The chapters first deal with theoretical questions about the cinematographic adaptation of a dramatic text, followed by specific studies of significant periods in the political and cultural history of Spain in the 20th century, such as the artistic production of exile and that of the Franco regime, also taking into account the creative contribution of the most recent films based on the theme and their impact on contemporary society.

Keywords Golden Age DramaSpainMaría Teresa LeónPedro Calderón de la BarcaFrancisco FrancoFilm adaptationLa vida es sueñoReception of the Golden Age theatre heritageRafael AlbertiPropagandaScreen adaptationTheories on adaptationEl perro del hortelanoCalderónFilm versionSpanish ComediaCinematic spaceLope de VegaSpanish Golden Age theaterSpanish cinemaTheatrical spaceNational identityAdaptationDictatorshipCinematographic adaptionCommunismSpanishnessDon JuanNazismEl Alcalde de ZalameaAudienceMonologueTheater-cinema relationsCensorshipNaplesArgentine cinemaReception of the Golden Age Theatre HeritageDialectic high vs lowFilmic rewritingReceptionSpanish theater of Golden CenturyGolden Age Drama StudiesHispanismSiglo de OroTheatreFrancoismPilar MiróTheatre in cinemaCinemaPortugalFranco’s regimeMenos es másEl desdén con el desdénAgustín MoretoShakespeare

Permalink http://doi.org/10.30687/978-88-6969-330-4 | e-ISBN 978-88-6969-330-4 | ISBN (PRINT) 978-88-6969-331-1 | Number of pages 200 | Dimensions 16x23cm | Published July 12, 2019 | Language es