Quaderni di Venezia Arti

Testo e immagine. Un dialogo dall’antichità al contemporaneo

Текст и образ. От античности к современности

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open access
    edited by
  • Maria Redaelli - Università Ca’ Foscari Venezia, Italia - email
  • Beatrice Spampinato - Università Ca’ Foscari Venezia, Italia - email
  • Alexandra Timonina - Università Ca’ Foscari Venezia, Italia - email

Abstract

Il volume raccoglie i contributi del Convegno Internazionale dei Dottorandi del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia e dello State Institute for Art Studies di Mosca Text and Image. A Dialogue from Antiquity to Contemporary Age (6-7 giugno 2019).  |  Сборник включает материалы Международной конференции аспирантов Департамента Философии и Культурного Наследия Университета Ка’ Фоскари в Венеции и Государственного Института Искусствознания в Москве Text and Image. A Dialogue from Antiquity to Contemporary Age (6-7 июня 2019).

Keywords Jurgis Baltrušaitis • Polytheism • Video Art • Wax Seals • Net • Interaction between a picture and a frame • Interpretation • Vito Acconci • Web Cinema • Olia Lialina • Collectors’ Labels • Daniel in lion’s den • New Media Art • Reception • Botticelli • Image • Art • Identity of Iranians • Author’s frame • Primitives • Rosalind Krauss • Zaum • Medium • The Samanids • Ludic technologies • Chiara Fumai • Narrative Identity • Iliazd • History of Art Provenance • Quotation • Russian Futurism • Museum Labels • Futurist Poetry • Gilgamesh • Iranian architecture • Monotheism • Rationalisation • Russian Art Critique of the XIX Century • Owner’s marks • Iconoclasm • Text and image • Livre d’artiste • Biennale di Venezia • Seljuk architecture • Frame • Quattrocento • Formalism • Zdanevich • art • Graphic Symbols

Permalink http://doi.org/10.30687/978-88-6969-362-5 | e-ISBN 978-88-6969-362-5 | ISBN (PRINT) 978-88-6969-363-2 | Published Nov. 28, 2019 | Language ru, it

Copyright © 2019 Maria Redaelli, Beatrice Spampinato, Alexandra Timonina. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.