Home > Catalogue > Quaderni di Venezia Arti > Testo e immagine. Un dialogo dall’antichità al contemporaneo > La matrice espressiva nel livre d’artiste di Iliazd
cover
cover

La matrice espressiva nel livre d’artiste di Iliazd

Alexandra Timonina    Università Ca’ Foscari Venezia, Italia    

VIEW PDF DOWNLOAD PDF

abstract

Due to the involvement of Iliazd in a range of major artistic movements, from Russian Futurism to Dada during its Parisian period, his work may be considered within a range of different study frameworks. These experiences led to an interest in printed art and later to publishing. The ‘architecture’ of the books he produced was influenced by the character of the zaum poetry he practised in his early years. His contribution to the genre of modern artist’s book is unquestionable, although it has not enjoyed the attention of much scholarship. This paper seeks to analyse the expressive devices in Iliazd’s mature work in illustrated books and to trace their origins, showing how they led to the emergence of liberal and original correspondences between writing and visual forms.

Published
Nov. 28, 2019
Submitted
Oct. 1, 2019
Language
IT
ISBN (PRINT)
978-88-6969-363-2
ISBN (EBOOK)
978-88-6969-362-5

Keywords: Livre d’artisteIliazdRussian FuturismZaumZdanevichFuturist Poetry

Copyright: © 2019 Alexandra Timonina. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.