Espacios, sombras, no-lugares
Barcelona, Islandia y Nueva York en dos obras de Cunillé
Abstract
The present contribution aims to study two pieces of the Catalan drama author Lluïsa Cunillé, Barcelona, mapa d’ombres and Islàndia, and the rhapsodic pulsion of these texts in their relation to space: dramatic space and literary space. It also focuses on non-places and the notion of nowhere, and finally we examine the function of some touristic guides.
Submitted: April 14, 2020 | Published July 9, 2020 | Language: es
Keywords Drama • Cunillé • Space • Literature • Contemporary Catalan theatre
Copyright © 2020 Mònica Güell. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/978-88-6969-432-5/005