Series | Library of Rassegna iberistica
Edited book | Narratives of Violence
Chapter | Personal Remembrance as Historical Memory
Personal Remembrance as Historical Memory
Eva Koch’s Interactive Visual Work on Her Mother’s Experience of the Spanish Civil War
Abstract
This essay explores the Danish sculptor and video-installation artist Eva Koch’s interactive visual works from 2001 based on her mother’s, and her mother’s family’s, experiences during the Spanish Civil War: Villar and Villar – Los hijos de Manuela. These works are a textualization of the past through remembrance in which no attempt is made to offer a linear account of events or play down uncomfortable sub-narratives. The analysis, which exposes the precarious boundaries between the personal and the collective, draws from theoretical approaches to memory and history by Marianne Hirsch, Walter Benjamin, Jay Winter and Maurice Halbwachs.
Submitted: April 1, 2021 | Accepted: June 8, 2021 | Published Oct. 21, 2021 | Language: en
Keywords Oliva and Norwegian humanitarian aid • Eva Koch • Nini Haslund Gleditsch • Spanish Civil War • Villar - Los hijos de Manuela • Interactive visual art • Villar • Jay Winter • Maurice Halbwachs • Walter Benjamin • Marianne Hirsch
Copyright © 2021 Montserrat Lunati Maruny. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/978-88-6969-460-8/003
