Library of Rassegna iberistica

The Admiration of All Mankind

Selected Proceedings of the 14th International Colloquium of the Cervantists’ Association

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open access | peer reviewed
    edited by
  • Adrián J. Sáez - Università Ca’ Foscari Venezia, Italia - email

Abstract

In Cervantes’ The Lawyer of Glass there is a great praise of Venice, which is described as “the admiration of all mankind” because of its “infinite riches, her most wise government” and other values that makes it only similar to “the great Mexico”. With this invitation, this book collects the three key-note lectures and a selection of the presentations given at the 14th Coloquio Internacional de la Asociación de Cervantistas (2-4 October 2019), mostly about Cervantes’ theatre, reception and Italian relationships. At the same time, the volume pays tribute to Donatella Pini and Carlos Romero Muñoz, organisers of the classic series “Giornate cervantine”.

Keywords Scipio • History • Testament • Authentication • Narrative transition formulas • Poetry • Comparative study • Spanish novel • Irony • Scrutiny • Love • Quijote II, 74 • Pride • Corography • Gender • Erotic crimes • Viaje del parnaso • Poetics • Show • English theatre • Royal Court • Voyage to Parnassus • Posthumous fame • Cervantes • Society • Interlacing • Honesto y entretenido sarao • Classic • Narrative perspective • Error • Spain • Entremeses • Amplificatio of the enunciative system • Inserted poetry • Timbrio and Silerio • Cervantes theatre • Law • Conception of speech • Biography • Narratology • Jordi Gracia • Quixote • José Manuel Lucía Megías • Galatea • Anticipation • Narrative frame • Novel • Avellaneda • Intertextuality • Hypothetical and narrative discourse • Theogenes • Recreation • Fiction • Garcilaso • La Mancha • Clientelar relationship • Shakespeare • Quijote • Villaseñor • Fielding • La Galatea • Ludeña • Judgment • Translation • Carla Perugini • Don Quijote • Madness • Theatre • Melancholy • Italy • Tirante • Exemplary Novels • Novelas ejemplares • Mainstreaming • El Toboso • Fame • Ortega Rosa • Quintanar de la Orden • Contemporary theatre • Philology • Revival • María de Zayas • Golden Age theatre • Truth • De senectute • Jorge García López • Don Quixote • Music • Individuality • Persiles • Rubric • Entremés • Dances • Sergio Pitol • Lie • Parody • Lofraso • Reception • Grammar • Body • Orlando furioso • Individual • Libretto • Spanish Court • Elegiac dystic • Romantic irony • Orlando innamorato • Suicide • Tríptico del carnaval • Veridiction • Library • Antonio de la Peña • Opera • Picaresque • Miguel de Cervantes • Linguistic deformation • Metafiction

Permalink http://doi.org/10.30687/978-88-6969-579-7 | e-ISBN 978-88-6969-579-7 | ISBN (PRINT) 978-88-6969-580-3 | Number of pages 426 | Dimensions 16x23cm | Published Dec. 1, 2021 | Language es

Copyright © 2021 Adrián J. Sáez. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.