Library of Rassegna iberistica

Series | Library of Rassegna iberistica
Volume 24 | Edited book | The Admiration of All Mankind

The Admiration of All Mankind

Selected Proceedings of the 14th International Colloquium of the Cervantists’ Association

open access | peer reviewed
    edited by
  • Adrián J. Sáez - Università Ca’ Foscari Venezia, Italia - email

Abstract

In Cervantes’ The Lawyer of Glass there is a great praise of Venice, which is described as “the admiration of all mankind” because of its “infinite riches, her most wise government” and other values that makes it only similar to “the great Mexico”. With this invitation, this book collects the three key-note lectures and a selection of the presentations given at the 14th Coloquio Internacional de la Asociación de Cervantistas (2-4 October 2019), mostly about Cervantes’ theatre, reception and Italian relationships. At the same time, the volume pays tribute to Donatella Pini and Carlos Romero Muñoz, organisers of the classic series “Giornate cervantine”.

Keywords Melancholy • Avellaneda • Testament • Viaje del parnaso • Classic • Poetics • Villaseñor • Anticipation • La Mancha • Parody • Sergio Pitol • Quijote • Theatre • Persiles • Error • Inserted poetry • Cervantes • Poetry • Jorge García López • Quixote • Tríptico del carnaval • Spanish novel • Scipio • Cervantes theatre • Conception of speech • Show • Irony • Ortega Rosa • Truth • Library • Royal Court • English theatre • Elegiac dystic • Golden Age theatre • Dances • Body • Law • History • Novelas ejemplares • Jordi Gracia • Translation • Contemporary theatre • Interlacing • Honesto y entretenido sarao • Spanish Court • Miguel de Cervantes • Music • Judgment • Novel • Carla Perugini • Narrative frame • Intertextuality • Lie • Mainstreaming • Philology • Rubric • Grammar • Narrative transition formulas • Metafiction • Narratology • Society • Orlando innamorato • Garcilaso • Picaresque • Theogenes • Exemplary Novels • Entremeses • Quintanar de la Orden • La Galatea • Authentication • Spain • Revival • Tirante • Opera • Erotic crimes • Recreation • José Manuel Lucía Megías • Amplificatio of the enunciative system • Biography • Quijote II, 74 • Galatea • Timbrio and Silerio • Comparative study • Corography • Linguistic deformation • Gender • Hypothetical and narrative discourse • Veridiction • Fiction • Libretto • Ludeña • Clientelar relationship • Reception • Posthumous fame • Individual • Entremés • Antonio de la Peña • Suicide • Orlando furioso • Madness • Individuality • María de Zayas • Voyage to Parnassus • Pride • Don Quijote • Lofraso • De senectute • Love • Fielding • Italy • Romantic irony • Shakespeare • Fame • Scrutiny • Narrative perspective • El Toboso • Don Quixote

Permalink http://doi.org/10.30687/978-88-6969-579-7 | e-ISBN 978-88-6969-579-7 | ISBN (PRINT) 978-88-6969-580-3 | Number of pages 426 | Dimensions 16x23cm | Published Dec. 1, 2021 | Language es

Copyright © 2021 Adrián J. Sáez. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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