Quaderni di Venezia Arti

Il disegno come memoria visiva

Il caso di Pier Francesco Mazzucchelli detto il Morazzone (1573-1626?)

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Abstract

The following study focuses on Morazzone’s drawing practice and, in particular, on the function of drawing as an instrument of diffusion of a figurative language in Lombardy, reporting specific case studies that demonstrate direct references to works of the Roman artistic environment of the Sistine and Clementine periods, also in the light of what is reported in the sources.


Open access

Submitted: Oct. 15, 2021 | Published May 13, 2022 | Language: it

Keywords Drawing • Lombardy • Morazzone • Rome • Memory

Copyright © 2022 Ettore Giovanati. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

Permalink http://doi.org/10.30687/978-88-6969-588-9/017


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