With the Wild

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DC Field	Value
dc.identifier	ECF_chapter_18211
dc.contributor.author	Consolandi Pietro
dc.title	With the Wild. Artmaking as Collaboration with Wild Landscapes and Their Inhabitants
dc.type	Chapter
dc.language.iso	en
dc.description.abstract	This essay explores the intersection of art, nature, and culture, delving into the role of the artist as an agent who interacts and collaboratively creates with their surrounding ecosystem. The essay draws from examples like Pintubi song maps in Australia, the coastal pilgrimages of Jakarta-based duo Tita Salina and Irwan Ahmett, and Rashad Salim’s Ark for Iraq project. Through these examples, it discusses how artistic practices can emerge from dialogues with landscapes and communities, and how such practices can evoke new mythologies and worldviews. The text reflects on the blending of human agency with the elements of the environment, bringing forth a perspective of plural realities and decentralised designs, challenging anthropocentrism, and emphasising the inherent agency within these artforms that reciprocate and resonate with their ecosystems.
dc.relation.ispartof	The Future Contemporary
dc.publisher	Edizioni Ca’ Foscari - Venice University Press, Fondazione Università Ca’ Foscari
dc.issued	2023-12-14
dc.dateAccepted	2023-09-25
dc.dateSubmitted	2023-07-11
dc.identifier.uri	http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-756-2/with-the-wild/
dc.identifier.doi	10.30687/978-88-6969-756-2/004
dc.identifier.issn	2785-1613
dc.identifier.eissn	2785-0986
dc.identifier.isbn
dc.identifier.eisbn	978-88-6969-756-2
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	yes
dc.subject	Ecological art practices
dc.subject	Ecosystems
dc.subject	Pluriversal ontologies
dc.subject	Vernacular design

Chapter
open access peer reviewed

With the Wild

Artmaking as Collaboration with Wild Landscapes and Their Inhabitants

Pietro Consolandi Università Ca’ Foscari Venezia, Italia

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abstract

This essay explores the intersection of art, nature, and culture, delving into the role of the artist as an agent who interacts and collaboratively creates with their surrounding ecosystem. The essay draws from examples like Pintubi song maps in Australia, the coastal pilgrimages of Jakarta-based duo Tita Salina and Irwan Ahmett, and Rashad Salim’s Ark for Iraq project. Through these examples, it discusses how artistic practices can emerge from dialogues with landscapes and communities, and how such practices can evoke new mythologies and worldviews. The text reflects on the blending of human agency with the elements of the environment, bringing forth a perspective of plural realities and decentralised designs, challenging anthropocentrism, and emphasising the inherent agency within these artforms that reciprocate and resonate with their ecosystems.

Published

Dec. 14, 2023

Accepted

Sept. 25, 2023

Submitted

July 11, 2023

Language

ISBN (EBOOK)

978-88-6969-756-2

Keywords: Ecosystems • Ecological art practices • Pluriversal ontologies • Vernacular design

permalink: http://doi.org/10.30687/978-88-6969-756-2/004

Copyright: © 2023 Pietro Consolandi. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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