Series | Diaspore
Edited book | Mujeres migrantes y reescrituras autobiográficas
Chapter | El compromiso de las formas estéticas
El compromiso de las formas estéticas
Política y honestidad en la obra teatral de Lola Arias
Abstract
I will focus on the aesthetic forms implemented in three plays (2016) by the Argentinean playwright and director Lola Arias. I observe the existence of crossings that refuse to be labelled, as well as images linked to an autobiographical memory where the political is positioned to rediscover a new aesthetic commitment. The children develop a work with memory in terms of Elizabeth Jelin. I identify theatrical narratives that construct links in which transmedial memory together with literary discourse are taken as necessary tools for the sons to enunciate themselves in the present.
Submitted: Aug. 10, 2023 | Accepted: Nov. 15, 2023 | Published June 10, 2024 | Language: es
Keywords Aesthetic forms • Documentary theater • Memory-witness • Lola Arias' children
Copyright © 2024 Eugenia Argañaraz. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/978-88-6969-831-6/005
