Fears, Apprehensions and Conjectures
Suspense in Robinson Crusoe
Abstract
The importance of Robinson Crusoe in the origins of the novel depends not only on its progressive plot and empirical style, but also on its pioneering narrative devices. Defoe’s work is characterised, in particular, by a new approach to the creation of suspense, considered by narratologists as one of the universals of narrative. This approach is based on a consistent, highly diversified use of hypothetical thinking. Crusoe’s emotionally charged previsions have the function of presenting possible plot developments, staging, and causing, the oscillation between fear and hope that is characteristic of suspense. Defoe’s work with suspense shows that epistemological change, in particular the rise of the modern notion of probability, had relevant implications also at the level of narrative discourse.
Submitted: Sept. 10, 2017 | Accepted: Oct. 11, 2017 | Published Dec. 18, 2017 | Language: it
Keywords Epistemology • Robinson Crusoe • Curiosity • Probability • Suspense • Narrative • Hypothetical thinking
Copyright © 2017 Riccardo Capoferro. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/EL/2420-823X/2017/01/007