Journal | Venezia Arti
Journal issue | 25 | 2016
Research Article | A Memory of Alberto Prandi Always Alive
A Memory of Alberto Prandi Always Alive
- Sergio Marinelli - Università Ca’ Foscari Venezia, Italia - email orcid profile
Abstract
Published Dec. 20, 2016 | Language: it
Copyright © 2016 Sergio Marinelli. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.14277/2385-2720/1372
Opening Texts
- Editorial
- Carmelo Alberti, Michela Agazzi
- Dec. 20, 2016
- A Memory of Alberto Prandi Always Alive
- Sergio Marinelli
- Dec. 20, 2016
-
The Thresholds and Guardians of the Arts
An Introductory Note - Roberta Dreon, Diego Mantoan
- Dec. 20, 2016
The Pale and Gatekeepers of The Arts
- Arthur Danto and the Political Re-Enfranchisement of Art
- Noël Carroll
- Dec. 20, 2016
-
Gli intermediari nell’arte contemporanea
Una mappatura della sociologia pragmatica - Nathalie Heinich
- Dec. 20, 2016
- The Artist-entrepreneur Acting as a Gatekeeper in the Realm of Art
- Monica Calcagno, Lisa Balzarin
- Dec. 20, 2016
- Art as a Gesture: Singular and Shared
- Daniele Goldoni
- Dec. 20, 2016
-
Borders and Border Crossing Between Art Worlds
Successful Attempts and Epic Failures to Enter New Domains in Recent British Art - Diego Mantoan
- Dec. 20, 2016
-
Art and What Remains Out of It
The Example of The Store by Claes Oldenburg - Michael Lüthy, Bernard Schieder
- Dec. 20, 2016
-
For a History of Fashion
Concepts, Objects and Material Culture - Giorgio Riello
- Dec. 20, 2016
- A Rusty Issue; or, the Strange Case of a Victorian Crane in Venice
- Patrizia Pierazzo
- Dec. 20, 2016
-
Custodians: From Curators to Guardians
A Professional Role for Italian Museums and Its Historical Definitions - Chiara Piva
- Dec. 20, 2016
-
«Stupido Guardi!»
Thresholds for Forgery in Antonio Morassi's Archive-Photo Library - Federica Veratelli, Giulio Zavatta
- Dec. 20, 2016
- About the Edition of the Lettere sopra la pittura grottesca by Pirro Ligorio
- Damiano Acciarino
- Dec. 20, 2016
-
A Different Caucasus
Early Triumphs of Photography in the Caucasus - Karina Solovyova, Inessa Kouteinikova
- Dec. 20, 2016
Collectanea
- Reuse of Roman Steles in the Jewish Cemetery of the Lido of Venice
- Licia Fabbiani
- Dec. 20, 2016
-
The Fine Arts and Monuments Office of the Superintendency of Trieste (1920-1925)
Considerations Starting from the Materials of the Antonio Morassi Photo Archive - Beatrice Marangoni
- Dec. 20, 2016
-
Photography, a Matrix for two Exhibitions
Le ville venete (1952) by Giuseppe Mazzotti and Les villas de la Vénétie (1954) by Michelangelo Muraro - Margherita Naim
- Dec. 20, 2016
-
Opera Overture and Directorial Commentary: An (un)Happy Abuse?
Notes in the Margin of a Question by Osthoff - Fabio Dal Corobbo
- Dec. 20, 2016
| DC Field | Value |
|---|---|
|
dc.identifier |
ECF_article_666 |
|
dc.title |
A Memory of Alberto Prandi Always Alive |
|
dc.contributor.author |
Marinelli Sergio |
|
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing |
|
dc.type |
Research Article |
|
dc.language.iso |
it |
|
dc.identifier.uri |
http://edizionicafoscari.it/en/edizioni4/riviste/venezia-arti/2016/1/ricordo-di-alberto-prandi-sempre-vivo/ |
|
dc.relation.ispartof |
Venezia Arti |
|
dc.relation.ispartof |
Vol. 25 | December 2016 |
|
dc.issued |
2016-12-20 |
|
dc.identifier.issn |
|
|
dc.identifier.eissn |
2385-2720 |
|
dc.rights |
Creative Commons Attribution 4.0 International Public License |
|
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
|
dc.identifier.doi |
10.14277/2385-2720/1372 |
|
dc.peer-review |
no |
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