Annali di Ca’ Foscari. Serie orientale

55 | 2019

open access | peer reviewed

Keywords Manomaya-kāya • Art Collecting • Elena Ferrante • Graffiti • The state • Linguistic taboo • Possessive Individualism • Upaniṣad • International Monetary Fund • Chinese Values • Ernesto de Martino • Modern Art Criticism • Ajavilāpa • Intermediality • Euphemism • Buddhism • Mevlevî Dervishes • Society • Transaction costs • Didactics of Arabic to non-Arabic-speaking • Spectatorship • Historical musicology • Agricultural trade • ʿAishī Shīrāzī • Made-in-Italy food • Information asymmetry • Chinese fansubbing • Connected History & Global History • Identity • Contemporary Chinese art • Imaginative geographies • Abhiññā • Rupture Movement • Iddhi • Xu Zechen • Aq-Quyūnlū • Civil society • Colonial gaze • Hino Ashihei • Ottoman History • Mevlevî Ceremonies • Armenian Literature • Ottoman Classical Music • Arabic linguistics • Non-professional translation • Chinese market • Textual Criticism • Algeria • Dolls as metaphors • Mamluk period • Intellectual History • Contemporary Japanese Literature • History of Sufism • History of music in the Middle East • Khalīl b • Orientalism • South Asian Art • World Bank • Dah-nāma • Othering • Taḏawwuq adabī • Correspondence • Debt Relief • Adverse selection • Learning • Connected History & Global History • Washington Consensus • Methodius of Olympus • Italian sounding • Performance • Self-rotation • Japan and Okinawa • Kwanyin Clan • Funerary lament in ancient world • Indian Painting • Nicolò Manucci • Nation-state • ‘Three perfections’ • Halo construct • Shiraz • Sufi Music • Fin-de-siècle Italy • Contemporary Chinese literature • Dervishes • Scholars’ network • Chinese Middle-class Consumers • 3/11 Literature • Raghuvaṃśa • Chinese literati • Pāli • Eznik of Kołb • Market economy • La figlia oscura • Urban literature • Takahashi Gen’ichirō • Gomorra-La serie • Food piracy • Parody • Chinese rural-urban migrants • Body • Arabic language • Veda • Dervish Ceremonies • History of music in Central Asia • Tammām Ḥassān • ʿIshrat-nāma • ʿInāyat-Allāh Beg • US-occupied Okinawa • Uzun Ḥasan • Globalisation • Literature analysis • The social • Terayama Shūji • Japanese Cinema • Maqām/makam/mughām • Japonisme • Western Travels History • Society as a whole • Mode • Inanimate objects in literature

Permalink http://doi.org/10.30687/AnnOr/2385-3042/2019/01 | Pubblicato 27 Giugno 2019 | Lingua fr, it, en

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