Annali di Ca’ Foscari. Serie orientale

57 | 2021

open access | peer reviewed

Keywords Kan Takayuki • Last day of spring • Naturalism • Associations of Japanese Language Teachers in Euro • Film Festival Network • Pharaohs • Ambiguity • Faraḥ Šammā • Ape • Catholic Missions • Socialism • ʿAlī Aḥmad Bākaṯīr • Literary translation • Oreste Nazari • Islamic linguistic thought • History of Oriental Studies • Okina • Learning through technology • Symbolic capital • Areal distribution • Morphemes order • Asian Film Festivals • Global visibility • Beijing 2008 • Mi • Social networks • Political power • The “New Life” Movement • Chushou • Civilisation • Spoken Hindī • Yaʿqūb Ṣanūʿ • Stupa • Informal language learning • Fujiwara no Yoshifusa • Buddhist architecture • Public service advertising • Persian poetry • Shintai • Teacher’s Cooperation among and beyond Europe • Digital humanities • Hindī varieties • Yu Dafu • Kidendō • Karada • Nur-al-Din ʿAbd-al-Raḥmān Jāmi • Festival Programming • Uno Kuniichi • Laohudong kilns • Arabic linguistic tradition • Lopon Tendzin Namdak • Alfred Faraǧ • Tang-Song transition • Daibei • Taiping Guangji • Flower • Mother Tantra • Bai Juyi • Localisation • Frontier clients • Arabic language • Pre-Islamic • Realism • Language contact • Nikutai • Arabic article • Kanke bunsō • Monkey • Code-switching • Guan ware • Khitan-led Liao • Transformation • Heian Japan • rDzogs chen • Reforms and cooperation • word order • Advocacy by Teachers’ Associations • Koranic Hermeneutics • Song Meiling • Longquan kilns • Imperfect • Sinitic Poetry • Spoken word • Gandhara • Definiteness • Ancient Chinese literature • Ge ware • Olympic spectacle • Egyptian playwrights • Semantics • Pharaonism • Political dissent • Armenian dialects • Translation policy • No-Level Brick Language Education (NoLBrick) • Words • Japanese language • Morphological change • Time • Resāla-ye musiqi • Idols • Zola • Musical instruments • Virtual reality • Brand China • Translation • History of Indian Studies in Italy • Carlo Formichi • 2011 protests • 20FM • Shatuo • Urmia • Virtual worlds • Literary creation • China’s national image • Poetry Banquet • The feminism debate • Armenian • Tokyo International Film Festival • Leftist parties • Asianness • Stair-risers • Sanskrit Studies in Italy • Chinese ceramics • Mao Dun • Diptotism • Body • Poetry • Wisteria • Tawfīq al-Ḥakīm • Japanese Language Education • Literary theory • Ichikawa Hiroshi • Corporeality and language • Akbarian studies • Swat • Theory of translation • Tibetan Bon religion • Poetic imagery • Morocco • Cultural innovation • Standard Hindī • Oḍi-rajas • Sugawara no Michizane

Permalink http://doi.org/10.30687/AnnOr/2385-3042/2021/01 | Pubblicato 30 Giugno 2021 | Lingua en, it

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