Fragile Selves
open access | peer reviewed-
a cura di
- Giulia Baquè - Università Ca’ Foscari Venezia, Italia - email
- Rossella Roncati - Università Ca’ Foscari Venezia, Italia - email
Keywords COVID-19 • Necropolitics • Radio • Taiwanese identity • Moral panics • Necrocene • Sexual assault • Vulnerability • Fragility • Loudspeaker • National cinema • Cold War, Cultural Diplomacy, Modern Dance, United • Public sympathy • Taiwan cinema • New historicism • Postcolonial studies • Political space • Statues • China • Theatre of power • Transgender • Art-house cinema • Marginalisation • Sound • Soundscape • Imperial taboo • Noise • Marketisation • Meiji Restoration • Precarity • Neo-Marxism • Literature and Cinema • Decolonization • Historical narrative • Resistance • Critical theory • Subalternity • Authorship • Negotiation • Chinese art-house cinema • Extinction studies • Cultural analysis • Neoliberalism • Psychopolitics • Censorship • Ontological securitisation • Feminism
Permalink http://doi.org/10.30687/AnnOr/2385-3042/2023/02 | Pubblicato 01 Dicembre 2023 | Lingua en
Copyright © Giulia Baquè, Rossella Roncati. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.