Rivista | magazén
Fascicolo monografico | 2 | 2 | 2021
Articolo | ‘I’m your automatic colour’
‘I’m your automatic colour’
La colorazione automatica delle immagini in antropologia
Abstract
Colour photographs now represent almost all the images produced with the new reality capture tools, mobile phones, which in 2020 ‘took’ 90% of all photos of that year. Black and white is relegated to artistic expression, even newspapers have converted to colour for some years. In the history of photography, although research on colour is attempted from the early stages, it is necessary to wait until 1861 with the experiences of James Clerk Maxwell who created a stable colour image. However, it is from the fifties of the twentieth century that the use of colour becomes ‘popular’ even in a more aesthetic dimension than an objective reproduction of reality. Part of the ethnographic, anthropological, archaeological and field research, on the other hand still makes use of consolidated and inexpensive black and white for a long time. On these images largely available online and open source you can conduct automatic colouring experiences. The procedure, managed with artificial intelligence algorithms with deep learning processes, is always more widely used with free applications and allows to obtain qualitatively more and more relevant results, even if some critical analysis is still necessary. This article presents the state of the art to 2021 of automatic colouring, with the comparison between algorithms developed since 2016 and showing with experimental examples both the possibilities of rendering and even the critical issues that emerged with the application in anthropological photographs, with the aim of extracting information that is not very evident in the originals in black and white.
Presentato: 13 Gennaio 2021 | Accettato: 26 Ottobre 2021 | Pubblicato 10 Dicembre 2021 | Lingua: it
Keywords Artificial intelligence • Photography • Anthropology • Colour • Fashion
Subtags Publication Processing Discourse Works of Art Image data Afterlife Technology Epistemology
Copyright © 2021 Simone Fagioli. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/mag/2724-3923/2021/04/005
