Rinascita/Revival | Rebirth/Revival II

Keywords Galleria De Cristoforis • Arts décoratifs • History Painting • Seroux d’Agincourt • Revival • Academy of Fine Arts • Milano • Art publishing • Florence • Historical Painting • Engraving • Historical Romanticism • Art industriel • Pedro de Sousa Holstein • Collecting • Art photography • Stefano Borgia • Henrik Hertz • Merchants • Italian Risorgimento • Connoisseurship • Frederik Christian Sibbern • Provenances • Musée d’échantillons • Ceramics • Travel diaries • Raphael • Société d’encouragement des arts • Carlo Amoretti • Luigi Valeriano Pozzi • Markets • Dmitry Grigorovitch • 19th century Milan • Giovanni Morelli • Wilhelm Bendz • Corrado Ricci • Lombard primitives • Musée d’art et d’industrie • Civil function of the museum • Danish Golden Age • Projects • Fortuna • Alexandre de Sousa Holstein • Ditlev Blunck • Genio dell’Indipendenza Nazionale • Antiquarian history • Genre painting • École Stroganov • Marco Minghetti • Antiquities market • Adolfo Venturi • Royal Gallery of Turin • Musée d’art industriel • Cesare dell’Acqua • Greek vases • Parisian Salons • Antonio Canova • Romanticism • Natalis Rondot • South Kensington Museum • Portugal • History of architecture • Albert Küchler • Architects • Art market • Photography • Editors • Renaissance • Giovanni Gherardo De Rossi • Pompeo Pozzi • Iconography • Erudition • Stefano Bardini • Andalusia (Spain) • Conventionalism • Giorgione • Training of artists • Dutch Golden Age

Permalink http://doi.org/10.30687/MDCCC/2280-8841/2022/11 | Pubblicato 24 Ottobre 2022 | Lingua en, it, fr, es, pt

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