Venezia Arti Rivista del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia

Rivista | Venezia Arti
Fascicolo | 30 | 2021

Originale/Copia

open access | peer reviewed

Keywords Venice • Originality • Paolo Giovio • Open work • Seriality • Museum Studies • Contemporary art • Eighteenth century • Theory of art • Museum • Rubens • Diana and Callisto • Contemporary dance • Italian art literature • Originals/Copies • Art copies • Alexander Dorner • Aura • Dance • Farsetti, Daniele • Geometric dance • Portraits • Collecting • Titian • Muletti, Sebastiano • Guardi, Antonio • Collective work • Ottoman Sultans • Race • Painting • Programmed art • Photography • History of collecting • Re-enactment • Ovid’s Metamorphoses • Gradenigo, Pietro • ‘Second original’ • Copyright law • Hamburger Faksimile-Streit • Multiples • Theory • Letters • Original • Fake • Weimar Art Theory • Performance • Copying • Visual semiotics • Details • Paintings collecting • Score • Ephemerality • Farsetti Collection • Medici’s dynasty • Punctum/studium • Daniel Arasse • Reconstruction • Copy • Filippo Baldinucci • Postmodern dance • Copy/original

Permalink http://doi.org/10.30687/VA/2385-2720/2021/07 | Pubblicato 21 Dicembre 2021 | Lingua it, en

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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