Venezia Arti

Rivista del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia

Originale/Copia

open access | peer reviewed

Keywords Ovid’s Metamorphoses • Paintings collecting • Rubens • Museum • Paolo Giovio • Postmodern dance • Alexander Dorner • Race • Filippo Baldinucci • Originals/Copies • Open work • Hamburger Faksimile-Streit • Seriality • Weimar Art Theory • Copy/original • Multiples • ‘Second original’ • Theory of art • Italian art literature • Painting • Copyright law • Diana and Callisto • Dance • Museum Studies • Reconstruction • Theory • Visual semiotics • Letters • Farsetti, Daniele • Gradenigo, Pietro • Performance • Collecting • Venice • Details • Original • Daniel Arasse • Fake • Art copies • Punctum/studium • Aura • Contemporary dance • Score • Contemporary art • Guardi, Antonio • Medici’s dynasty • Portraits • Collective work • Farsetti Collection • Programmed art • Photography • Copying • Copy • Eighteenth century • History of collecting • Ephemerality • Ottoman Sultans • Geometric dance • Re-enactment • Titian • Originality • Muletti, Sebastiano

Permalink http://doi.org/10.30687/VA/2385-2720/2021/07 | Pubblicato 21 Dicembre 2021 | Lingua en, it

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