Metamorfosi
open access | peer reviewedKeywords Annibal Caro • Battle of Lepanto • Neoacademism • Parody • Grotesque • Picasso • Tombs • Masson • New Renaissance • Digital Collage • Romanitas • Rooster • Birolli • Arte povera • Sacred space • Postwar Print Art • Modernism • Armour • Made in Italy • Arp • Liturgical furnishings • Ornament • The Italian Metamorphosis 1943-1968 • Humanist imagery • Basilisk • Renaissance hydraulic engineering • Ecfrasis • Snake • Olga Tobreluts • Waterplays • Fountains • Jacopo Foscarini • Venetian self-representation • Global Art • Venice • Transnational Art • Body • Monster • Biomorphic Abstraction • Germano Celant • Metamorphosis • Claudio Tolomei • Pakistani Art • Saint marina • Medieval oriental cults • Viani • Forties • Contemporary Art • Medieval churches • War • Zadar • Trauma • Guggenheim Museum • Videoart • Facial Mutilations • Arch • Remediation • Animality • Zoomorphism • South Asian Art
Permalink http://doi.org/10.30687/VA/2385-2720/2023/01 | Pubblicato 20 Dicembre 2023 | Lingua en, EN, it
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