Soglia | Threshold
open access | peer reviewedKeywords Marin Sanudo • William Henry Fox Talbot • Visual identity • Christological narrative • Vierge ouvrante • Immagini sacre • Chinese collections • Religious alterity • Annunciation • Choir stalls • An-icon • Portali • Triumphal arch • Renaissance perspective • hortus conclusus • Threshold • Reenactment • Porta clausa • Bastiani, Monopoli, Puglia • Immersive art • Moving-image • Chiese veneziane • Urban views • Cain and Abel’s offering • Disobedience Archive • Emilia-Romagna • Magiciens de la terre, Global Art, Global Art Hist • Frescoes • Iconography • Medieval Dalmatia • Opening Madonna • Missionary Collecting • Missionary exhibitions • Museums • Threshold symbolism • Genealogy • Split Cathedral • Temporality • Iscrizioni • Image-making • Intarsia • Late medieval art
Permalink http://doi.org/10.30687/VA/2385-2720/2025/01 | Pubblicato 22 Dicembre 2025 | Lingua fr, it, en
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