Soglia | Threshold
open access | peer reviewedKeywords Marin Sanudo • Portali • Cain and Abel’s offering • Opening Madonna • Threshold symbolism • William Henry Fox Talbot • Chinese collections • Chiese veneziane • Porta clausa • Bastiani, Monopoli, Puglia • Religious alterity • Iscrizioni • Temporality • Visual identity • hortus conclusus • Urban views • Reenactment • Vierge ouvrante • Late medieval art • Magiciens de la terre, Global Art, Global Art Hist • Split Cathedral • Medieval Dalmatia • Immagini sacre • Missionary exhibitions • Disobedience Archive • Iconography • Frescoes • An-icon • Renaissance perspective • Christological narrative • Genealogy • Image-making • Intarsia • Moving-image • Threshold • Immersive art • Annunciation • Museums • Choir stalls • Triumphal arch • Missionary Collecting • Emilia-Romagna
Permalink http://doi.org/10.30687/VA/2385-2720/2025/01 | Pubblicato 22 Dicembre 2025 | Lingua fr, en, it
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