La prospettiva rovesciata | Obratnaja perspektiva

open access | peer reviewed

Aims & Scope
The series aims to collect proceedings of conventions, conferences and other important events (film festivals, exhibitions, translations, catalogues) promoted, within Ca’ Foscari, by the Centre for Studies in Russian, Central Asian and Caucasian Art, which performs research activities, development and dissemination of the extraordinary cultural heritage that Russia, with examples from its past art and culture to its present tradition in the field of music, theatre and cinema. The Centre, immediately characterised by qualified international partnerships, aims to become a permanent place of meeting and open discussion among students, teachers and all those, who care about the development of studies concerning the major achievements accomplished over the centuries by the Russian civilisation.

Permalink doi.org | e-ISSN 2784-8590 | Language en, it, ru | ANCE E247047

Copyright This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

Latest published volume

Latest book publication cover
  • Enrico Crispolti e l’arte russa e sovietica contemporanea in Italia (1956-1990)
  • Matteo Bertelé
  • Nov. 4, 2025
  • This volume analyses the contribution of art historian, critic and curator Enrico Crispolti (Rome, 1933-2018) to the dissemination of Russian and Soviet art in Italy during the second half of the 20th century. The study charts the noteworthy stages of his activity, starting with the second iteration of Alternative attuali (L’Aquila, 1965) – which saw the Western debut of ten non-conformist Soviet artists – passing through La nuova arte sovietica. Una prospettiva non ufficiale, curated in Venice in 1977 as part of the Biennale del dissenso culturale, up to individual critical essays commissioned by the first independent scholars from the Soviet Union on the eve of its collapse.

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