Ca’ Foscari Japanese Studies

Death and Desire in Contemporary Japan

Representing, Practicing, Performing

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open access | peer reviewed
    edited by
  • Andrea De Antoni - Ritsumeikan University, Japan - email
  • Massimo Raveri - Università Ca’ Foscari Venezia, Italia - email orcid profile

Abstract
The title of this volume refers to the Buddhist concepts of suffering, impermanence and dependent origination, which link the ideas of Death and Desire. This book stems from a research conducted in the last few years at Ca’ Foscari University of Venice, supported by the Japan Foundation. A great deal of work has been done by scholars in various disciplines about dying in Japan, but research has tended to focus on the practices through which death is settled and institutionalised. Yet, what about untamed and unsettled death? What about the cases in which death cannot be successfully coped with by ritual means? What happens if institutions and discourses are not enough to tame it? What about the cases in which unsettled death suddenly intrudes the social? What are the forms it takes and the consequences it has in the social? These are the questions that the volume addresses, by enmeshing representations, practices and performing arts, through contributions that rely on approaches from different disciplines. Each of them analyses one of the multiple and fragmented possibilities in which untamed death can tame the social.

Keywords Tsukamoto Shin’ya • Storytelling • Hiroshima • Coroners • Nagasaki • England • Biyanlu • Mugen noh • Leo Tolstoy • Mujō • Distance • Dogen • Plato • Dream • Shiga Naoya • Literary Theory • Death • Natural • Philosophy of Death • Dark Tourism • Company-sponsored Funeral • Identity Quest • Kinosaki nite • Personhood • Witness Literature • Ghosts • Company’s Founder • Matsushita Denki • Psychoanalysis • Lacan • Female Desire • Acephale • Desire • Sociology • Body and Object • Corpse • Body • Hijikata Tatsumi • Edgar Morin • Sony • Cross-Gendered Performance • Corporeality • Vladimir Jankélévitch • Salvation • Butō • Izutsu • Haunting • Actor Network • Dōjōji • Atomic Bomb • Anti-Dance • Rokugatsu no hebi • Cinema • Shibusawa Tatsuhiko • Shiseikan • Eroticism • Unnatural • Japan • Autopsy • Memory • Selfhood

Permalink http://doi.org/10.14277/978-88-6969-151-5 | e-ISBN 978-88-6969-151-5 | ISBN (PRINT) 978-88-6969-150-8 | Published May 31, 2017 | Language it, en

Copyright © 2017 Andrea De Antoni, Massimo Raveri. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.