1913. La I Esposizione d’Arte Veneta

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DC Field	Value
dc.identifier	ECF_chapter_1603
dc.contributor.author	Beltrami Cristina
dc.title	1913. La I Esposizione d’Arte Veneta
dc.type	Chapter
dc.language.iso	it
dc.description.abstract	The article is focused on a little – but significant – exhibition organised in Venice in Spring 1913. The I Esposizione d’Arte Veneta, that took place in the spaces beside the Misericordia, was indeed the perfect mirror of the middle taste of the local collectors. Its 139 works included some well-known names, as Alessandro Zezzos or Carlo Lorenzetti or Duilio Korompay, and some other artists belonging to a new generation that was not included in the official Biennale and neither in the Secessionist movement of the Ca’ Pesaro exhibitions.
dc.relation.ispartof	Storie dell’arte contemporanea
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing
dc.issued	2017-12-16
dc.identifier.uri	http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-198-0/1913-la-i-esposizione-darte-veneta/
dc.identifier.doi	10.14277/6969-197-3/SAC-1-9
dc.identifier.issn	2610-9905
dc.identifier.eissn	2610-9891
dc.identifier.isbn	978-88-6969-198-0
dc.identifier.eisbn	978-88-6969-197-3
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	no
dc.subject	Exhibition
dc.subject	Exhibition
dc.subject	Venice
dc.subject	Venice
dc.subject	XX Italian painting
dc.subject	XX Italian painting
dc.subject	XX Italian sculpture
dc.subject	XX Italian sculpture

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1913. La I Esposizione d’Arte Veneta

Cristina Beltrami Ricercatore indipendente

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abstract

The article is focused on a little – but significant – exhibition organised in Venice in Spring 1913. The I Esposizione d’Arte Veneta, that took place in the spaces beside the Misericordia, was indeed the perfect mirror of the middle taste of the local collectors. Its 139 works included some well-known names, as Alessandro Zezzos or Carlo Lorenzetti or Duilio Korompay, and some other artists belonging to a new generation that was not included in the official Biennale and neither in the Secessionist movement of the Ca’ Pesaro exhibitions.

Published

Dec. 16, 2017

Language

ISBN (PRINT)

978-88-6969-198-0

ISBN (EBOOK)

978-88-6969-197-3

Keywords: Venice • Exhibition • XX Italian painting • XX Italian sculpture

permalink: http://doi.org/10.14277/6969-197-3/SAC-1-9

Copyright: © 2017 Cristina Beltrami. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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