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DC Field	Value
dc.identifier	ECF_chapter_1596
dc.contributor.author	Luderin Pierpaolo
dc.title	«Colla speranza di combattere insieme a Ca’ Pesaro più aspre battaglie». Gino Rossi alla collettiva della Bevilacqua La Masa del 1913
dc.type	Chapter
dc.language.iso	it
dc.description.abstract	This contribution analyses Gino Rossi’s poetics, from his training to later developments, before and after the famous exhibition held at Ca’ Pesaro palace in 1913. It shows the artist’s international taste and the originality of his choices (also through his relationships with lesser-known names and events), as well as the relevance that that special year and exhibition had on his artistic career. This essay also suggests a reconstruction of which works of art were actually exhibited on that occasion.
dc.relation.ispartof	Storie dell’arte contemporanea
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing
dc.issued	2017-12-16
dc.identifier.uri	http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-198-0/colla-speranza-di-combattere-insieme-a-ca-pesaro-p/
dc.identifier.doi	10.14277/6969-197-3/SAC-1-2
dc.identifier.issn	2610-9905
dc.identifier.eissn	2610-9891
dc.identifier.isbn	978-88-6969-198-0
dc.identifier.eisbn	978-88-6969-197-3
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	no
dc.subject	1913
dc.subject	1913
dc.subject	Biennale di Venezia
dc.subject	Biennale di Venezia
dc.subject	Ca’ Pesaro
dc.subject	Ca’ Pesaro
dc.subject	Charles Cottet
dc.subject	Charles Cottet
dc.subject	Gino Rossi
dc.subject	Gino Rossi
dc.subject	Paris
dc.subject	Paris

Chapter
open access

«Colla speranza di combattere insieme a Ca’ Pesaro più aspre battaglie»

Gino Rossi alla collettiva della Bevilacqua La Masa del 1913

Pierpaolo Luderin

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abstract

This contribution analyses Gino Rossi’s poetics, from his training to later developments, before and after the famous exhibition held at Ca’ Pesaro palace in 1913. It shows the artist’s international taste and the originality of his choices (also through his relationships with lesser-known names and events), as well as the relevance that that special year and exhibition had on his artistic career. This essay also suggests a reconstruction of which works of art were actually exhibited on that occasion.

Published

Dec. 16, 2017

Language

ISBN (PRINT)

978-88-6969-198-0

ISBN (EBOOK)

978-88-6969-197-3

Keywords: Gino Rossi • Charles Cottet • 1913 • Paris • Ca’ Pesaro • Biennale di Venezia

permalink: http://doi.org/10.14277/6969-197-3/SAC-1-2

Copyright: © 2017 Pierpaolo Luderin. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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