La pittura di paesaggio tra scuola del vero e moda

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DC Field	Value
dc.identifier	ECF_chapter_1600
dc.contributor.author	Prete Elisa
dc.title	La pittura di paesaggio tra scuola del vero e moda simbolista
dc.type	Chapter
dc.language.iso	it
dc.description.abstract	The text proposes a transversal observation of the collective exhibition Bevilacqua La Masa of 1913, based on the impact of symbolist elements in the representation of the landscape. In fact, the diffusion of expressive languages linked to the climate of Symbolism had met, in the Venetian area, an extensive development; it could be found so much in the participations at the youth’s exhibitions as well as in the Biennales. On the wave of the North European poetics, where a correspondence was established between landscape and state of mind, many artists of different backgrounds and levels experienced what was called ‘Nordic obsession’: they engaged in a renewed interpretation of the landscape genre and associated it with a repertoire of subjects and recurring features. The attraction towards the nocturnal fashion lasted well beyond the temporal limits traditionally associated with the phenomenon, extinguishing only at the threshold of the First World War.
dc.relation.ispartof	Storie dell’arte contemporanea
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing
dc.issued	2017-12-16
dc.identifier.uri	http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-198-0/la-pittura-di-paesaggio-tra-scuola-del-vero-e-moda/
dc.identifier.doi	10.14277/6969-197-3/SAC-1-6
dc.identifier.issn	2610-9905
dc.identifier.eissn	2610-9891
dc.identifier.isbn	978-88-6969-198-0
dc.identifier.eisbn	978-88-6969-197-3
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	no
dc.subject	1913
dc.subject	1913
dc.subject	Fondazione Bevilacqua La Masa
dc.subject	Fondazione Bevilacqua La Masa
dc.subject	Landscape painting
dc.subject	Landscape painting
dc.subject	Symbolism
dc.subject	Symbolism

Chapter
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La pittura di paesaggio tra scuola del vero e moda simbolista

Elisa Prete

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abstract

The text proposes a transversal observation of the collective exhibition Bevilacqua La Masa of 1913, based on the impact of symbolist elements in the representation of the landscape. In fact, the diffusion of expressive languages linked to the climate of Symbolism had met, in the Venetian area, an extensive development; it could be found so much in the participations at the youth’s exhibitions as well as in the Biennales. On the wave of the North European poetics, where a correspondence was established between landscape and state of mind, many artists of different backgrounds and levels experienced what was called ‘Nordic obsession’: they engaged in a renewed interpretation of the landscape genre and associated it with a repertoire of subjects and recurring features. The attraction towards the nocturnal fashion lasted well beyond the temporal limits traditionally associated with the phenomenon, extinguishing only at the threshold of the First World War.

Published

Dec. 16, 2017

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ISBN (PRINT)

978-88-6969-198-0

ISBN (EBOOK)

978-88-6969-197-3

Keywords: Fondazione Bevilacqua La Masa • Landscape painting • 1913 • Symbolism

permalink: http://doi.org/10.14277/6969-197-3/SAC-1-6

Copyright: © 2017 Elisa Prete. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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