Tullio Garbari alla mostra di Ca’ Pesaro del 1913

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DC Field	Value
dc.identifier	ECF_chapter_1597
dc.contributor.author	Portinari Stefania
dc.title	Tullio Garbari alla mostra di Ca’ Pesaro del 1913. «Un altro principio, più selvaggio e più solo»
dc.type	Chapter
dc.language.iso	it
dc.description.abstract	The painter Tullio Garbari, even before taking part into the collective exhibition held at the Venetian palace Ca’ Pesaro in 1913, had a foreshadowing: his works of art would appear transformed and he would look like “a new Garbari: or dying or unborn”. He meant that a stylistic metamorphosis was happening in his paintings, but also in his life. Relationships with the Florentine milieu, particularly with Ardengo Soffici, Giovanni Papini and Giuseppe Prezzolini, orbiting around the journal <i>La Voce</i>, actually brought about changes in the influences of the Vienna Secession he fostered in his early education in Trentino, in northern Italy, and in the Decadent fascination acquired at the Fine Art Academy in Venice. The artist, the writer Carlo Belli called “the Angel in civilian clothes”, was of course influenced by ‘capesarini’ artists such as Gino Rossi, Umberto Moggioli and Teodoro Wolf Ferrari, but maybe even more by his staying in Florence, where those new friends were rediscovering and celebrating Post Impressionists.
dc.relation.ispartof	Storie dell’arte contemporanea
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing
dc.issued	2017-12-16
dc.identifier.uri	http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-198-0/tullio-garbari-alla-mostra-di-ca-pesaro-del-1913/
dc.identifier.doi	10.14277/6969-197-3/SAC-1-3
dc.identifier.issn	2610-9905
dc.identifier.eissn	2610-9891
dc.identifier.isbn	978-88-6969-198-0
dc.identifier.eisbn	978-88-6969-197-3
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	no
dc.subject	Ardengo Soffici
dc.subject	Ardengo Soffici
dc.subject	Ca’ Pesaro
dc.subject	Ca’ Pesaro
dc.subject	Florence
dc.subject	Florence
dc.subject	Gino Rossi
dc.subject	Gino Rossi
dc.subject	Giovanni Papini
dc.subject	Giovanni Papini
dc.subject	Nino Barbantini
dc.subject	Nino Barbantini
dc.subject	Oscar Ghiglia
dc.subject	Oscar Ghiglia
dc.subject	Paul Cézanne
dc.subject	Paul Cézanne
dc.subject	Paul Gauguin
dc.subject	Paul Gauguin
dc.subject	Post Impressionism
dc.subject	Post Impressionism
dc.subject	Teodoro Wolf Ferrari
dc.subject	Teodoro Wolf Ferrari
dc.subject	Tullio Garbari
dc.subject	Tullio Garbari
dc.subject	Umberto Moggioli
dc.subject	Umberto Moggioli
dc.subject	Venice
dc.subject	Venice

Chapter
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Tullio Garbari alla mostra di Ca’ Pesaro del 1913

«Un altro principio, più selvaggio e più solo»

Stefania Portinari Università Ca’ Foscari Venezia, Italia

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abstract

The painter Tullio Garbari, even before taking part into the collective exhibition held at the Venetian palace Ca’ Pesaro in 1913, had a foreshadowing: his works of art would appear transformed and he would look like “a new Garbari: or dying or unborn”. He meant that a stylistic metamorphosis was happening in his paintings, but also in his life. Relationships with the Florentine milieu, particularly with Ardengo Soffici, Giovanni Papini and Giuseppe Prezzolini, orbiting around the journal <i>La Voce</i>, actually brought about changes in the influences of the Vienna Secession he fostered in his early education in Trentino, in northern Italy, and in the Decadent fascination acquired at the Fine Art Academy in Venice. The artist, the writer Carlo Belli called “the Angel in civilian clothes”, was of course influenced by ‘capesarini’ artists such as Gino Rossi, Umberto Moggioli and Teodoro Wolf Ferrari, but maybe even more by his staying in Florence, where those new friends were rediscovering and celebrating Post Impressionists.

Published

Dec. 16, 2017

Language

ISBN (PRINT)

978-88-6969-198-0

ISBN (EBOOK)

978-88-6969-197-3

Keywords: Paul Cézanne • Nino Barbantini • Paul Gauguin • Post Impressionism • Venice • Giovanni Papini • Ca’ Pesaro • Ardengo Soffici • Tullio Garbari • Florence • Teodoro Wolf Ferrari • Gino Rossi • Oscar Ghiglia • Umberto Moggioli

permalink: http://doi.org/10.14277/6969-197-3/SAC-1-3

Copyright: © 2017 Stefania Portinari. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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