Udine, novembre 1913: alla prima Esposizione degli artisti friulani

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DC Field	Value
dc.identifier	ECF_chapter_1604
dc.contributor.author	Reale Isabella
dc.title	Udine, novembre 1913: alla prima Esposizione degli artisti friulani
dc.type	Chapter
dc.language.iso	it
dc.description.abstract	Among the artists at Ca’ Pesaro’s Venetian exhibitions there were also Friulian artists, in particular some important names that closely related the I Exhibition of Friulian Artists, set up in Udine in November 1913, with the one held in 1913 at Ca’ Pesaro, that only some months before caused scandal for the reaction of the self-righteous to the works of Arturo Martini and Gino Rossi, arousing a lively debate. Between them there was the landscape artist Marco Tiziano Davanzo, and much more interesting were the sculptor Mario Ceconi di Montececon and painters Giovanni Napoleone Pellis and Luigi De Giudici, that were assiduous participants of the ‘capesarine’ exhibitions. However, Friulian avant-garde artists emerged only after the First World War, clashing with the nostalgic choices of the Friulian Biennale in 1926 and in 1928, creating a group of refusés that promoted the exhibition of the ‘Scuola friulana d’Avanguardia’, composed by Modotto, Dino, Mirko and Afro Basaldella, Filipponi, Pittino and Grassi, all ‘baptized’ at the Bevilacqua la Masa exhibitions in Venice, where they could see the works of art by Arturo Martini, true mentor of the great Basaldella artists.
dc.relation.ispartof	Storie dell’arte contemporanea
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing
dc.issued	2017-12-16
dc.identifier.uri	http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-198-0/udine-novembre-1913-alla-prima-esposizione-degli-a/
dc.identifier.doi	10.14277/6969-197-3/SAC-1-10
dc.identifier.issn	2610-9905
dc.identifier.eissn	2610-9891
dc.identifier.isbn	978-88-6969-198-0
dc.identifier.eisbn	978-88-6969-197-3
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	no
dc.subject	Giovanni Napoleone Pellis
dc.subject	Giovanni Napoleone Pellis
dc.subject	I Exhibition of Friulian Artists
dc.subject	I Exhibition of Friulian Artists
dc.subject	Luigi De Giudici
dc.subject	Luigi De Giudici
dc.subject	Mario Ceconi di Montececon
dc.subject	Mario Ceconi di Montececon
dc.subject	Udine
dc.subject	Udine

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Udine, novembre 1913: alla prima Esposizione degli artisti friulani

Isabella Reale già direttrice della Galleria d’arte moderna di Udine, Italia

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abstract

Among the artists at Ca’ Pesaro’s Venetian exhibitions there were also Friulian artists, in particular some important names that closely related the I Exhibition of Friulian Artists, set up in Udine in November 1913, with the one held in 1913 at Ca’ Pesaro, that only some months before caused scandal for the reaction of the self-righteous to the works of Arturo Martini and Gino Rossi, arousing a lively debate. Between them there was the landscape artist Marco Tiziano Davanzo, and much more interesting were the sculptor Mario Ceconi di Montececon and painters Giovanni Napoleone Pellis and Luigi De Giudici, that were assiduous participants of the ‘capesarine’ exhibitions. However, Friulian avant-garde artists emerged only after the First World War, clashing with the nostalgic choices of the Friulian Biennale in 1926 and in 1928, creating a group of refusés that promoted the exhibition of the ‘Scuola friulana d’Avanguardia’, composed by Modotto, Dino, Mirko and Afro Basaldella, Filipponi, Pittino and Grassi, all ‘baptized’ at the Bevilacqua la Masa exhibitions in Venice, where they could see the works of art by Arturo Martini, true mentor of the great Basaldella artists.

Published

Dec. 16, 2017

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ISBN (PRINT)

978-88-6969-198-0

ISBN (EBOOK)

978-88-6969-197-3

Keywords: Mario Ceconi di Montececon • I Exhibition of Friulian Artists • Luigi De Giudici • Udine • Giovanni Napoleone Pellis

permalink: http://doi.org/10.14277/6969-197-3/SAC-1-10

Copyright: © 2017 Isabella Reale. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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