Storie dell’arte contemporanea

L’istinto di una Istituzione

Sulla Fondazione Bevilacqua La Masa e i sintomi di una storia inquieta

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Abstract

The text intends to propose a reflection on the ways in which the relationship between an institution is shown. This relationship arises to take care of art and young artists, and the artists themselves; between the artist’s request that seeks a space for expressing and enhancing his/her work, and an institutional, public body that tries to accommodate this request giving form, visibility, communicability to the artistic expression. This comparison in its complexity, with its tensions and lacerations, seems to characterize the history of the Bevilacqua La Masa Foundation, beyond the historical-artistic events that surround its life, as if we were facing a deeper theoretical phenomenon, which has always characterized the intuition of Felicity, perhaps instinctive, but brilliant, which is the basis of every political-management discourse of the artistic phenomenon.


Open access

Published March 1, 2018 | Language: it

Keywords Emerging artists • Fondazione Bevilacqua La Masa • Archive • Art management • Protests

Copyright © 2018 Stefano Coletto. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

Permalink http://doi.org/10.30687/978-88-6969-199-7/013


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