Library of Rassegna iberistica

Classical Spanish Theater in the Cinema

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open access | peer reviewed
    edited by
  • Marco Presotto - Università degli Studi di Trento, Italia - email

Abstract
This book aims to deepen the relationship between classical Spanish theater and cinema through the analysis of a corpus which has been only partially studied and recently rescued by critics. The chapters first deal with theoretical questions about the cinematographic adaptation of a dramatic text, followed by specific studies of significant periods in the political and cultural history of Spain in the 20th century, such as the artistic production of exile and that of the Franco regime, also taking into account the creative contribution of the most recent films based on the theme and their impact on contemporary society.

Keywords El Alcalde de ZalameaGolden Age DramaCinematographic adaptionReception of the Golden Age Theatre HeritagePropagandaCinemaAdaptationLope de VegaAgustín MoretoDictatorshipPedro Calderón de la BarcaReception of the Golden Age theatre heritageMaría Teresa LeónSpanish ComediaFrancisco FrancoCommunismScreen adaptationSiglo de OroRafael AlbertiSpanishnessNaplesTheatreSpanish cinemaTheatrical spaceEl perro del hortelanoDialectic high vs lowCinematic spaceGolden Age Drama StudiesNazismTheatre in cinemaFranco’s regimeArgentine cinemaCalderónFilm adaptationHispanismTheater-cinema relationsPilar MiróFilmic rewritingSpainAudienceLa vida es sueñoNational identityCensorshipMenos es másEl desdén con el desdénShakespeareTheories on adaptationSpanish theater of Golden CenturyPortugalDon JuanSpanish Golden Age theaterMonologueFilm versionReceptionFrancoism

Permalink http://doi.org/10.30687/978-88-6969-330-4 | e-ISBN 978-88-6969-330-4 | ISBN (PRINT) 978-88-6969-331-1 | Number of pages 200 | Dimensions 16x23cm | Published July 12, 2019 | Language es