Library of Rassegna iberistica

Classical Spanish Theater in the Cinema

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open access | peer reviewed

Abstract
This book aims to deepen the relationship between classical Spanish theater and cinema through the analysis of a corpus which has been only partially studied and recently rescued by critics. The chapters first deal with theoretical questions about the cinematographic adaptation of a dramatic text, followed by specific studies of significant periods in the political and cultural history of Spain in the 20th century, such as the artistic production of exile and that of the Franco regime, also taking into account the creative contribution of the most recent films based on the theme and their impact on contemporary society.

Keywords HispanismNazismAdaptationLope de VegaPilar MiróScreen adaptationMenos es másLa vida es sueñoArgentine cinemaFrancoismGolden Age DramaSpainSpanish ComediaPortugalReception of the Golden Age Theatre HeritageCensorshipRafael AlbertiReceptionCinematic spaceNaplesFilm adaptationSpanish theater of Golden CenturyAgustín MoretoPropagandaTheories on adaptationCommunismSpanish Golden Age theaterReception of the Golden Age theatre heritageSpanish cinemaDialectic high vs lowTheatrical spaceDictatorshipFrancisco FrancoFilm versionFilmic rewritingAudienceMonologueCinemaDon JuanMaría Teresa LeónFranco’s regimeTheatre in cinemaCalderónNational identityCinematographic adaptionEl desdén con el desdénGolden Age Drama StudiesTheater-cinema relationsEl perro del hortelanoPedro Calderón de la BarcaSpanishnessSiglo de OroTheatreEl Alcalde de ZalameaShakespeare

Thema codes ATFAATDDSG1DSE3MP

Permalink http://doi.org/10.30687/978-88-6969-330-4 | e-ISBN 978-88-6969-330-4 | ISBN (PRINT) 978-88-6969-331-1 | Number of pages 200 | Dimensions 16x23cm | Published July 12, 2019 | Language es