Library of Rassegna iberistica

Classical Spanish Theater in the Cinema

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open access | peer reviewed

Abstract
This book aims to deepen the relationship between classical Spanish theater and cinema through the analysis of a corpus which has been only partially studied and recently rescued by critics. The chapters first deal with theoretical questions about the cinematographic adaptation of a dramatic text, followed by specific studies of significant periods in the political and cultural history of Spain in the 20th century, such as the artistic production of exile and that of the Franco regime, also taking into account the creative contribution of the most recent films based on the theme and their impact on contemporary society.

Keywords Cinematographic adaptionSiglo de OroArgentine cinemaFrancisco FrancoLope de VegaPropagandaFilm versionFilmic rewritingSpanish ComediaSpanish cinemaShakespeareAdaptationPortugalDialectic high vs lowSpanishnessFranco’s regimeLa vida es sueñoCalderónPilar MiróNaplesSpanish theater of Golden CenturyNazismFrancoismHispanismEl desdén con el desdénAgustín MoretoMonologueSpainEl Alcalde de ZalameaDictatorshipGolden Age DramaGolden Age Drama StudiesTheatrical spaceSpanish Golden Age theaterAudienceCommunismRafael AlbertiCinematic spaceTheatre in cinemaReception of the Golden Age theatre heritageTheatrePedro Calderón de la BarcaReceptionEl perro del hortelanoTheories on adaptationFilm adaptationTheater-cinema relationsCensorshipScreen adaptationMaría Teresa LeónMenos es másReception of the Golden Age Theatre HeritageCinemaNational identityDon Juan

Thema codes ATFAATDDSG1DSE3MP

Permalink http://doi.org/10.30687/978-88-6969-330-4 | e-ISBN 978-88-6969-330-4 | ISBN (PRINT) 978-88-6969-331-1 | Number of pages 200 | Dimensions 16x23cm | Published July 12, 2019 | Language es