Library of Rassegna iberistica

Classical Spanish Theater in the Cinema

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open access | peer reviewed

Abstract
This book aims to deepen the relationship between classical Spanish theater and cinema through the analysis of a corpus which has been only partially studied and recently rescued by critics. The chapters first deal with theoretical questions about the cinematographic adaptation of a dramatic text, followed by specific studies of significant periods in the political and cultural history of Spain in the 20th century, such as the artistic production of exile and that of the Franco regime, also taking into account the creative contribution of the most recent films based on the theme and their impact on contemporary society.

Keywords Audience • Reception of the Golden Age Theatre Heritage • María Teresa León • Spanish theater of Golden Century • Theatre in cinema • Reception of the Golden Age theatre heritage • Filmic rewriting • Spanish Golden Age theater • Golden Age Drama Studies • Naples • Cinematic space • Don Juan • Dictatorship • Cinema • Pedro Calderón de la Barca • Propaganda • El perro del hortelano • Screen adaptation • Dialectic high vs low • Adaptation • Reception • Portugal • Theater-cinema relations • Nazism • Theatre • Argentine cinema • Francisco Franco • El desdén con el desdén • Hispanism • Censorship • Theories on adaptation • Lope de Vega • Pilar Miró • Spain • Siglo de Oro • Theatrical space • Calderón • Film version • El Alcalde de Zalamea • Monologue • Communism • Film adaptation • Menos es más • Rafael Alberti • Golden Age Drama • Shakespeare • Spanish Comedia • National identity • Spanishness • Spanish cinema • La vida es sueño • Cinematographic adaption • Francoism • Franco’s regime • Agustín Moreto

Thema codes ATFA • ATD • DSG • 1DSE • 3MP

Permalink http://doi.org/10.30687/978-88-6969-330-4 | e-ISBN 978-88-6969-330-4 | ISBN (PRINT) 978-88-6969-331-1 | Number of pages 200 | Dimensions 16x23cm | Published July 12, 2019 | Language es