Series | Library of Rassegna iberistica
Volume 15 | Edited book | Classical Spanish Theater in the Cinema
Abstract
This book aims to deepen the relationship between classical Spanish theater and cinema through the analysis of a corpus which has been only partially studied and recently rescued by critics. The chapters first deal with theoretical questions about the cinematographic adaptation of a dramatic text, followed by specific studies of significant periods in the political and cultural history of Spain in the 20th century, such as the artistic production of exile and that of the Franco regime, also taking into account the creative contribution of the most recent films based on the theme and their impact on contemporary society.
Keywords El perro del hortelano • Nazism • Spanish Golden Age theater • Theatrical space • Screen adaptation • Audience • Portugal • Spain • Monologue • Menos es más • Dialectic high vs low • Calderón • Golden Age Drama Studies • Shakespeare • Francisco Franco • Censorship • Cinematic space • El desdén con el desdén • Film adaptation • Spanish theater of Golden Century • National identity • Reception of the Golden Age Theatre Heritage • Golden Age Drama • Spanishness • Cinema • Theories on adaptation • Agustín Moreto • Lope de Vega • Siglo de Oro • María Teresa León • Adaptation • Pedro Calderón de la Barca • Reception • Reception of the Golden Age theatre heritage • Theatre • Spanish Comedia • Communism • Propaganda • Film version • Don Juan • Pilar Miró • Theatre in cinema • Dictatorship • El Alcalde de Zalamea • Cinematographic adaption • La vida es sueño • Rafael Alberti • Theater-cinema relations • Hispanism • Argentine cinema • Francoism • Spanish cinema • Naples • Filmic rewriting • Franco’s regime
Permalink http://doi.org/10.30687/978-88-6969-330-4 | e-ISBN 978-88-6969-330-4 | ISBN (PRINT) 978-88-6969-331-1 | Number of pages 200 | Dimensions 16x23cm | Published July 12, 2019 | Language es
Copyright © 2019 Marco Presotto. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
DC Field | Value |
---|---|
dc.identifier |
ECF_book_372 |
dc.creator |
Presotto Marco |
dc.title |
Classical Spanish Theater in the Cinema |
dc.type |
Edited book |
dc.language.iso |
es |
dc.description.abstract |
This book aims to deepen the relationship between classical Spanish theater and cinema through the analysis of a corpus which has been only partially studied and recently rescued by critics. The chapters first deal with theoretical questions about the cinematographic adaptation of a dramatic text, followed by specific studies of significant periods in the political and cultural history of Spain in the 20th century, such as the artistic production of exile and that of the Franco regime, also taking into account the creative contribution of the most recent films based on the theme and their impact on contemporary society. |
dc.relation.ispartof |
Library of Rassegna iberistica |
dc.identifier.doi |
10.30687/978-88-6969-330-4 |
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing |
dc.issued |
2019-07-12 |
dc.identifier.uri |
http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-331-1/ |
dc.identifier.issn |
2610-8844 |
dc.identifier.eissn |
2610-9360 |
dc.identifier.isbn |
978-88-6969-331-1 |
dc.identifier.eisbn |
978-88-6969-330-4 |
dc.rights |
Creative Commons Attribution 4.0 International Public License |
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
item.fulltext |
with fulltext |
item.grantfulltext |
open |
dc.peer-review |
yes |
dc.subject |
Adaptation |
dc.subject |
Adaptation |
dc.subject |
Adaptation |
dc.subject |
Adaptation |
dc.subject |
Adaptation |
dc.subject |
Agustín Moreto |
dc.subject |
Agustín Moreto |
dc.subject |
Agustín Moreto |
dc.subject |
Argentine cinema |
dc.subject |
Argentine cinema |
dc.subject |
Argentine cinema |
dc.subject |
Audience |
dc.subject |
Audience |
dc.subject |
Audience |
dc.subject |
Calderón |
dc.subject |
Calderón |
dc.subject |
Calderón |
dc.subject |
Censorship |
dc.subject |
Censorship |
dc.subject |
Censorship |
dc.subject |
Cinema |
dc.subject |
Cinema |
dc.subject |
Cinema |
dc.subject |
Cinematic space |
dc.subject |
Cinematic space |
dc.subject |
Cinematic space |
dc.subject |
Cinematographic adaption |
dc.subject |
Cinematographic adaption |
dc.subject |
Cinematographic adaption |
dc.subject |
Communism |
dc.subject |
Communism |
dc.subject |
Communism |
dc.subject |
Dialectic high vs low |
dc.subject |
Dialectic high vs low |
dc.subject |
Dialectic high vs low |
dc.subject |
Dictatorship |
dc.subject |
Dictatorship |
dc.subject |
Dictatorship |
dc.subject |
Don Juan |
dc.subject |
Don Juan |
dc.subject |
Don Juan |
dc.subject |
El Alcalde de Zalamea |
dc.subject |
El Alcalde de Zalamea |
dc.subject |
El Alcalde de Zalamea |
dc.subject |
El desdén con el desdén |
dc.subject |
El desdén con el desdén |
dc.subject |
El desdén con el desdén |
dc.subject |
El perro del hortelano |
dc.subject |
El perro del hortelano |
dc.subject |
El perro del hortelano |
dc.subject |
El perro del hortelano |
dc.subject |
El perro del hortelano |
dc.subject |
Film adaptation |
dc.subject |
Film adaptation |
dc.subject |
Film adaptation |
dc.subject |
Film adaptation |
dc.subject |
Film adaptation |
dc.subject |
Film version |
dc.subject |
Film version |
dc.subject |
Film version |
dc.subject |
Filmic rewriting |
dc.subject |
Filmic rewriting |
dc.subject |
Filmic rewriting |
dc.subject |
Francisco Franco |
dc.subject |
Francisco Franco |
dc.subject |
Francisco Franco |
dc.subject |
Francoism |
dc.subject |
Francoism |
dc.subject |
Francoism |
dc.subject |
Franco’s regime |
dc.subject |
Franco’s regime |
dc.subject |
Franco’s regime |
dc.subject |
Golden Age Drama |
dc.subject |
Golden Age Drama |
dc.subject |
Golden Age Drama |
dc.subject |
Golden Age Drama Studies |
dc.subject |
Golden Age Drama Studies |
dc.subject |
Golden Age Drama Studies |
dc.subject |
Golden Age Drama Studies |
dc.subject |
Golden Age Drama Studies |
dc.subject |
Hispanism |
dc.subject |
Hispanism |
dc.subject |
Hispanism |
dc.subject |
La vida es sueño |
dc.subject |
La vida es sueño |
dc.subject |
La vida es sueño |
dc.subject |
Lope de Vega |
dc.subject |
Lope de Vega |
dc.subject |
Lope de Vega |
dc.subject |
Lope de Vega |
dc.subject |
Lope de Vega |
dc.subject |
Lope de Vega |
dc.subject |
Lope de Vega |
dc.subject |
María Teresa León |
dc.subject |
María Teresa León |
dc.subject |
María Teresa León |
dc.subject |
Menos es más |
dc.subject |
Menos es más |
dc.subject |
Menos es más |
dc.subject |
Monologue |
dc.subject |
Monologue |
dc.subject |
Monologue |
dc.subject |
Naples |
dc.subject |
Naples |
dc.subject |
Naples |
dc.subject |
National identity |
dc.subject |
National identity |
dc.subject |
National identity |
dc.subject |
Nazism |
dc.subject |
Nazism |
dc.subject |
Nazism |
dc.subject |
Pedro Calderón de la Barca |
dc.subject |
Pedro Calderón de la Barca |
dc.subject |
Pedro Calderón de la Barca |
dc.subject |
Pedro Calderón de la Barca |
dc.subject |
Pedro Calderón de la Barca |
dc.subject |
Pilar Miró |
dc.subject |
Pilar Miró |
dc.subject |
Pilar Miró |
dc.subject |
Pilar Miró |
dc.subject |
Pilar Miró |
dc.subject |
Portugal |
dc.subject |
Portugal |
dc.subject |
Portugal |
dc.subject |
Propaganda |
dc.subject |
Propaganda |
dc.subject |
Propaganda |
dc.subject |
Rafael Alberti |
dc.subject |
Rafael Alberti |
dc.subject |
Rafael Alberti |
dc.subject |
Reception |
dc.subject |
Reception |
dc.subject |
Reception |
dc.subject |
Reception of the Golden Age Theatre Heritage |
dc.subject |
Reception of the Golden Age Theatre Heritage |
dc.subject |
Reception of the Golden Age Theatre Heritage |
dc.subject |
Reception of the Golden Age theatre heritage |
dc.subject |
Reception of the Golden Age theatre heritage |
dc.subject |
Reception of the Golden Age theatre heritage |
dc.subject |
Screen adaptation |
dc.subject |
Screen adaptation |
dc.subject |
Screen adaptation |
dc.subject |
Shakespeare |
dc.subject |
Shakespeare |
dc.subject |
Shakespeare |
dc.subject |
Siglo de Oro |
dc.subject |
Siglo de Oro |
dc.subject |
Siglo de Oro |
dc.subject |
Spain |
dc.subject |
Spain |
dc.subject |
Spain |
dc.subject |
Spanish Comedia |
dc.subject |
Spanish Comedia |
dc.subject |
Spanish Comedia |
dc.subject |
Spanish Golden Age theater |
dc.subject |
Spanish Golden Age theater |
dc.subject |
Spanish Golden Age theater |
dc.subject |
Spanish cinema |
dc.subject |
Spanish cinema |
dc.subject |
Spanish cinema |
dc.subject |
Spanish theater of Golden Century |
dc.subject |
Spanish theater of Golden Century |
dc.subject |
Spanish theater of Golden Century |
dc.subject |
Spanishness |
dc.subject |
Spanishness |
dc.subject |
Spanishness |
dc.subject |
Theater-cinema relations |
dc.subject |
Theater-cinema relations |
dc.subject |
Theater-cinema relations |
dc.subject |
Theatre |
dc.subject |
Theatre |
dc.subject |
Theatre |
dc.subject |
Theatre |
dc.subject |
Theatre |
dc.subject |
Theatre in cinema |
dc.subject |
Theatre in cinema |
dc.subject |
Theatre in cinema |
dc.subject |
Theatre in cinema |
dc.subject |
Theatre in cinema |
dc.subject |
Theatrical space |
dc.subject |
Theatrical space |
dc.subject |
Theatrical space |
dc.subject |
Theories on adaptation |
dc.subject |
Theories on adaptation |
dc.subject |
Theories on adaptation |
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