Library of Rassegna iberistica

Classical Spanish Theater in the Cinema

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open access | peer reviewed

Abstract
This book aims to deepen the relationship between classical Spanish theater and cinema through the analysis of a corpus which has been only partially studied and recently rescued by critics. The chapters first deal with theoretical questions about the cinematographic adaptation of a dramatic text, followed by specific studies of significant periods in the political and cultural history of Spain in the 20th century, such as the artistic production of exile and that of the Franco regime, also taking into account the creative contribution of the most recent films based on the theme and their impact on contemporary society.

Keywords FrancoismReceptionFranco’s regimeNational identityScreen adaptationSpainMaría Teresa LeónSpanishnessReception of the Golden Age theatre heritageDon JuanMonologueLa vida es sueñoTheatrical spaceGolden Age DramaFilm versionFrancisco FrancoNaplesRafael AlbertiReception of the Golden Age Theatre HeritageSiglo de OroFilm adaptationDictatorshipTheater-cinema relationsMenos es másCalderónPortugalShakespearePropagandaAudienceArgentine cinemaCensorshipCommunismPilar MiróGolden Age Drama StudiesAgustín MoretoHispanismSpanish theater of Golden CenturyFilmic rewritingDialectic high vs lowEl desdén con el desdénCinematographic adaptionTheatre in cinemaTheories on adaptationSpanish cinemaCinematic spaceEl Alcalde de ZalameaAdaptationEl perro del hortelanoPedro Calderón de la BarcaSpanish Golden Age theaterSpanish ComediaTheatreLope de VegaNazismCinema

Thema codes ATFAATDDSG1DSE3MP

Permalink http://doi.org/10.30687/978-88-6969-330-4 | e-ISBN 978-88-6969-330-4 | ISBN (PRINT) 978-88-6969-331-1 | Number of pages 200 | Dimensions 16x23cm | Published July 12, 2019 | Language es