Series | Library of Rassegna iberistica
Volume 15 | Edited book | Classical Spanish Theater in the Cinema

Classical Spanish Theater in the Cinema

open access | peer reviewed
    edited by
  • Marco Presotto - Università di Trento, Italia - email

Abstract
This book aims to deepen the relationship between classical Spanish theater and cinema through the analysis of a corpus which has been only partially studied and recently rescued by critics. The chapters first deal with theoretical questions about the cinematographic adaptation of a dramatic text, followed by specific studies of significant periods in the political and cultural history of Spain in the 20th century, such as the artistic production of exile and that of the Franco regime, also taking into account the creative contribution of the most recent films based on the theme and their impact on contemporary society.

Keywords El perro del hortelanoNazismSpanish Golden Age theaterTheatrical spaceScreen adaptationAudiencePortugalSpainMonologueMenos es másDialectic high vs lowCalderónGolden Age Drama StudiesShakespeareFrancisco FrancoCensorshipCinematic spaceEl desdén con el desdénFilm adaptationSpanish theater of Golden CenturyNational identityReception of the Golden Age Theatre HeritageGolden Age DramaSpanishnessCinemaTheories on adaptationAgustín MoretoLope de VegaSiglo de OroMaría Teresa LeónAdaptationPedro Calderón de la BarcaReceptionReception of the Golden Age theatre heritageTheatreSpanish ComediaCommunismPropagandaFilm versionDon JuanPilar MiróTheatre in cinemaDictatorshipEl Alcalde de ZalameaCinematographic adaptionLa vida es sueñoRafael AlbertiTheater-cinema relationsHispanismArgentine cinemaFrancoismSpanish cinemaNaplesFilmic rewritingFranco’s regime

Permalink http://doi.org/10.30687/978-88-6969-330-4 | e-ISBN 978-88-6969-330-4 | ISBN (PRINT) 978-88-6969-331-1 | Number of pages 200 | Dimensions 16x23cm | Published July 12, 2019 | Language es