Series |
Library of Rassegna iberistica
Edited book | Classical Spanish Theater in the Cinema
Chapter | El teatro áureo en la pantalla: estrategias de cinematización del monólogo (I)
El teatro áureo en la pantalla: estrategias de cinematización del monólogo (I)
- Simone Trecca - Università degli Studi Roma Tre, Italia - email
Abstract
The purpose of this essay is to propose, through some significant examples, a model of study of film rewriting strategies of Spanish Golden Age drama, starting with monologues modalities of adaptation. After a methodological introduction, the study will focus on appropriation tactics of two famous female monologues, taken from Lope de Vega’s Fuente Ovejuna and Calderón de la Barca’s El alcalde de Zalamea.
open access | peer reviewed
Submitted: March 12, 2019 | Accepted: March 26, 2019 | Published July 12, 2019 | Language: es
Keywords Screen adaptation • Pedro Calderón de la Barca • Monologue • Lope de Vega • Filmic rewriting • Golden Age Drama
Copyright © 2019 Simone Trecca. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/978-88-6969-330-4/004
- Introducción: el teatro clásico y su reescritura contemporánea
- Marco Presotto
- July 12, 2019
-
Las reescrituras fílmicas de la comedia nueva
Un patrimonio desconocido y desatendido (hasta ahora) - Alba Carmona
- July 12, 2019
- Del teatro al cine: sobre el concepto de adaptación y sus transformaciones
- Iván Gómez García
- July 12, 2019
-
Más allá de la adaptación
El reciclado de materiales temáticos del teatro áureo español en el cine - José Antonio Pérez Bowie
- July 12, 2019
- El teatro áureo en la pantalla: estrategias de cinematización del monólogo (I)
- Simone Trecca
- July 12, 2019
- La dama duende prohibida: la censura de la película argentina en la España franquista
- Tiziana Pucciarelli
- July 12, 2019
- «Humano, demasiado humano»: reinterpretaciones cinematográficas y televisivas de La vida es sueño en el tardofranquismo
- Eugenio Maggi
- July 12, 2019
- El alcalde de Zalamea: dos adaptaciones cinematográficas de Calderón
- Simon Kroll
- July 12, 2019
- «Don Juan, ¿español?». Sobre la españolidad en Don Juan de José Luis Sáenz de Heredia
- Cayce Elder
- July 12, 2019
- El perro del hortelano: de espacio escénico a espacio cinematográfico
- Juan Carlos Garrot Zambrana
- July 12, 2019
-
La dialéctica alto vs bajo en El perro del hortelano
Del decorado verbal de Lope de Vega a la transposición fílmica de Pilar Miró - Marcella Trambaioli
- July 12, 2019
- El teatro áureo en la gran pantalla: Menos es más de Pascal Jongen y El desdén con el desdén de Moreto
- Debora Vaccari
- July 12, 2019
| DC Field | Value |
|---|---|
|
dc.identifier |
ECF_chapter_2685 |
|
dc.contributor.author |
Trecca Simone |
|
dc.title |
El teatro áureo en la pantalla: estrategias de cinematización del monólogo (I) |
|
dc.type |
Chapter |
|
dc.language.iso |
es |
|
dc.description.abstract |
The purpose of this essay is to propose, through some significant examples, a model of study of film rewriting strategies of Spanish Golden Age drama, starting with monologues modalities of adaptation. After a methodological introduction, the study will focus on appropriation tactics of two famous female monologues, taken from Lope de Vega’s Fuente Ovejuna and Calderón de la Barca’s El alcalde de Zalamea. |
|
dc.relation.ispartof |
Library of Rassegna iberistica |
|
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing |
|
dc.issued |
2019-07-12 |
|
dc.dateAccepted |
2019-03-26 |
|
dc.dateSubmitted |
2019-03-12 |
|
dc.identifier.uri |
http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-331-1/el-teatro-aureo-en-la-pantalla-estrategias-de-cine/ |
|
dc.identifier.doi |
10.30687/978-88-6969-330-4/004 |
|
dc.identifier.issn |
2610-8844 |
|
dc.identifier.eissn |
2610-9360 |
|
dc.identifier.isbn |
978-88-6969-331-1 |
|
dc.identifier.eisbn |
978-88-6969-330-4 |
|
dc.rights |
Creative Commons Attribution 4.0 International Public License |
|
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
|
item.fulltext |
with fulltext |
|
item.grantfulltext |
open |
|
dc.peer-review |
yes |
|
dc.subject |
Filmic rewriting |
|
dc.subject |
Filmic rewriting |
|
dc.subject |
Golden Age Drama |
|
dc.subject |
Golden Age Drama |
|
dc.subject |
Lope de Vega |
|
dc.subject |
Lope de Vega |
|
dc.subject |
Monologue |
|
dc.subject |
Monologue |
|
dc.subject |
Pedro Calderón de la Barca |
|
dc.subject |
Pedro Calderón de la Barca |
|
dc.subject |
Screen adaptation |
|
dc.subject |
Screen adaptation |
| Download data |