Antiquity Studies

The Gift of Altino

Archeology Writings in Honour of Margherita Tirelli

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open access
    edited by
  • Giovannella Cresci Marrone - Università Ca’ Foscari Venezia, Italia - email orcid profile
  • Giovanna Gambacurta - Università Ca’ Foscari Venezia, Italia - email orcid profile
  • Anna Marinetti - Università Ca’ Foscari Venezia, Italia - email

Abstract
In this volume, colleagues and friends pay tribute to Margherita Tirelli, archaeologist, curious and lively interpreter of an archaeological method that has marked a particularly flourishing season of excavations, discoveries, studies and non-superficial initiatives of valorisation. To Altino, as the progenitor of Venice, Margherita Tirelli has dedicated and continues to dedicate her uninterrupted attention, from the excavations to the delicate transition to the new prestigious museum site. In this perspective, the scholar has developed a fruitful collaboration with the Department of Humanistic Studies of Ca’ Foscari University of Venice, concretised in a convention of studies and research and in six conferences of Altino studies, aimed at investigating various themes: from the funerary to the social and the sacred. The diachronic spectrum of its archaeological, historical and epigraphic interests is reflected in the articulation of the contributions dedicated to it here: from the culture of the ancient Veneti to the themes of Romanity, up to a specific focus on glass production. The volume closes with a work on glass from the ‘historical’ age, a subject that still sees her as a reference figure in the Venetian context, and one dedicated to the choices of museum layout, a subject of communication in which she has been able to combine elegance and effectiveness with her collaborators.

Keywords Cenomani • Arcadius • Archaeological Museum • Language change • Museum Display • Pantomime • Giovanni Da Udine • Murrina • Pietro Aretino • Museum • Roman Verona • Rosetta • Funeral Ideology • Sanctuary • Verona Plain • Lineage • Altino • Votive Bronzesheet • Representativeness of coin finds • Pater patronus • Epigraphic situation • Este • Necropolis • Iron Age • Celtic Warriors • Roman Oderzo • Glass Typology • Remounting Handles • Crystal Glass • Enhancement • Women’s Clothing • Wine • Harbour • Iconography • Roman and Preroman Antiquity • Mime • Dialogue with the passerby • LT D1 • Clause of ‘affective prose’ • Coin finds • Bronze Belt • Celtic Grave • Aedicule • Maternity • Roads • Situla Art • Fresco • Roman-byzantine Craftmanship • Restoration • Ships • Altinum • Numismatics • Archaeological Park • Mosaic Glass • Shield • Francesco Zen • Aquileia • Angelo Barovier • Toponomy • Roman Age • Ritual • Spinning • Roman Necropolis • Late Roman coins • Opistography • Serena • Funerary Monument • Honorius and Theodosius II • Meza Stampaura • Roman Veneto • Veneto • Trade • Murano • Etymology • Archaeology of Cult • Early Middle Ages • Adriatic sea • Museologist • Mould Cast • Late Roman Lead Seals • Preroman Veneto • Glass • Management • Seascape • Libation • Venetic • Late Antiquity • Three-hoops Earrings • Cremation • Miniaturist • Dancer • Flat-bottomed Amphorae • Museum Communication • Torcello • Pottery Production • Adige river • Preroman Worship • Patavium

Permalink http://doi.org/10.30687/978-88-6969-380-9 | e-ISBN 978-88-6969-380-9 | ISBN (PRINT) 978-88-6969-390-8 | Published Dec. 16, 2019 | Language it

Copyright © 2019 Giovannella Cresci Marrone, Giovanna Gambacurta, Anna Marinetti. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.