Antiquity Studies

The Gift of Altino

Archeology Writings in Honour of Margherita Tirelli

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Abstract
In this volume, colleagues and friends pay tribute to Margherita Tirelli, archaeologist, curious and lively interpreter of an archaeological method that has marked a particularly flourishing season of excavations, discoveries, studies and non-superficial initiatives of valorisation. To Altino, as the progenitor of Venice, Margherita Tirelli has dedicated and continues to dedicate her uninterrupted attention, from the excavations to the delicate transition to the new prestigious museum site. In this perspective, the scholar has developed a fruitful collaboration with the Department of Humanistic Studies of Ca’ Foscari University of Venice, concretised in a convention of studies and research and in six conferences of Altino studies, aimed at investigating various themes: from the funerary to the social and the sacred. The diachronic spectrum of its archaeological, historical and epigraphic interests is reflected in the articulation of the contributions dedicated to it here: from the culture of the ancient Veneti to the themes of Romanity, up to a specific focus on glass production. The volume closes with a work on glass from the ‘historical’ age, a subject that still sees her as a reference figure in the Venetian context, and one dedicated to the choices of museum layout, a subject of communication in which she has been able to combine elegance and effectiveness with her collaborators.

Keywords Restoration • Preroman Worship • Enhancement • Roman and Preroman Antiquity • Roads • Funerary Monument • Iron Age • Late Roman Lead Seals • Pottery Production • Arcadius • Rosetta • Epigraphic situation • Museum • Votive Bronzesheet • Wine • Late Antiquity • Murrina • Giovanni Da Udine • Mosaic Glass • Patavium • Early Middle Ages • Crystal Glass • Preroman Veneto • Mime • Honorius and Theodosius II • Altinum • Situla Art • Flat-bottomed Amphorae • Etymology • Dialogue with the passerby • Funeral Ideology • Cremation • Serena • Maternity • Miniaturist • Fresco • Roman-byzantine Craftmanship • Libation • Archaeological Park • Sanctuary • Aquileia • Altino • Iconography • Pietro Aretino • Management • Dancer • Murano • Veneto • Verona Plain • Torcello • Venetic • Ritual • Bronze Belt • Museum Communication • Remounting Handles • Pantomime • Angelo Barovier • Archaeological Museum • Coin finds • Roman Verona • Francesco Zen • Roman Veneto • Toponomy • Seascape • Glass Typology • Women’s Clothing • Archaeology of Cult • Clause of ‘affective prose’ • Adriatic sea • Pater patronus • Celtic Grave • Harbour • Roman Oderzo • Roman Age • Museologist • Three-hoops Earrings • Adige river • Numismatics • Trade • Lineage • Opistography • Roman Necropolis • Representativeness of coin finds • Shield • Cenomani • Este • Mould Cast • Glass • Museum Display • Celtic Warriors • Spinning • Ships • Necropolis • Late Roman coins • LT D1 • Language change • Meza Stampaura • Aedicule

Thema codes NKD • NHC • 1DST-IT-NV • 3CT

Permalink http://doi.org/10.30687/978-88-6969-380-9 | e-ISBN 978-88-6969-380-9 | ISBN (PRINT) 978-88-6969-390-8 | Published Dec. 16, 2019 | Language it

Copyright © 2019 Giovannella Cresci Marrone, Giovanna Gambacurta, Anna Marinetti. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.