Antiquity Studies

The Gift of Altino

Archeology Writings in Honour of Margherita Tirelli

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Abstract
In this volume, colleagues and friends pay tribute to Margherita Tirelli, archaeologist, curious and lively interpreter of an archaeological method that has marked a particularly flourishing season of excavations, discoveries, studies and non-superficial initiatives of valorisation. To Altino, as the progenitor of Venice, Margherita Tirelli has dedicated and continues to dedicate her uninterrupted attention, from the excavations to the delicate transition to the new prestigious museum site. In this perspective, the scholar has developed a fruitful collaboration with the Department of Humanistic Studies of Ca’ Foscari University of Venice, concretised in a convention of studies and research and in six conferences of Altino studies, aimed at investigating various themes: from the funerary to the social and the sacred. The diachronic spectrum of its archaeological, historical and epigraphic interests is reflected in the articulation of the contributions dedicated to it here: from the culture of the ancient Veneti to the themes of Romanity, up to a specific focus on glass production. The volume closes with a work on glass from the ‘historical’ age, a subject that still sees her as a reference figure in the Venetian context, and one dedicated to the choices of museum layout, a subject of communication in which she has been able to combine elegance and effectiveness with her collaborators.

Keywords Roman Necropolis • Epigraphic situation • Celtic Warriors • Glass • Harbour • Veneto • Celtic Grave • Museologist • Este • Meza Stampaura • Funeral Ideology • Three-hoops Earrings • Early Middle Ages • Sanctuary • Late Roman coins • Cremation • Giovanni Da Udine • LT D1 • Iron Age • Bronze Belt • Lineage • Management • Trade • Roman Veneto • Archaeological Park • Aquileia • Dialogue with the passerby • Late Roman Lead Seals • Adriatic sea • Ritual • Roman Oderzo • Aedicule • Museum Communication • Roads • Museum Display • Murrina • Pottery Production • Funerary Monument • Dancer • Libation • Toponomy • Coin finds • Arcadius • Rosetta • Archaeology of Cult • Enhancement • Necropolis • Torcello • Fresco • Situla Art • Roman Verona • Francesco Zen • Archaeological Museum • Language change • Pater patronus • Patavium • Restoration • Opistography • Wine • Numismatics • Flat-bottomed Amphorae • Crystal Glass • Representativeness of coin finds • Mould Cast • Women’s Clothing • Ships • Altino • Miniaturist • Shield • Seascape • Roman-byzantine Craftmanship • Altinum • Mime • Spinning • Verona Plain • Preroman Veneto • Glass Typology • Serena • Clause of ‘affective prose’ • Honorius and Theodosius II • Remounting Handles • Pantomime • Etymology • Mosaic Glass • Adige river • Late Antiquity • Preroman Worship • Museum • Iconography • Pietro Aretino • Roman Age • Roman and Preroman Antiquity • Venetic • Angelo Barovier • Maternity • Cenomani • Murano • Votive Bronzesheet

Thema codes NKD • NHC • 1DST-IT-NV • 3CT

Permalink http://doi.org/10.30687/978-88-6969-380-9 | e-ISBN 978-88-6969-380-9 | ISBN (PRINT) 978-88-6969-390-8 | Published Dec. 16, 2019 | Language it

Subseries Archeologia e-ISSN 2610-9344 ISSN 2610-8828

Copyright © 2019 Giovannella Cresci Marrone, Giovanna Gambacurta, Anna Marinetti. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.