Library of Rassegna iberistica

The Translation of Spanish Classical Theater (19th-21st Centuries)

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open access | peer reviewed
    edited by
  • Claudia Demattè - Università degli Studi di Trento, Italia - email
  • Eugenio Maggi - Alma Mater Studiorum – Università di Bologna, Italia - email
  • Marco Presotto - Università degli Studi di Trento, Italia - email

Abstract

El volumen tiene el objetivo de profundizar el tema de la traducción del teatro clásico español en la época contemporánea para ofrecer al lector un panorama de las modalidades de irradiación de este patrimonio artístico en los distintos ámbitos lingüísticos y culturales. Se recogen ensayos de carácter sociológico, literario y traductológico, además de contribuciones relativas a la experiencia de la traducción, descrita a menudo directamente por su protagonistas. Se añaden aportaciones más específicamente bibliográficas con el objetivo de contribuir a la constitución de un repertorio de estos particulares productos editoriales.

Keywords Alexandru Popescu-Telega • Ireland • Analogical form • Lithuanian • Lithuanian translation of Spanish literature • Het leven is droom • Organic • Golden Age drama in English • Poetry • Calderón de la Barca • Theatrical reception • Italian translations • Theodoro Ameyden • Reception of Golden Age theatre • Translation Studies • Translation • Translations • Spanish Golden Age Theater • Polish theatre • Arabic Language • Comedy • Tirso • German lands • Pietro Monti • Miguel de Cervantes • Translation theory • Golden Age Spanish theater • Hispanism • George Călinescu • El perro del hortelano • Barbara Fiorellino • Gyvenimas – tai sapnas • Polish translations of Lope de Vega’s plays • Spanish classical theatre • Spanish Theatre of the Golden Age • Golden Age • Performances • Literary history • Golden Age Drama Studies • Spanish theatre • Analogical • Spanish Golden Age Theatre • Verse • Russia • France • Theatre translation • Antonio Gasparetti • El príncipe constante • A secreto agravio, secreta venganza • Adaptation • El Burlador • La vida es sueño • Denis Florence MacCarthy • Casa con dos puertas mala es de guardar • Extraneous • Staging history • Translation story • Siglo de Oro • Plays of Lope de Vega in Poland • Comedia • Mimetic • Lope de Vega • Romanticism • Theatre • Publishing • Romania • Translation studies • Seventeenth century • Pedro Calderón de la Barca • Acero de Madrid • Spanish Golden Age theatre • Canon • Translation of verbal humor • Tirso de Molina • Holmes • Classical Spanish theater • Abdel-Halim Zidan • Victorian Age • Theater • Reception • Open-access • Skopos • Amar después de la muerte • Spanish Golden Age theater

Permalink http://doi.org/10.30687/978-88-6969-490-5 | e-ISBN 978-88-6969-490-5 | ISBN (PRINT) 978-88-6969-491-2 | Number of pages 402 | Dimensions 16x23cm | Published Dec. 22, 2020 | Language es

Copyright © 2020 Claudia Demattè, Eugenio Maggi, Marco Presotto. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.