Library of Rassegna iberistica

The Translation of Spanish Classical Theater (19th-21st Centuries)

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open access | peer reviewed
    edited by
  • Claudia Demattè - Università degli Studi di Trento, Italia - email
  • Eugenio Maggi - Alma Mater Studiorum – Università di Bologna, Italia - email
  • Marco Presotto - Università degli Studi di Trento, Italia - email

Abstract

El volumen tiene el objetivo de profundizar el tema de la traducción del teatro clásico español en la época contemporánea para ofrecer al lector un panorama de las modalidades de irradiación de este patrimonio artístico en los distintos ámbitos lingüísticos y culturales. Se recogen ensayos de carácter sociológico, literario y traductológico, además de contribuciones relativas a la experiencia de la traducción, descrita a menudo directamente por su protagonistas. Se añaden aportaciones más específicamente bibliográficas con el objetivo de contribuir a la constitución de un repertorio de estos particulares productos editoriales.

Keywords Barbara Fiorellino • El perro del hortelano • Polish theatre • Abdel-Halim Zidan • Russia • Spanish Golden Age Theatre • Golden Age Spanish theater • Spanish Golden Age theater • Comedy • Golden Age Drama Studies • Spanish Golden Age Theater • France • Reception of Golden Age theatre • Spanish Golden Age theatre • Acero de Madrid • Translations • Alexandru Popescu-Telega • Translation theory • Victorian Age • Open-access • Theodoro Ameyden • Spanish Theatre of the Golden Age • Organic • Lithuanian • Golden Age • Spanish classical theatre • Arabic Language • Romanticism • Translation Studies • Siglo de Oro • Reception • Translation • Denis Florence MacCarthy • Miguel de Cervantes • Golden Age drama in English • Performances • Hispanism • Translation studies • Polish translations of Lope de Vega’s plays • El Burlador • Italian translations • Theater • Publishing • La vida es sueño • Theatre translation • German lands • Verse • Analogical form • Antonio Gasparetti • Translation story • Analogical • Theatrical reception • Het leven is droom • Adaptation • Classical Spanish theater • Theatre • Lope de Vega • Seventeenth century • Gyvenimas – tai sapnas • Casa con dos puertas mala es de guardar • Holmes • Tirso de Molina • Canon • George Călinescu • Lithuanian translation of Spanish literature • Amar después de la muerte • Mimetic • Comedia • Staging history • Plays of Lope de Vega in Poland • Romania • Tirso • Literary history • Extraneous • Poetry • Skopos • Calderón de la Barca • Translation of verbal humor • Pedro Calderón de la Barca • Pietro Monti • A secreto agravio, secreta venganza • Spanish theatre • Ireland • El príncipe constante

Permalink http://doi.org/10.30687/978-88-6969-490-5 | e-ISBN 978-88-6969-490-5 | ISBN (PRINT) 978-88-6969-491-2 | Number of pages 402 | Dimensions 16x23cm | Published Dec. 22, 2020 | Language es

Copyright © 2020 Claudia Demattè, Eugenio Maggi, Marco Presotto. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.