Library of Rassegna iberistica

Series | Library of Rassegna iberistica
Volume 20 | Edited book | The Translation of Spanish Classical Theater (19th-21st Centuries)

The Translation of Spanish Classical Theater (19th-21st Centuries)

open access | peer reviewed
    edited by
  • Claudia Demattè - Università degli Studi di Trento, Italia - email
  • Eugenio Maggi - Alma Mater Studiorum – Università di Bologna, Italia - email
  • Marco Presotto - Università degli Studi di Trento, Italia - email

Abstract

El volumen tiene el objetivo de profundizar el tema de la traducción del teatro clásico español en la época contemporánea para ofrecer al lector un panorama de las modalidades de irradiación de este patrimonio artístico en los distintos ámbitos lingüísticos y culturales. Se recogen ensayos de carácter sociológico, literario y traductológico, además de contribuciones relativas a la experiencia de la traducción, descrita a menudo directamente por su protagonistas. Se añaden aportaciones más específicamente bibliográficas con el objetivo de contribuir a la constitución de un repertorio de estos particulares productos editoriales.

Keywords Golden Age drama in English • Theatre • Extraneous • Spanish classical theatre • Ireland • Alexandru Popescu-Telega • Casa con dos puertas mala es de guardar • Spanish Theatre of the Golden Age • Calderón de la Barca • Spanish Golden Age theater • Siglo de Oro • Comedia • Holmes • Comedy • Literary history • Denis Florence MacCarthy • Hispanism • Translations • Tirso de Molina • German lands • Polish translations of Lope de Vega’s plays • Translation story • Pedro Calderón de la Barca • El príncipe constante • Publishing • Amar después de la muerte • Translation Studies • Theater • Verse • Lithuanian translation of Spanish literature • Antonio Gasparetti • Victorian Age • Lope de Vega • Lithuanian • El perro del hortelano • A secreto agravio, secreta venganza • Plays of Lope de Vega in Poland • Classical Spanish theater • Organic • Skopos • Analogical • Het leven is droom • Italian translations • Polish theatre • Translation of verbal humor • Reception • Barbara Fiorellino • Abdel-Halim Zidan • Spanish Golden Age theatre • George Călinescu • Mimetic • Golden Age • Spanish theatre • Performances • Analogical form • Open-access • Golden Age Spanish theater • Reception of Golden Age theatre • Romania • Theatre translation • Pietro Monti • Poetry • Staging history • Russia • France • Theodoro Ameyden • Acero de Madrid • Miguel de Cervantes • La vida es sueño • Translation studies • Arabic Language • Theatrical reception • Canon • Spanish Golden Age Theatre • Golden Age Drama Studies • Gyvenimas – tai sapnas • Tirso • Spanish Golden Age Theater • Translation • Romanticism • Adaptation • El Burlador • Translation theory • Seventeenth century

Permalink http://doi.org/10.30687/978-88-6969-490-5 | e-ISBN 978-88-6969-490-5 | ISBN (PRINT) 978-88-6969-491-2 | Number of pages 402 | Dimensions 16x23cm | Published Dec. 22, 2020 | Language es

Copyright © 2020 Claudia Demattè, Eugenio Maggi, Marco Presotto. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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