Library of Rassegna iberistica

The Translation of Spanish Classical Theater (19th-21st Centuries)

crossmark logo

open access | peer reviewed
    edited by
  • Claudia Demattè - Università degli Studi di Trento, Italia - email
  • Eugenio Maggi - Alma Mater Studiorum – Università di Bologna, Italia - email
  • Marco Presotto - Università degli Studi di Trento, Italia - email

Abstract

El volumen tiene el objetivo de profundizar el tema de la traducción del teatro clásico español en la época contemporánea para ofrecer al lector un panorama de las modalidades de irradiación de este patrimonio artístico en los distintos ámbitos lingüísticos y culturales. Se recogen ensayos de carácter sociológico, literario y traductológico, además de contribuciones relativas a la experiencia de la traducción, descrita a menudo directamente por su protagonistas. Se añaden aportaciones más específicamente bibliográficas con el objetivo de contribuir a la constitución de un repertorio de estos particulares productos editoriales.

Keywords Amar después de la muerte • Lithuanian • Staging history • Translation theory • Romanticism • Spanish Theatre of the Golden Age • Extraneous • Spanish classical theatre • Alexandru Popescu-Telega • Ireland • Holmes • Translation of verbal humor • Plays of Lope de Vega in Poland • Theatrical reception • Analogical form • Abdel-Halim Zidan • El príncipe constante • Golden Age • Pedro Calderón de la Barca • George Călinescu • Golden Age Drama Studies • Literary history • Performances • Lope de Vega • Seventeenth century • Polish translations of Lope de Vega’s plays • El perro del hortelano • Skopos • Publishing • Classical Spanish theater • Comedia • Translation Studies • Romania • Translation studies • Mimetic • Acero de Madrid • A secreto agravio, secreta venganza • Theatre • Tirso • Arabic Language • Translation story • Miguel de Cervantes • Adaptation • Spanish Golden Age theatre • Spanish Golden Age theater • Italian translations • Barbara Fiorellino • Casa con dos puertas mala es de guardar • Open-access • Translation • Victorian Age • Spanish Golden Age Theatre • Lithuanian translation of Spanish literature • Poetry • France • Canon • Theatre translation • Analogical • Tirso de Molina • Gyvenimas – tai sapnas • Theodoro Ameyden • Spanish theatre • Pietro Monti • Siglo de Oro • Russia • Denis Florence MacCarthy • Hispanism • Calderón de la Barca • Spanish Golden Age Theater • Golden Age Spanish theater • Antonio Gasparetti • Verse • Het leven is droom • Reception • Polish theatre • La vida es sueño • Theater • Golden Age drama in English • Comedy • Organic • Reception of Golden Age theatre • German lands • El Burlador • Translations

Permalink http://doi.org/10.30687/978-88-6969-490-5 | e-ISBN 978-88-6969-490-5 | ISBN (PRINT) 978-88-6969-491-2 | Number of pages 402 | Dimensions 16x23cm | Published Dec. 22, 2020 | Language es

Copyright © 2020 Claudia Demattè, Eugenio Maggi, Marco Presotto. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.