Series | Library of Rassegna iberistica
Edited book | The Translation of Spanish Classical Theater (19th-21st Centuries)
Chapter | El teatro clásico español en Alemania
El teatro clásico español en Alemania
Cuatro siglos y veinte años de recepción
- Simon Kroll - Universität Wien, Österreich - email
Abstract
This article seeks to give a first and comprehensive impression on the different stages of translations from Spanish Baroque theatre into German. While in the 17th and 18th centuries that contact is usually established through Dutch, Italian and French translations, it is at the beginning of the 19th century that key figures of the German Romanticism translate theatrical plays of the Spanish Baroque with a strong focus on formal aspects and philological accuracy. Nevertheless, this article shows that the first contacts between Golden Age theatre and Germany are much older than generally assumed and that the influence of Calderón and Lope on the creation of a German theatre tradition might be much stronger than it is commonly thought. Therefore, this article calls for a more profound study of the circulation of Spanish Golden Age theatre in Europe.
Submitted: Aug. 6, 2020 | Accepted: Sept. 15, 2020 | Published Dec. 22, 2020 | Language: es
Keywords Theatre • German lands • Pedro Calderón de la Barca • Translations • Lope de Vega • Golden Age
Copyright © 2020 Simon Kroll. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/978-88-6969-490-5/005
- Presentación
- Claudia Demattè, Eugenio Maggi, Marco Presotto
- Dec. 22, 2020
Panoramas
- Panoramas
- Marco Presotto
- Dec. 22, 2020
-
La traducción del teatro áureo en Italia, desde el siglo XIX hasta nuestros días
Constantes y variables en la formación de un canon - Fausta Antonucci
- Dec. 22, 2020
- Las traducciones francesas del teatro español del Siglo de Oro (siglos XIX-XXI)
- Christophe Couderc
- Dec. 22, 2020
-
El teatro clásico español en Alemania
Cuatro siglos y veinte años de recepción - Simon Kroll
- Dec. 22, 2020
- La traducción del teatro clásico español al inglés
- Jonathan Thacker
- Dec. 22, 2020
-
Los vaivenes del canon
Traducción y puesta en escena de la comedia áurea en Rusia - Veronika Ryjik
- Dec. 22, 2020
-
En torno a la paradójica recepción del teatro de Lope de Vega en Polonia
Traducciones, representaciones y comentarios críticos - Urszula Aszyk
- Dec. 22, 2020
- El hispanismo rumano y la traducción del teatro clásico español
- Oana Sambrian
- Dec. 22, 2020
-
Traducciones del teatro español del Siglo de Oro al lituano
Breve repaso histórico - Marta Plaza Velasco
- Dec. 22, 2020
-
La presencia del teatro clásico español en el mundo árabe
Entrevista con Zidan Abdel-Halim Zidan (Universidad de Al Azhar, El Cairo) - Marco Presotto
- Dec. 22, 2020
Las traducciones
- Las traducciones
- Claudia Demattè
- Dec. 22, 2020
- Las traducciones de teatro español en la Biblioteca Digital EMOTHE
- Jesús Tronch
- Dec. 22, 2020
-
En busca del príncipe polaco calderoniano
Las traducciones de La vida es sueño de Pedro Calderón de la Barca y la presencia del teatro clásico español en Polonia - Beata Baczyńska
- Dec. 22, 2020
-
La vida es sueño en lituano
Traducción para la escena - Carmen Caro Dugo
- Dec. 22, 2020
- El Burlador y la perspectiva traductológica moderna
- Francesca Leonetti
- Dec. 22, 2020
-
Las dos traducciones de El purgatorio de San Patricio por Denis Florence MacCarthy (1853 y 1873)
Primeras calas - Eugenio Maggi
- Dec. 22, 2020
-
Pietro Monti y el teatro del Siglo de Oro
Estrategias de traducción del humor - Elena Marcello
- Dec. 22, 2020
- Il cane dell’ortolano de Lope de Vega según Ameyden, Gasparetti y Fiorellino
- Marcella Trambaioli
- Dec. 22, 2020
Las experiencias
- Las experiencias
- Eugenio Maggi
- Dec. 22, 2020
- Traducir a Lope: El acero de Madrid
- Nadine Ly
- Dec. 22, 2020
-
Traducir comedias de Lope al italiano
De Las bizarrías de Belisa a L’audace Belisa - Katerina Vaiopoulos
- Dec. 22, 2020
- Treinta y cinco años traduciendo a Calderón
- Erik Coenen
- Dec. 22, 2020
-
La vida es sueño en forma analógica
Teoría, metodología y recepción de la traducción a contrapelo - Gregary J. Racz
- Dec. 22, 2020
| DC Field | Value |
|---|---|
|
dc.identifier |
ECF_chapter_4346 |
|
dc.contributor.author |
Kroll Simon |
|
dc.title |
El teatro clásico español en Alemania. Cuatro siglos y veinte años de recepción |
|
dc.type |
Chapter |
|
dc.language.iso |
es |
|
dc.description.abstract |
This article seeks to give a first and comprehensive impression on the different stages of translations from Spanish Baroque theatre into German. While in the 17th and 18th centuries that contact is usually established through Dutch, Italian and French translations, it is at the beginning of the 19th century that key figures of the German Romanticism translate theatrical plays of the Spanish Baroque with a strong focus on formal aspects and philological accuracy. Nevertheless, this article shows that the first contacts between Golden Age theatre and Germany are much older than generally assumed and that the influence of Calderón and Lope on the creation of a German theatre tradition might be much stronger than it is commonly thought. Therefore, this article calls for a more profound study of the circulation of Spanish Golden Age theatre in Europe. |
|
dc.relation.ispartof |
Library of Rassegna iberistica |
|
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing, Fondazione Università Ca’ Foscari |
|
dc.issued |
2020-12-22 |
|
dc.dateAccepted |
2020-09-15 |
|
dc.dateSubmitted |
2020-08-06 |
|
dc.identifier.uri |
http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-491-2/el-teatro-clasico-espanol-en-alemania/ |
|
dc.identifier.doi |
10.30687/978-88-6969-490-5/005 |
|
dc.identifier.issn |
2610-8844 |
|
dc.identifier.eissn |
2610-9360 |
|
dc.identifier.isbn |
978-88-6969-491-2 |
|
dc.identifier.eisbn |
978-88-6969-490-5 |
|
dc.rights |
Creative Commons Attribution 4.0 International Public License |
|
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
|
item.fulltext |
with fulltext |
|
item.grantfulltext |
open |
|
dc.peer-review |
yes |
|
dc.subject |
German lands |
|
dc.subject |
German lands |
|
dc.subject |
Golden Age |
|
dc.subject |
Golden Age |
|
dc.subject |
Lope de Vega |
|
dc.subject |
Lope de Vega |
|
dc.subject |
Pedro Calderón de la Barca |
|
dc.subject |
Pedro Calderón de la Barca |
|
dc.subject |
Theatre |
|
dc.subject |
Theatre |
|
dc.subject |
Translations |
|
dc.subject |
Translations |
| Download data |
-
file_download 9
-
search 190
-
format_quote 0
