Library of Rassegna iberistica

The Translation of Spanish Classical Theater (19th-21st Centuries)

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open access | peer reviewed
    edited by
  • Claudia Demattè - Università degli Studi di Trento, Italia - email
  • Eugenio Maggi - Alma Mater Studiorum – Università di Bologna, Italia - email
  • Marco Presotto - Università degli Studi di Trento, Italia - email

Abstract

El volumen tiene el objetivo de profundizar el tema de la traducción del teatro clásico español en la época contemporánea para ofrecer al lector un panorama de las modalidades de irradiación de este patrimonio artístico en los distintos ámbitos lingüísticos y culturales. Se recogen ensayos de carácter sociológico, literario y traductológico, además de contribuciones relativas a la experiencia de la traducción, descrita a menudo directamente por su protagonistas. Se añaden aportaciones más específicamente bibliográficas con el objetivo de contribuir a la constitución de un repertorio de estos particulares productos editoriales.

Keywords German lands • Pedro Calderón de la Barca • La vida es sueño • Spanish Golden Age Theater • Translation • Polish theatre • Theodoro Ameyden • Translations • Acero de Madrid • El perro del hortelano • Spanish classical theatre • Casa con dos puertas mala es de guardar • Adaptation • Tirso • Verse • Tirso de Molina • Spanish Golden Age theater • Victorian Age • Calderón de la Barca • Comedy • Translation studies • Barbara Fiorellino • Holmes • Russia • Hispanism • Lope de Vega • Extraneous • Ireland • Italian translations • Comedia • Antonio Gasparetti • Romania • Seventeenth century • Abdel-Halim Zidan • Plays of Lope de Vega in Poland • Polish translations of Lope de Vega’s plays • France • Golden Age Drama Studies • Mimetic • Miguel de Cervantes • Gyvenimas – tai sapnas • Literary history • Spanish theatre • George Călinescu • Golden Age drama in English • Siglo de Oro • Organic • Golden Age Spanish theater • Het leven is droom • Translation Studies • Classical Spanish theater • Spanish Golden Age theatre • Pietro Monti • Amar después de la muerte • El príncipe constante • Publishing • Performances • Theatre • Canon • Poetry • Spanish Theatre of the Golden Age • Lithuanian • Open-access • Translation theory • Alexandru Popescu-Telega • Skopos • Golden Age • Reception • Theatrical reception • Lithuanian translation of Spanish literature • Romanticism • Theater • Analogical • Spanish Golden Age Theatre • Translation story • Staging history • A secreto agravio, secreta venganza • Denis Florence MacCarthy • Reception of Golden Age theatre • Translation of verbal humor • El Burlador • Theatre translation • Arabic Language • Analogical form

Permalink http://doi.org/10.30687/978-88-6969-490-5 | e-ISBN 978-88-6969-490-5 | ISBN (PRINT) 978-88-6969-491-2 | Number of pages 402 | Dimensions 16x23cm | Published Dec. 22, 2020 | Language es

Copyright © 2020 Claudia Demattè, Eugenio Maggi, Marco Presotto. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.