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The Admiration of All Mankind

Selected Proceedings of the 14th International Colloquium of the Cervantists’ Association

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open access | peer reviewed

Abstract

In Cervantes’ The Lawyer of Glass there is a great praise of Venice, which is described as “the admiration of all mankind” because of its “infinite riches, her most wise government” and other values that makes it only similar to “the great Mexico”. With this invitation, this book collects the three key-note lectures and a selection of the presentations given at the 14th Coloquio Internacional de la Asociación de Cervantistas (2-4 October 2019), mostly about Cervantes’ theatre, reception and Italian relationships. At the same time, the volume pays tribute to Donatella Pini and Carlos Romero Muñoz, organisers of the classic series “Giornate cervantine”.

Keywords El Toboso • Individual • Viaje del parnaso • Love • Narrative frame • Entremés • Reception • Fame • Fiction • Timbrio and Silerio • Tríptico del carnaval • Quixote • Society • Poetry • Orlando innamorato • Voyage to Parnassus • Quijote • Jorge García López • Jordi Gracia • Don Quijote • Novelas ejemplares • Conception of speech • Translation • Biography • Gender • Tirante • Lie • Spanish Court • Truth • Carla Perugini • Shakespeare • Clientelar relationship • Miguel de Cervantes • Recreation • Hypothetical and narrative discourse • Narratology • Poetics • Narrative transition formulas • Authentication • Music • Exemplary Novels • Inserted poetry • Interlacing • Sergio Pitol • Ortega Rosa • Avellaneda • Library • Novel • María de Zayas • Scipio • Corography • Fielding • Judgment • Mainstreaming • Picaresque • Honesto y entretenido sarao • Individuality • Don Quixote • Cervantes theatre • Theatre • Anticipation • Villaseñor • Suicide • Entremeses • Libretto • Philology • Quijote II, 74 • Comparative study • Intertextuality • Show • Spain • Orlando furioso • Law • Golden Age theatre • Garcilaso • De senectute • Body • Revival • Theogenes • Narrative perspective • Galatea • Elegiac dystic • Melancholy • Dances • Quintanar de la Orden • Linguistic deformation • Testament • Italy • José Manuel Lucía Megías • Spanish novel • Amplificatio of the enunciative system • Contemporary theatre • Antonio de la Peña • Lofraso • History • Romantic irony • La Mancha • Erotic crimes • Rubric • Metafiction • Opera • Parody • Cervantes • Grammar • Veridiction • Persiles • La Galatea • Posthumous fame • Scrutiny • Error • Pride • Ludeña • Madness • English theatre • Classic • Irony • Royal Court

Thema codes DSK • DSG • 2ADS • 5TD-ES-A

Permalink http://doi.org/10.30687/978-88-6969-579-7 | e-ISBN 978-88-6969-579-7 | ISBN (PRINT) 978-88-6969-580-3 | Number of pages 426 | Dimensions 16x23cm | Published Dec. 1, 2021 | Language es

Copyright © 2021 Adrián J. Sáez. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.