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The Admiration of All Mankind

Selected Proceedings of the 14th International Colloquium of the Cervantists’ Association

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open access | peer reviewed

Abstract

In Cervantes’ The Lawyer of Glass there is a great praise of Venice, which is described as “the admiration of all mankind” because of its “infinite riches, her most wise government” and other values that makes it only similar to “the great Mexico”. With this invitation, this book collects the three key-note lectures and a selection of the presentations given at the 14th Coloquio Internacional de la Asociación de Cervantistas (2-4 October 2019), mostly about Cervantes’ theatre, reception and Italian relationships. At the same time, the volume pays tribute to Donatella Pini and Carlos Romero Muñoz, organisers of the classic series “Giornate cervantine”.

Keywords Irony • Jorge García López • Golden Age theatre • Amplificatio of the enunciative system • Novel • Recreation • Parody • Libretto • Timbrio and Silerio • Entremés • Poetry • Narrative frame • Theatre • Madness • Erotic crimes • Contemporary theatre • Carla Perugini • José Manuel Lucía Megías • Persiles • Melancholy • Avellaneda • Quijote II, 74 • Fielding • Translation • Scrutiny • Pride • Opera • Rubric • Don Quijote • Truth • Suicide • Orlando furioso • Jordi Gracia • Orlando innamorato • Error • Novelas ejemplares • Fame • Library • Reception • Sergio Pitol • Cervantes • Interlacing • Testament • Theogenes • Miguel de Cervantes • Intertextuality • La Galatea • Picaresque • Narratology • Garcilaso • Posthumous fame • Biography • Grammar • Spanish novel • Philology • Mainstreaming • Royal Court • Veridiction • History • La Mancha • Spanish Court • Law • Clientelar relationship • Society • Comparative study • Romantic irony • Music • English theatre • Don Quixote • María de Zayas • Narrative perspective • Ludeña • Anticipation • Conception of speech • Dances • Viaje del parnaso • Quijote • De senectute • Classic • Voyage to Parnassus • Hypothetical and narrative discourse • Show • Galatea • Entremeses • Cervantes theatre • Fiction • Exemplary Novels • Scipio • Poetics • Shakespeare • Quintanar de la Orden • Antonio de la Peña • Italy • Linguistic deformation • Inserted poetry • Elegiac dystic • Villaseñor • Lie • Love • Individuality • Judgment • Authentication • Narrative transition formulas • Individual • Lofraso • Spain • Corography • Ortega Rosa • Tirante • Body • El Toboso • Quixote • Gender • Revival • Honesto y entretenido sarao • Metafiction • Tríptico del carnaval

Thema codes DSK • DSG • 2ADS • 5TD-ES-A

Permalink http://doi.org/10.30687/978-88-6969-579-7 | e-ISBN 978-88-6969-579-7 | ISBN (PRINT) 978-88-6969-580-3 | Number of pages 426 | Dimensions 16x23cm | Published Dec. 1, 2021 | Language es

Copyright © 2021 Adrián J. Sáez. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.