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The Admiration of All Mankind

Selected Proceedings of the 14th International Colloquium of the Cervantists’ Association

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open access | peer reviewed

Abstract

In Cervantes’ The Lawyer of Glass there is a great praise of Venice, which is described as “the admiration of all mankind” because of its “infinite riches, her most wise government” and other values that makes it only similar to “the great Mexico”. With this invitation, this book collects the three key-note lectures and a selection of the presentations given at the 14th Coloquio Internacional de la Asociación de Cervantistas (2-4 October 2019), mostly about Cervantes’ theatre, reception and Italian relationships. At the same time, the volume pays tribute to Donatella Pini and Carlos Romero Muñoz, organisers of the classic series “Giornate cervantine”.

Keywords Quintanar de la Orden • Philology • Mainstreaming • Melancholy • Scipio • Narrative transition formulas • Persiles • Hypothetical and narrative discourse • Revival • Dances • Irony • Elegiac dystic • Intertextuality • Narrative frame • Gender • Shakespeare • Society • Orlando innamorato • Show • Timbrio and Silerio • Fiction • Madness • Theogenes • Sergio Pitol • Theatre • History • Jordi Gracia • María de Zayas • Individuality • La Mancha • Royal Court • Reception • Pride • Scrutiny • Grammar • Entremeses • Posthumous fame • Ortega Rosa • Spanish novel • Library • Law • Novel • Fielding • Novelas ejemplares • Poetics • Individual • Galatea • Body • Ludeña • Recreation • Corography • Interlacing • Biography • Narrative perspective • Entremés • Don Quijote • Erotic crimes • English theatre • Truth • Opera • Inserted poetry • José Manuel Lucía Megías • Miguel de Cervantes • Quixote • Libretto • Conception of speech • Contemporary theatre • Quijote II, 74 • Lie • Rubric • Anticipation • Veridiction • Music • Orlando furioso • Picaresque • Quijote • Narratology • Tirante • Lofraso • Romantic irony • Suicide • Error • El Toboso • Clientelar relationship • Classic • Tríptico del carnaval • Avellaneda • Voyage to Parnassus • Linguistic deformation • Translation • Testament • Jorge García López • Honesto y entretenido sarao • Spanish Court • Don Quixote • Spain • Fame • De senectute • Judgment • Love • Carla Perugini • Viaje del parnaso • La Galatea • Authentication • Antonio de la Peña • Exemplary Novels • Villaseñor • Garcilaso • Parody • Metafiction • Cervantes • Poetry • Golden Age theatre • Amplificatio of the enunciative system • Comparative study • Cervantes theatre • Italy

Thema codes DSK • DSG • 2ADS • 5TD-ES-A

Permalink http://doi.org/10.30687/978-88-6969-579-7 | e-ISBN 978-88-6969-579-7 | ISBN (PRINT) 978-88-6969-580-3 | Number of pages 426 | Dimensions 16x23cm | Published Dec. 1, 2021 | Language es

Copyright © 2021 Adrián J. Sáez. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.