The Admiration of All Mankind
Selected Proceedings of the 14th International Colloquium of the Cervantists’ Association
open access | peer reviewed
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edited by
- Adrián J. Sáez - Ca' Foscari University of Venice - email
Abstract
In Cervantes’ The Lawyer of Glass there is a great praise of Venice, which is described as “the admiration of all mankind” because of its “infinite riches, her most wise government” and other values that makes it only similar to “the great Mexico”. With this invitation, this book collects the three key-note lectures and a selection of the presentations given at the 14th Coloquio Internacional de la Asociación de Cervantistas (2-4 October 2019), mostly about Cervantes’ theatre, reception and Italian relationships. At the same time, the volume pays tribute to Donatella Pini and Carlos Romero Muñoz, organisers of the classic series “Giornate cervantine”.
Keywords Scipio • Narratology • Tríptico del carnaval • Music • Narrative perspective • Lie • Intertextuality • Honesto y entretenido sarao • José Manuel Lucía Megías • History • Jordi Gracia • Anticipation • Garcilaso • Melancholy • Persiles • Cervantes • Body • Don Quixote • Elegiac dystic • Exemplary Novels • Truth • Irony • Narrative transition formulas • De senectute • Contemporary theatre • Reception • Libretto • Clientelar relationship • Fielding • Corography • Miguel de Cervantes • Revival • Narrative frame • Love • Dances • Opera • La Galatea • La Mancha • Theogenes • Voyage to Parnassus • Error • Entremés • Law • Poetics • Mainstreaming • Shakespeare • Timbrio and Silerio • Scrutiny • Theatre • Posthumous fame • Recreation • Madness • Sergio Pitol • Inserted poetry • Entremeses • Villaseñor • Orlando innamorato • Poetry • Pride • Individuality • English theatre • María de Zayas • Biography • Cervantes theatre • Orlando furioso • Erotic crimes • El Toboso • Linguistic deformation • Italy • Spanish novel • Spanish Court • Quijote II, 74 • Viaje del parnaso • Quintanar de la Orden • Tirante • Royal Court • Comparative study • Veridiction • Golden Age theatre • Quixote • Philology • Hypothetical and narrative discourse • Translation • Picaresque • Romantic irony • Galatea • Show • Fiction • Fame • Ludeña • Spain • Conception of speech • Individual • Carla Perugini • Lofraso • Ortega Rosa • Interlacing • Antonio de la Peña • Gender • Don Quijote • Society • Parody • Rubric • Avellaneda • Classic • Library • Novelas ejemplares • Quijote • Grammar • Judgment • Authentication • Novel • Metafiction • Amplificatio of the enunciative system • Testament • Suicide • Jorge García López
Thema codes DSK • DSG • 2ADS • 5TD-ES-A
Permalink http://doi.org/10.30687/978-88-6969-579-7 | e-ISBN 978-88-6969-579-7 | ISBN (PRINT) 978-88-6969-580-3 | Number of pages 426 | Dimensions 16x23cm | Published Dec. 1, 2021 | Language es
Copyright © 2021 Adrián J. Sáez. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.