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The Admiration of All Mankind

Selected Proceedings of the 14th International Colloquium of the Cervantists’ Association

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open access | peer reviewed

Abstract

In Cervantes’ The Lawyer of Glass there is a great praise of Venice, which is described as “the admiration of all mankind” because of its “infinite riches, her most wise government” and other values that makes it only similar to “the great Mexico”. With this invitation, this book collects the three key-note lectures and a selection of the presentations given at the 14th Coloquio Internacional de la Asociación de Cervantistas (2-4 October 2019), mostly about Cervantes’ theatre, reception and Italian relationships. At the same time, the volume pays tribute to Donatella Pini and Carlos Romero Muñoz, organisers of the classic series “Giornate cervantine”.

Keywords Carla Perugini • Intertextuality • Posthumous fame • Scrutiny • Voyage to Parnassus • Novelas ejemplares • Testament • Comparative study • Grammar • Orlando innamorato • Individuality • Poetics • Fiction • Mainstreaming • Ortega Rosa • Show • Italy • Quijote • Erotic crimes • Romantic irony • Picaresque • Tríptico del carnaval • Spanish Court • María de Zayas • Viaje del parnaso • Revival • Veridiction • Narrative transition formulas • Fame • Elegiac dystic • Irony • Judgment • Don Quijote • Exemplary Novels • Don Quixote • Individual • Royal Court • Music • Madness • Antonio de la Peña • English theatre • Cervantes • El Toboso • Entremeses • José Manuel Lucía Megías • Biography • Miguel de Cervantes • Theatre • Gender • Lie • Spanish novel • Ludeña • Narrative perspective • Garcilaso • Villaseñor • Quixote • Galatea • Recreation • Library • Corography • Avellaneda • Rubric • La Galatea • Translation • History • Novel • Sergio Pitol • Philology • Error • Orlando furioso • Contemporary theatre • La Mancha • Anticipation • Libretto • Poetry • Truth • Dances • De senectute • Melancholy • Law • Narrative frame • Theogenes • Suicide • Jorge García López • Authentication • Conception of speech • Honesto y entretenido sarao • Pride • Entremés • Narratology • Body • Shakespeare • Metafiction • Linguistic deformation • Fielding • Amplificatio of the enunciative system • Golden Age theatre • Clientelar relationship • Tirante • Parody • Interlacing • Quijote II, 74 • Spain • Quintanar de la Orden • Scipio • Love • Classic • Lofraso • Cervantes theatre • Jordi Gracia • Persiles • Reception • Inserted poetry • Timbrio and Silerio • Hypothetical and narrative discourse • Society • Opera

Thema codes DSK • DSG • 2ADS • 5TD-ES-A

Permalink http://doi.org/10.30687/978-88-6969-579-7 | e-ISBN 978-88-6969-579-7 | ISBN (PRINT) 978-88-6969-580-3 | Number of pages 426 | Dimensions 16x23cm | Published Dec. 1, 2021 | Language es

Copyright © 2021 Adrián J. Sáez. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.