Library of Rassegna iberistica

The Admiration of All Mankind

Selected Proceedings of the 14th International Colloquium of the Cervantists’ Association

crossmark logo

open access | peer reviewed
    edited by
  • Adrián J. Sáez - Università Ca’ Foscari Venezia, Italia - email

Abstract

In Cervantes’ The Lawyer of Glass there is a great praise of Venice, which is described as “the admiration of all mankind” because of its “infinite riches, her most wise government” and other values that makes it only similar to “the great Mexico”. With this invitation, this book collects the three key-note lectures and a selection of the presentations given at the 14th Coloquio Internacional de la Asociación de Cervantistas (2-4 October 2019), mostly about Cervantes’ theatre, reception and Italian relationships. At the same time, the volume pays tribute to Donatella Pini and Carlos Romero Muñoz, organisers of the classic series “Giornate cervantine”.

Keywords Quintanar de la Orden • Reception • La Mancha • Galatea • Irony • Amplificatio of the enunciative system • Spain • Philology • Individuality • Body • Library • Show • Persiles • El Toboso • Libretto • Interlacing • Avellaneda • Jordi Gracia • Anticipation • Royal Court • Don Quijote • Recreation • Timbrio and Silerio • La Galatea • Erotic crimes • Carla Perugini • Posthumous fame • Honesto y entretenido sarao • Law • Narrative frame • Classic • Parody • Spanish novel • Shakespeare • Entremeses • Tirante • Quijote II, 74 • Viaje del parnaso • Intertextuality • Exemplary Novels • Scrutiny • Veridiction • Linguistic deformation • Rubric • Antonio de la Peña • Translation • Novelas ejemplares • Novel • Theatre • Biography • Inserted poetry • Metafiction • Fiction • Elegiac dystic • Narrative transition formulas • Corography • Don Quixote • Revival • Lie • Mainstreaming • Music • Comparative study • Spanish Court • Golden Age theatre • Cervantes • Contemporary theatre • Society • Error • Villaseñor • Sergio Pitol • Tríptico del carnaval • Grammar • History • Orlando innamorato • Conception of speech • Truth • Italy • Authentication • Entremés • Opera • Orlando furioso • Jorge García López • Pride • Gender • Dances • José Manuel Lucía Megías • De senectute • Narratology • Hypothetical and narrative discourse • Clientelar relationship • Melancholy • Miguel de Cervantes • Romantic irony • Poetics • María de Zayas • Narrative perspective • Theogenes • Fame • Quijote • Ludeña • Garcilaso • Individual • Cervantes theatre • Suicide • Lofraso • Testament • English theatre • Madness • Quixote • Fielding • Love • Ortega Rosa • Poetry • Picaresque • Judgment • Scipio • Voyage to Parnassus

Permalink http://doi.org/10.30687/978-88-6969-579-7 | e-ISBN 978-88-6969-579-7 | ISBN (PRINT) 978-88-6969-580-3 | Number of pages 426 | Dimensions 16x23cm | Published Dec. 1, 2021 | Language es

Copyright © 2021 Adrián J. Sáez. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.