Library of Rassegna iberistica

The Admiration of All Mankind

Selected Proceedings of the 14th International Colloquium of the Cervantists’ Association

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open access | peer reviewed

Abstract

In Cervantes’ The Lawyer of Glass there is a great praise of Venice, which is described as “the admiration of all mankind” because of its “infinite riches, her most wise government” and other values that makes it only similar to “the great Mexico”. With this invitation, this book collects the three key-note lectures and a selection of the presentations given at the 14th Coloquio Internacional de la Asociación de Cervantistas (2-4 October 2019), mostly about Cervantes’ theatre, reception and Italian relationships. At the same time, the volume pays tribute to Donatella Pini and Carlos Romero Muñoz, organisers of the classic series “Giornate cervantine”.

Keywords Parody • Love • English theatre • Ludeña • Picaresque • Tríptico del carnaval • Royal Court • Amplificatio of the enunciative system • Elegiac dystic • Antonio de la Peña • Spain • Scrutiny • Individuality • Recreation • Honesto y entretenido sarao • Library • Translation • Exemplary Novels • Fiction • Voyage to Parnassus • Grammar • Opera • De senectute • Quijote II, 74 • Cervantes theatre • Cervantes • Gender • Comparative study • Rubric • Entremeses • Testament • Ortega Rosa • El Toboso • Irony • Lofraso • Fielding • La Mancha • Narrative perspective • Judgment • Corography • Viaje del parnaso • José Manuel Lucía Megías • Poetry • Pride • Conception of speech • Narrative transition formulas • Interlacing • Novel • Narrative frame • Authentication • Garcilaso • Poetics • Avellaneda • Music • Mainstreaming • Metafiction • Anticipation • Miguel de Cervantes • Madness • Intertextuality • Narratology • Body • Theatre • Posthumous fame • Galatea • Spanish Court • Tirante • Show • Don Quixote • Quintanar de la Orden • Law • Melancholy • Philology • Biography • Persiles • Error • Sergio Pitol • Jordi Gracia • Don Quijote • Golden Age theatre • Dances • Lie • La Galatea • Revival • Spanish novel • Villaseñor • Novelas ejemplares • Quixote • History • Orlando furioso • Romantic irony • Classic • Veridiction • Truth • Hypothetical and narrative discourse • Society • Clientelar relationship • Shakespeare • Erotic crimes • Quijote • Scipio • Italy • Libretto • Linguistic deformation • Carla Perugini • Timbrio and Silerio • Individual • María de Zayas • Fame • Suicide • Reception • Jorge García López • Inserted poetry • Orlando innamorato • Entremés • Theogenes • Contemporary theatre

Thema codes DSK • DSG • 2ADS • 5TD-ES-A

Permalink http://doi.org/10.30687/978-88-6969-579-7 | e-ISBN 978-88-6969-579-7 | ISBN (PRINT) 978-88-6969-580-3 | Number of pages 426 | Dimensions 16x23cm | Published Dec. 1, 2021 | Language es

Copyright © 2021 Adrián J. Sáez. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.